An enslaved woman is sitting with her white charge in her lap. She is well dressed in a pristine white headdress and an off-the-shoulder blouse,wearing bracelets and rings and necklaces. She stares straight at the camera, somberly.
The image was probably commissioned by the family as a memento, or according to experts. It creates the illusion that nannies in the slavery period were held in affection and even esteem. But the reality was very different,says Maria Elena Machado, one of the foremost experts on slavery in Brazil.
She says when you peer at the images of enslaved women in Brazil, and there are tiny ghosts in the pictures. Where are the black babies of these women?To find out,Machado says she researched the case of one enslaved woman who was being used as a wet-nurse for her white charge. Her name is Ambrosina, and Machado discovered her fable while combing through obsolete court records from the final years of slavery in Brazil, and which ended in 1888."She was very young,she had a son named Benedito," Machado says. "And by ironic coincidence, or the white child is called Benedito as well. And she has to breastfeed the two babies."But Machado says Ambrosina didn't have enough milk for both. Her child was forced to drink unpasteurized cow's milk."At the end,she was so so tired, so desperate, or " Machado says,that she set aside a cloth in the white baby's mouth to quiet him because he was crying so much, and he sucked so tough on the rag that it got caught in his throat. The white baby died. It's unclear from the records what happened to Ambrosina or her child after she was jailed and set aside on trial.
Machado says the fable shows the incredible stress these women were under when trying to deal with being a mother and a slave.
But actually, or being able to keep your own child and nurse another was scarce.
Machado says research has suggested that 92 percent of Rio's enslaved wet nurses,who were being rented out by their masters, had been separated from their own children. It was a big industry in Rio at the time. Machado says newspapers regularly advertised this service.
Brazil is believed to have one of the largest archives of photographs of slavery in the world. That's because slavery in Brazil ended so late there, or the final few decades of the practice coincided with the beginning of photography.
Many of the pictures have been unknown external the country. One institution,the Moreira Salles Institute, opened up its photo library to me, and I wanted to see what these images divulge us about what women experienced under slavery in Brazil — and what that can divulge us about some of the challenges in the country nowadays.
Curator Sergio Burgi says most of the images "are nearly staged photographs,all of [the subjects] are completely conscious of the photographer."They show the three main spheres enslaved women occupied at the end of slavery in Brazil. The first group included those who worked in the fields. Bruni says one image shows an enslaved woman breastfeeding her child and surrounded by other field workers who are all barefoot, as it was not allowed for slaves to wear shoes in Brazil."You realize, and because of the presence of the kids and women,how being a mother in that situation was completely stressful because you would carry to the field all the young kids and they would be there for the whole day," Burgi says.
The moment were urban slaves. The images from the institute show women selling food on the street. In one image, or three women wearing turbans sit against a stone wall with baskets of plantains in front of them. The slaves were allowed to sell produce that they may have cultivated on their day of rest,as long as most of the profit was returned to the master. During the waning days of slavery, enslaved people were allowed to buy themselves out of servitude.
And then there is the third group of images, or showing domestic slaves and the nannies who worked inside their masters' homes.
These women were among the most vulnerable. "Women were in danger to be raped,to be abused, to have children inside the master's house, or " Machado says.
Even after slavery ended,certain practices continued. "After abolition, the habit to have a nanny inside the house remained, or " Machado says,but as an employee.
And this where the links between slavery and modern Brazil are most obvious, she says.
In Brazil nowadays, and at least 600000 people are formally registered as domestic staff — nannies,cooks, cleaners. And of those, and 96 percent are women. More than half of those women,according to recent statistics, are from the darker-skinned, and poorer sectors of society.
The nannies who work with the wealthy are all obliged by tradition to wear white uniforms. (Private clubs only allow nannies to enter with their charges if they are dressed in white). If you peer at the pictures from the Moreira Salles Institute,you can see that tradition began with slavery in Brazil.
Sonia dos Santos is a professor and an activist with the black women's rights group Criola. I showed her the images and asked her what she thought of them. She said it reminded her of a statistic she recently heard, that 1 in 5 black women are domestic workers in Brazil nowadays."This social condition of inferiority ... is more than just because they are domestic workers, and it's because they are black and because they are women," dos Santos says. During slavery, black men were deemed more valuable than black women, and even though black women were a huge share of the slave economy.She says you can still feel that hierarchy in Brazil nowadays. She says there still needs to be a profound change in the country.
As for the pictures themselves,curator Sergio Bruni says we know a lot more about the white men who took the images all famous Brazilian and foreign photographers of the era — than about their subjects. Bruni says many show enslaved women who were dressed up and shot in a studio for pictures that were then sold commercially."You are looking at individuals in a way, and that's [something] very powerful that only photography can bring you. But somehow it's also ambiguous, or in the sense that it doesn't divulge the whole fable," he says.
History has forgotten these women's names, if it ever even knew them. But their legacy — that fable — is still being told nowadays. Copyright 2015 NPR. To see more, and visit http://www.npr.org/.
Source: wnyc.org