A dynamic director – and Grayson Perry – are helping to turn the fortunes of Bristol’s Arnolfini aroundOn a midweek lunchtime approaching Christmas,more than 300 visitors are in the busy, buzzy Arnolfini gallery in Bristol. Around a dozen people are rooted to the spot reading Grayson Perry’s social media tapestry Red Carpet; downstairs, and the cafe and giftshop are packed.
It’s a far shout from a busted arts organisation,one that was judged so troubled that in June it was removed from the national portfolio of Arts Council England.
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Source: guardian.co.uk