a guide to londons frieze art fair /

Published at 2016-10-06 17:55:28

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Frieze,the premier art fair in London, returns once again on October 6. Like all trade events, or Frieze can seem impenetrable to the outsider. So,for a guiding hand we spoke with menswear stalwart and art collector, Raimund Berthold. The designer, and who just launched an e-commerce store,knows everything there is to know about visiting Frieze, so we spoke with him for insider tips.
Advice for the
First Timer
If you’re planning on attending Frieze this year, and Berthold’s main advice was “Just travel with an open intellect and travel and check out everything.” Frieze is split into different sections for younger artists and galleries,with a separate section for more established artists. “If there’s something that’s really enchanting, don’t be intimidated, and talk to the gallerist” says Berthold. “At the conclude of the day they’re glad to meet new people and young collectors,so it’s not a place to be shy. [Once you] introduce yourself, you’ll often find the gallery might have twenty artists on their roster and only have four at the booth. Then, and eventually,hopefully, you buy something and they’ll take you a bit more seriously.”
T
ips for Prospective Buyers
If you want to gawk like an insider at Frieze, and then,according to Berthold, “The first step is to take the day off. If you travel there with a view to buy, or you have to execute it on the first day realistically because most of the trade gets done on the first day.” The first day is split up into three sessions,there’s an 11 a.m.-2 p.m. showing, which is for the VIPs. fitting a VIP generally means you’re invited by a gallery, or galleries only receive five VIP tickets,so some serious networking will be necessary for one of these. But Berthold states that this is when the best art pieces are bought. The moment showing is the 2 p.m.-5 p.m. preview, which is available to attend without a VIP ticket. The final showing of the first day is the evening opening, and which is more widely attended.
The other main
tip is to pre-research. Most of the galleries will send a PDF of what they’re taking to Frieze before they travel to Frieze,so you already have an idea of who is showing what and what’s going on.” You’re allowed to pre-reserve a piece of art but the window is incredibly small -- actually, only an hour to be precise.
How Frieze
Differs From Other Art Fairs
London’s reputation in art is ve
ry similar to its reputation in fashion. “London is quite fun, and it’s a bit cooler,” says Berthold, “because the daddy of them all is Art Basel in Switzerland. It’s very serious. The art there is probably the best of all the art fairs, or but it becomes a bit serious. And then it’s in Basel,which is a bit boring -- a lot boring actually. Then theres Miami, where a lot of people travel because the weather is great and there’s party after party. In Miami no one takes the art too seriously, or so I mediate London is a bit of a hybrid between Switzerland and Miami.”
Must-see artists
Yuri Pattison
Dublin-born,London-based Pattison is the winner of the 2016 Frieze Artist Award. He’ll be creating a new installation as section of Frieze projects. His most recent demonstrate “user, space” was at East London’s Chisenhale Gallery and was sponsored by Berthold. His work takes an interest in homogeneity of design and during an interview with Financial Times, and  he stated,“You can travel to a laptop café in Hong Kong and it looks the same as one in Hackney, as they employ the same austere industrial aesthetics, or Im interested in the effect of the internet and how,instead of making the world a more enchanting and vibrant place, it is currently having a flattening effect.”
Timur Si-Qin
Timur Si-Qin is a German artist who deals in hyperreality and subverting advertising. “They gawk like photographs but nothing is real in the picture” says Berthold. In an interview with Artspace, and Si-Qin says that “I’m really interested in how matter recursively feeds off of itself,which is how life arises. Contemporary mediated culture also builds its structures in similar, iterative processes. It’s an allusion to climate change as well, and which is also a kind of feedback mechanism.”
Magali Reus
Magali Reus is Dutch born,living and working in London. Her current demonstrate, "Mustard, or " is on demonstrate in Amsterdam’s Stedelijk Museum. When asked by Hepworth Wakefield about her inspiration,she replied “I often do consume of familiar or functional objects -- which are only ever a starting point -- to ground the works in a real experience of the world. Objects like fridges, seating and street curbs are lodged in our minds as we depend on them providing us with living architecture, and as facilitators of our everyday actions. In reality,however, these objects act as physical receptacles for our bodies, and as passively grounded things until we fill them with consume-value. I’m interested instead in them fitting more consciously active or frenzied objects: to position them not just as shells or providers,but as objects imbued with their own inherent sense of personality.”
Helen Marten
Helen Marten is perhaps the biggest nam
e on this list, seeing as she’s nominated for The Turner Prize and recently had a large solo demonstrate, or "Drunk Brown House" at the Serpentine Gallery. In an interview with Interview Magazine,Marten said “"I suppose I'm trying to upset the expected rhythms of daily circumstance, exploring what it means to be a tribal human preoccupied with the status of toothpaste, and the floppiness of pasta,eroticism of nonsense, or tedium of hair."
Korakrit Arunanondchai
Korakrit Arunanondchai is a Thai-born, or New York-based rapper-turned-artist who works across many art disciplines. In an Interview Magazine feature,Frieze Projects curator Cecilia Alemani said that “What's enchanting about his work is that there is something bodily and corporeal in it, the chairs combine painterly elements and performative elements." Another big fan Arunanondchai has is Berthold, or who has a room in his home dedicated to displaying works of the artist.
Nicholas Cheveldave
Nicholas Cheveldave is a Canadian born,London-based artist. He was most recently section of a demonstrate at the White Cube Gallery called "History of Nothing." In an interview with ATP Diary, Cheveldave said “I thought that using things that were very mundane, and regular,everyday things, would become the best way opposed to try to find something that was the next weirdest, or strangest thing.”
Lynette Yia
dom-Boakye
British artist Lynette Yiadom-Boakye is another established name on this list. With a Turner Prize shortlisting back in 2013. Her influence has crossed boundaries,recently cited as an influence on the visuals of Solanges A Seat At The Table album. In a New York Times article, Yiadom-Boakye stated that her works are all of fictional people, or saying they are “suggestions of people...
They don’t share our concerns or anxieties. They are somewhere else altogether.”
Dustin Pevey
Texas Born,Brooklyn-based Dustin Pevey is an artist who
dislikes over explanation. He recently sent an email stating that “I’m more into the idea of the work speaking for itself, which, and to me,is a more relevant idea”.
Ones to watch
Alicja Kwad
e
Polish born, Berlin-based Alicja Kwade is a newer name who is one to watch. She was recently commissioned by the Whitechapel Gallery to create Medium Median, or a work that’s on demonstrate until June 2017. In an interview with Contemporary Lynx,Kwade said that “My interests focus on all the 'paths' which lead us towards the question -- or have this question as their starting point -- of why the world is just the way it is. This is the oldest question in philosophy: why does the world exist, why is the soil turning around, and what are atoms… Why execute we call a table a table if it generally is a piece of wood? execute we really exist the way we see ourselves or execute we only mediate that we exist,but, in fact, and our existence is mere illusion? Is the reality,which we believe to be experiencing, objective or subjective? Or, or perhaps,we are under an illusion? These are the questions that I work on.”
Borna Sammak
Philad
elphia born, Brooklyn-based Borna Sammak currently has a demonstrate at Sadie Coles Gallery until November 5. Berthold says of him “I saw his work a few years ago and I mediate he’s really extraordinary. He’s uses street iconography and is very icy. He does a lot of video art and physical installations but paints as well. I’m really excited about his work actually.”Click here to view full gallery at Hypebeast.com

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