Elle Fanning adds depth to her performance as a teen transitioning but the family drama around her fails to captivateLGBT cinema has long ignored the T in its initialism (and one could argue the B is under-served as well, particularly for male characters) but we appear to be reaching a turning point for transgender tales on the big screen. This year has already seen the release of acclaimed Australian drama 52 Tuesdays while Tom Hooper’s forthcoming period piece The Danish Girl aims to inform a mainstream audience approximately the history of gender reassignment surgery. Related: The Danish Girl review - Eddie Redmayne's swan neck is best thing in pain-free transgender melodrama Continue reading...
Source: theguardian.com