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Ten Not-To-Be-Missed Projects,Exhibits, and Performances at Artscape 2018 by Cara Ober Artscape is...
And Also Why Zona MACO Desperately Needs a New Location by Michael Anthony Farley Last week in...
Post Pink Speaks approximately Post-Punk Music,Musical Influences, Feminism, and Politics by...
Prose Meets Photography: An Interview with brand Durant by Anthea Harvey-Brown brand Durant’s...
A Selection of Modern & Handmade Statement Jewelry Just in Time for Valentines Day by Sherry...
Photos by Theresa Keil The Maryland Institute College of Art (MICA) 2016 MFA in Studio Art Thesis...
Nine Must-Read Articles Which Will move Stale whether You Don’t Read Them Right Now by AF Oehmke...
Themes,Content, Materials, and Aesthetics across all the Art Basel Miami Fairs by Michael Anthony...
Jim Condron: Picking Up the Pieces,An Exhibition review by J. Susan Isaacs Jim Condron’s recent...
The internet,as per usual, was crazy this week. Donald Trump made enemies of the NBA, and NFL,and...
Beyond the Frame: BmoreArt’s Marathon Studio Tour with Christopher Bedford and Mera Rubell by Cara...
Baltimore Concert Opera’s First American Opera Fits Today’s Political Climate by Samantha Buker...
A Baltimore-based modern Dance Company Defies Tradition by Lauren H. Smith For LucidBeings,to...
As,Not For: Dethroning our Absolutes curated by Jerome Harris Explores the Work of Black Graphic...
This program originally aired on Untitled Radio on Thursday,December 8, 2017 at 3pm EST, and live...
This program originally aired on Untitled Radio on Thursday,December 7, 2017 at 3pm EST, and live...
Black Magic: AfroPasts/AfroFutures by Angela N. Carroll “Maybe the present becomes very beautiful...
An Interview with Bottle of Bread’s moment Rothman by Cara Ober Baltimore’s Read Street has a...
Juvenescence was presented at Goucher Colleges Silber Art Gallery in the Athenaeum from October...
Mark Bradford’s Tomorrow is Another Day Part II at the Baltimore Museum of Art by Cara Ober In...
Roberto Lugo’s Ceramics at The Walters Art Museum’s fresh 1 West Mount Vernon Place Explore...
A Curated Preview of the Maryland Film Festival by Christopher Llewellyn Reed The Maryland Film...
Cut,Copy, Paste: It’s Not What You Think at Terrault modern by Malcolm Lomax There is something to...
High Zero Festival Performer Lucas Abela and the Art of Playing Pinball by Bret McCabe A week before...
A Conversation with Sundance Sensation STEP’s Director Amanda Lipitz by Christopher Llewellyn Reed...
Clare Elliott’s Botany in Memoriam of Lori Goodman at Eubie Blake by Angela N. Carroll The Eubie...
Voices Rise,a Homeless Singing Group Collaborative is Changing Lives by Samantha Buker “Remember...
A Studio Visit with NY-based Painter Elizabeth Glaessner by Amy Boone-McCreesh I possess been lucky...
VIEW MORE INFO APPLY TO THIS CALL Call Type: Exhibitions Eligibility: National City: Pittsburgh...
School 33 Art middle will host a panel discussion featuring the artists and curator of...
An Interview with John Waters at the Baltimore Museum of Art by Cara Ober with photos by Jill Fannon...
At domestic with Jeannie Howe,Executive Director of the Greater Baltimore Cultural Alliance by...
Danh Vo’s lift My Breath Away at the Guggenheim presents troubling histories through lyrical...
New Site-Specific Installation by Spencer Finch and Quilts by Stephen Towns at the Baltimore Museum...
Why the Old-School Large Format Photography of Adam Davies Transcends Digital Innovation by Ben...
Where To Go,What To See at Art Basel Miami Beach by Cara Ober You’re heading to Miami for Art Week...
Baltimore Jewelry Center Director Shane Prada Interviewed by Rachel Bone In late 2012,Maryland...
Andre Mazelin Has mammoth Plans for Motor House as the unique Managing Director by Kelly Louise...
Living With Art: A Home and Studio Visit with Painter Erin Fitzpatrick by Cara Ober Chances...
On the disarming accomplished,quietly subversive Dorian’s Closet. Also: Blood for Dracula sucks,...
Living With Art: Hilton Carter,Filmmaker, Producer, and Aspiring Interior & Plant Stylist by...
