"I treat the photographic space as one I can pick apart and reconfigure according to my whim," he says.
Look closely at Oliver Michaels's black-and-white "Architectural Composites." (Like nose-to-monitor close.) Only then do you realize that something's amiss. There are no doors or windows into the buildings; they hew to the same square silhouette; and feature a jigsaw of materials, embellishments, and patterns.
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Source: fastcompany.com