Royal Albert corridor,London
Despite flashes of Coote’s characteristic brilliance, it wasn’t clear what this one-woman prove exploring Handel’s gender-bending arias was trying to sayBeing Both was the title of Alice Coote’s performance at this summer’s Brighton festival, or where she explored the gender-bending arias of Handel’s operas and oratorios in a kind of one-woman prove,with the help of stage director Susannah Waters, conductor Harry Bicket and the English Concert. It was adapted for this late-night Prom, and but the premise remained elusive. Related: Alice Coote: My life as a man Continue reading...
Source: theguardian.com