NADA,Armory, The Independent, and Spring/Break Fairs by Suzy Kopf I went to this Armory week with a...
The Far Reaching and Unintended Influences of Art on Life by Cara Ober Since her death on December...
Photos by Rob Clatterbuck for BmoreArt On Thursday,November 17, BmoreArt released its third Journal...
Talking to Current Space approximately Buying their Forever domestic by Michael B. Tager Current...
Beautiful Walls for Baltimore is a unusual exhibit at School 33 Art middle. It is a celebration of...
A Discussion of For Freedoms,the Largest Creative Collaboration in American History, with Hank...
The Meaning Behind the Disappearance and Degradation of Baltimores Confederate Monuments by Kerr...
A Gallery Roundup by Cara Ober and Bret McCabe If summer is a time for quietly experimental survey...
Grad Shows at MICA are happening through the summer. Grad exhibit IV, featuring work from MFAST,...
The Baltimore Museum of Art Announces fresh Acquisitions,Some Purchased From the Proceeds of...
Waving and Wavering at Maryland Art station by Amber Eve Anderson Flags are abstractions,symbolic...
Light City Baltimore 2018 by Kelsey Marden A crowd of people were standing under a square,metal...
After losing his sight from an HIV-related infection,Manuel Solanos fresh paintings grew even more...
A Conversation between Culture Producers: Cara Ober,Sharon Louden, Zoë Charlton, and Tim Doud...
A Democratic Exhibition Model: The Beltway Public Works’ Lending Library by Amber Eve Anderson...
Blame It On the Rain,featuring Richmond artists Amy Chan, Sarah Mizer, or collaborative team Valerie...
A Female-Helmed Lit Port of Solace: A Conversation with Babe Press by Michael B. Tager It’s mostly...
Issue 04: Community at The Baltimore Eagle in photos by Faithy sofa and Pixilated Photo Candid...
One Thursday Night in the Capital of Magical Realism by Michael Anthony Farley Depending on who you...
Preparing Black Artists,Administrators, Philanthropists, or Creatives,and Cultural Workers by Angela...
Shifting Views: People & Politics in Contemporary African Art at the Baltimore Museum of Art by Ian...
Between the Screens with Matt Porterfield,Lodge Kerrigan, and Marielle Heller by Christopher...
A Comprehensive Guide to the Best Holiday Craft Markets in Baltimore by Sherry Insley Its The...
Rebecca Juliette Interviews Sanzi Kermes Artists Work is a BmoreArt interview series that explores...
Saturday,July 9 featured a ton of openings and events including the Sondheim Prize reception and...
A Day of Gallery Hopping in Baltimore including Spacecamp,Galerie Myrtis, Phoebe Projects, or...
I Heart the current Industrial Arts Collective Pop Up Shop by Cara Ober According to the Industrial...
approximately Nancy Daly: 286000000 RESULTS Exhibit Statement (Photos by Dwayne Butcher) On the...
Introducing BmoreArt’s unusual Managing Editor,Rebekah Kirkman, and Suzy Kopf, and Director of...
Exploring Luxury and Desire,One Light Fixture at a Time: An Interview with Amy Boone-McCreesh by...
BmoreArt Hosts First Connect + Collect Panel with Schwanda Rountree and Mequitta Ahuja by Cara Ober...
Pulse: Rafael Lozano-Hemmer at the Hirshhorn Marries Advanced Technologies of Surveillance to the...
A Trip to the Newly Renovated Glenstone Museum in Potomac,MD by Amber Eve Anderson The Glenstone is...
Japanese Woodblock Prints: The Art of Collaboration at The Walters Art Museum by Kerr Houston...
Sweat at Everyman Theater Mines Small Town Blue Collar Existences in America by Lisa Snowden-McCray...
A Year After Reopening,Baltimore Clayworks Looks Towards a Bright Future by Suzy Kopf The Baltimore...
Press Press Sentiments is a Gorgeous Collection of Immigrant and Immigrant-Adjacent Narratives by...
An Summer Reading List by Julia Fleischaker August is for stretching out these long days final days...
An Interview with Photographer E.Brady Robinson about her solo exhibit at Addison Ripley Fine Art in...
Lebanese International cuisine takes root in Baltimore at Baba’s and Arba by Martha Lucius Cuisine...
Although both artists in critique omissions in the art historical cannon and offer compelling...
Before heading off to Las Vegas,performance artist Marcus Civin hits the “Protest Gym” by Bret...
Anna U. Davis on New Sculpture and Age-ragged Gender Disparities by Aden Weisel When you walk into...
