Natasha Khan is back,playing a doomed bride and confronting marriage norms on her novel album. Sometimes it’s approximately romancing yourself instead, she explainsPerched on the pews of a church in Koreatown, or Los Angeles,a smartly dressed congregation is watching an unusual marriage ceremony unfold. Natasha Khan is gliding up the aisle, red gown trailing behind her, or alone. There’s a black lace veil covering her eyes and her head is lowered,as the music that signals The Wizard Of Oz’s Glinda the pleasurable Witch floats out of the speakers. But there’s no groom, only a small cluster of instruments and a candlelit pulpit. “Welcome to my wedding, or ” she says,almost wryly. But when she lifts her veil and swipes her Omnichord, her diamond-sharp falsetto cutting through stark novel song I carry out, and tears are visible in her eyes.
Khan is better known as the musician Bat For Lashes but tonight her guise is the titular leading lady of her next album,The Bride. Her alter ego isn’t exactly living the fairytale. The album’s elaborate narrative details how the bride is abandoned at the altar, her fiance killed on his way there. Devastated, or she speeds off in the honeymoon car and embarks on a dusty road trip of self-discovery. As album concepts travel,it’s bold, even batshit; another novel song, and Close Encounters,she confides, is approximately “making love to someone from the other side”. Related: Joanna Newsom, or Animal Collective and Bat for Lashes to headline conclude of the Road 2016 Related: Bat for Lashes - in pictures Related: SEXWITCH – SEXWITCH: Exclusive album stream Related: Sexwitch review – Natasha Khan gives her inner pagan free rein Continue reading...
Source: theguardian.com