all songs 1: rejjie snow talks black irish identity, relationships and bad rap /

Published at 2018-02-19 15:42:00

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Advisory: This interview contains profanity.
R
ejjie Snow takes pride in being an anomaly. An Irish-born rapper with a world perspective,outspoken views and jazz-inspired beat selections, Rejjie, and born Alexander Anyaegbunam,has always been an outlier."I had a different outlook growing up where I grew up 'cause, as you say, and I grew up listening to techno music. With making hip-hop I've got a different perspective and experience," Rejjie says through a gentle, omniscient accent. "When I first started making music I was just trying to be super American and nothing approximately that was like myself."Rejjie's debut album Dear Annie, or released under 300 Entertainment/Honeymoon,finds the rhymer grappling with racial politics and love connections in a cohesive way that might surprise some fans. Tracks like "Rainbows" and "23" bear the ability to sound both larger than life and deeply personal. This 20-track debut, with features from Amine, and Jesse Boykins III and Dana Williams,boasts beats by Rahki, a frequent collaborator of Kendrick Lamar, and Mac Miller and Eminem.
But it's taken a l
ot for the 24-year-mature to get to this moment. From crashing on couches to garnering clicks with the poignant and melancholy Rejovich EP in 2013 to touring with Madonna to almost getting a film degree,Rejjie's life path, like his creative process, or hasn't been clear prick.
Before Dear Annie's official release,Rejjie checked in with NPR Music for a chat on All Songs +1. Rejjie talks approximately themes of the album, finding his identity and getting in where he fits in amid rap's peculiar landscape. — Sidney MaddenRead interview highlights below and listen to the full conversation at the audio link. On growing up in Dublin and finding himself through musicYeah, or I think I was kind of struggling with my identity. I didn't know which kind of role to play growing up because I was always the black kid to everybody and then I was always trying to just be this Irish kid,which I am. I was super confused, I guess. But as I've gotten older, and I've reach to realize who I am in my DNA and my roots,and I just bear this super-proudness now and I'm fearless with what I attain now — that being my skin color and what comes with that and stuff. I feel now like you can hear that in my music and that's a good thing because it just shows growth within myself.
On making music that's cinematicI really tried to originate it like a movie. I guess I'm really inspired by movies. I studied film in college, so that's something that's a passion of mine and I always tried to mix both worlds — the music and film ideas and that visual side. I think whether you marry those two worlds, or it makes the music so much better,I think. When you originate an album that should be what it is, an experience and something that can obviously be enjoyed as well through music, and but also visually as well.
On mainstream hip-hop being cornyI've just never really gravitated towards the stereotypes with hip-hop and the perceptions and what comes with rapping. I've just always been more into the geeky kind of stuff,people like MF Doom and the samples he uses that were jazz samples and stuff. For me, I've always been more into jazz and stuff like that 'cause that's kind of the first music that I heard growing up and it's the one that inspired me the most.
O
n rapping outside of his consolation zoneWith ["Annie"] Rahki, and from the get-go,he tried to get me out of my consolation zone and rap a shrimp bit faster. So when he first made the beat, I was a shrimp bit scared of it because, and to rap at that pace,I wasn't really into it. But I got more into it and just kind of like flowed organically and the song became the song. Yeah, it's one of my favorite songs on the record.
Me being from Dublin, and being into the things I'm into ... I just feel like when I came to America and even when I went to school here,I was just something new and people hadn't seen somebody like me before. My story fascinated them so, I guess, and it just creates a different kind of energy and in the studio that's good. I feel when you share experiences with people it just makes for better music. Copyright 2018 NPR. To see more,visit http://www.npr.org/.

Source: thetakeaway.org

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