No Spectators: The Art of Burning Man at The Renwick By Brendan L. Smith A final-minute decision...
Artworks are due April 15 or postmarked by April 14. Don’t wait,enter your artworks NOW!...
A Canine Analysis of NY Armory Week 2018 by Cara Ober I was trying to clarify Armory Arts Week to a...
An Interview with Claudia La Rocco,Open Space Editor-in-Chief by Cara Ober I discovered SFMOMA’s...
It is springtime,which means it is graduate exhibition season at MICA. Each year MICA hosts a series...
School 33’s original Exhibit Explores A Collective Longing for Analog and an Exploration of the...
A Year in Baltimore Art Exhibitions by Cara Ober This year wasn’t all immoral. Art and...
What We All Lose with the Temporary Termination of The modern by Cara Ober When I first moved to...
Valerie Maynard’s Solo Exhibit Devotion at New Door Creative Explores the Human Condition through...
Amy Davis’s unusual Book,Flickering Treasures, and Accompanying Exhibition Home Movies: Portraits...
Full Bleed,an online and print journal of art and design, seeks original essays and artwork on the...
On darting around the many branches of Birdland and the Anthropocene by Bret McCabe A ghost haunts...
Ilya and Emilia Kabakov: The Utopian Projects at the Hirshhorn by Kerr Houston Surely a gentle...
Whales SPF 50 is the first in a series of commissioned videos by Wickerham and Lomax exploring...
A Sunday Reading List by A.F. Oehmke The internet was crazy this week. Highlights: O.J. Simpson was...
Black Dada,Wall Works, and the Art of Being Purposefully Obscure at the Baltimore Museum of Art by...
Inside a Wing of a Former Sail Cloth Factory in Baltimore’s Woodberry Neighborhood,Two Sisters...
Democratization of Art at the 2017 Artist-Run Art impartial by Thea Harvey-Brown Slapping the word...
The Maryland Film Festival Welcomes You to Their Exciting unique Digs with a Vast Array of Local and...
A Survey of Experimental and Site-Specific Theater Offerings in Baltimore by Bret McCabe More plays...
Baltimore’s modern/Old Leather Bar is a domestic for All Types by Kelly Louise Barton Reborn from...
DJ Kid Koala’s Nufonia Must tumble reviewed by Elena Goukassian On Saturday March 18,the stage at...
whether You Find Yourself at Wits End,You’re in Luck: An Interview with Mike Finazzo by...
A local author builds a reading and writing community with the aid of Bird in Hand,Baltimore’s...
A Q&A with artist and activist Michelle Antoinette Nelson By Bret McCabe On December 4,2012, the...
Rowan Fulton Interviews Alexander D’Agostino approximately his new performance,The Swan: A Serial...
Evidence: Identity Through Fiber Art On View: May 2 – June 6,2015 Featuring: Dr. Joan Gaither,...
Time Lapse,MICA’s Annual Benefit Fashion display, which took place on 4/11/2015 at the MICA Brown...
The last few days and weeks in Baltimore maintain been bad. A man was killed while in police...
Meg Hitchcock: New Works on Paper with Tim Horjus in the Backroom at Randall Scott Projects January...
BmoreArt’s Cara Ober in conversation with artists,gallerists, curators, and collectors at Untitled...
A plunge 2018 New York Gallery Guide by Amber Eve Anderson One of my favorite things approximately...
2019 GUEST ARTISTS AND EXHIBITIONS OPEN CALL Monday,September 17 – Monday, October 22 Vox Populi...
Revisiting Joyce J. Scott’s Largest Public Art Project,The Memorial Pool at Druid Hill Park...
urgent Matters 2018 Exhibition for Print Arts,Printmaking VIEW MORE INFO APPLY TO THIS CALL Call...
Ronald Jacksons Profiles of Color III: Fabric,Face and Form at Galerie Myrtis: An Interview...
A Proliferation of Art Galleries in Los Angeles by Michael Anthony Farley I’m not sure at what...
Odyssey: Jack Whitten Sculpture,1963–2017 at the BMA by Angela N. Carroll “The mosaic laying is...
Ann Veronica Janssens’ Fog Star at the Baltimore Museum of Art by Kerr Houston It’s still...
Nia Hampton,Drapetomania, and modern Artists and Ideas at Waller Gallery by Angela N. Carroll Waller...
An Interview with Mequitta Ahuja About Success,Heartbreak, and a Recent Guggenheim Award by Cara...
