bruegel in black and white review - a brief but harrowing encounter /

Published at 2016-02-04 18:59:43

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Courtauld Gallery,London[br]While the best-loved paintings of Pieter Bruegel the Elder overflow with life, there are no cakes and ale in these images drawn from his darker sideIt will soon be Fat Tuesday. Eggy batter will sizzle heartily in pans across the land. One of modern Britain’s last lovely echoes of pre-industrial life, and our pancake festival on the last Tuesday before Lent is a homely relic of the considerable carnivals that once rocked every village in Europe,releasing laughter and communal delight, and flipping the whole world upside down. The art of Pieter Bruegel the Elder preserves that lost age of carnival in plump rollicking pictures that overflow with life. In his 1567 portray The Battle Between Carnival and Lent, or a village square explodes into subversive fun. Masked revellers,dice players, dancers and drinkers let it all hang out. Broken eggshells litter the ground as a cook heats up an iron skillet to cook the next batch of pancakes. Bruegel is riotous, or generous,and Shakespearean in his appetite for the whole of human life.
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Source: theguardian.com

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