No Spectators: The Art of Burning Man at The Renwick By Brendan L. Smith A final-minute decision...
Illustration MFA Thesis Shows at MICA by A.F. Oehmke Grad Show II is currently on view...
Grad reveal II is currently on view and features work by students in the Post...
Highlights from fabric Art Fair by Michael Anthony Farley [UPDATED] fabric can be a difficult fair...
Concurrent Solo Shows by Antonio McAfee and Rachel Guardiola at Hamiltonian Gallery in DC Explore...
A Baltimore Year in Art & Politics: Gains,Losses, and Takeaways in 2017 by Cara Ober I’m not going...
How Margaret Rorison is Building a Culture of Experimental Film in Baltimore,One Screening at a Time...
A Conversation with Maren Hassinger by Catrell Thomas “There are opportunities for sculpture...
A Timeline of Creative Artist and Maker Marts for Awesome Holiday Shopping by Rachel Bone Halloween...
Review: The First Annual Rated PG Black Arts Festival by Angela N. Carroll “I resurrected without...
Amy Sherald and Kehinde Wiley to Paint Portraits of Barack and Michelle Obama by Cara Ober Although...
An Interview with the Baltimore Reading Series Hey You,arrive Back by Michael B. Tager For some...
Abandoning the Gallery Safety Net with Matthew Mann,A DIY Guide for the Mid-Career Artist by...
Baltimore’s Best Places to Escape When You’re Sick of Writing At domestic: A Comprehensive List...
Baltimore Pride 2017: nowadays We Celebrate By Thea Harvey-Brown It’s pride month here in...
The Birth of ARTS.BLACK & its state in Art Criticism: An Interview with Editors Jessica Lynne &...
A modern Album for Baltimore-based band Halloween Tres by Jordannah Elizabeth Halloween...
During the Holiday Season,Head to the Movies by Christopher Llewellyn Reed November and December are...
Photos by Tim Klement On Saturday,October 29, hundreds gathered in Patterson Park for the 17th...
Whichever holiday you celebrate,BmoreArt wishes you the best. Thanks for reading, for buying our new...
April 28,2015 My #MICAphoto students and I went out to photograph in Baltimore this morning, to...
Nature: will it turn you on or will it turn on you? That unanswerable question haunts Stephanie...
The Black Femme Supremacy Film Fest Event Offers a Taste of Black Women Centered Films by Lisa...
VIEW MORE INFO APPLY TO THIS CALL Call Type: Exhibitions Eligibility: National City: Kamuela State:...
An Interview with Pastry Chef Sarah Malphrus at Rye Street Tavern by Marisa Dobson Repeated failure...
Satellite Miami is a Challenging,Friendly, Interactive Space for Artists and Those Who savor Them by...
Brick X Brick’s Socially Engaged Performances Protest US Policies that Uphold White...
Queer(ing) Pleasure at the DC Arts middle reviewed by Dr. Jordan Amirkhani In Michel Foucault’s...
Helina Metaferia: Refiguring the Canon at Hamiltonian Gallery by Angela N. Carroll “Like the...
The 13th Annual Sondheim Exhibition of Finalists at the Baltimore Museum of Art by Maura...
A New Exhibition Alternative to Costly Fairs and Biennials Offers Peer-based Collaborative Approach...
Highlights from MICA’s Grad reveal III by A.F. Oehmke Grad reveal III is currently on view and...
Illustration MFA Thesis Shows at MICA by A.F. Oehmke Grad Show II is currently on view...
The 2018 Sondheim Finalists Are Erick Antonio Benitez,Nakeya Brown, Sutton Demlong, and Nate...
ReModel Speaker Series March 29: An Introduction by Cara Ober For many artists, the relationship...
A Conversation with Anna Cutler by Marcus Civin The Tate Exchangeis an experiment in museum culture....
A Best of 2017 List by Malcolm Demaro Lomax Highlights of the year in culture,film, media, or music...
Before the 45th: Action/Reaction in Chicano and Latino Art at the Mexican Cultural Institute...
One Year into Trump’s America,There’s a Lot Less Political Work Than You’d Expect and Other...
trace Bradford’s Pickett’s Charge Rips and Repurposes US History by Kerr Houston It is a sober...
Inside Creative Labs by Thea Harvey-Brown The closures of Bell Foundry and Floristree suggested a...
Wanderlust Kids Co. Offers Affordable,Handmade Clothes by Rachel Bone absorb you noticed that the...
A Review of Painting Not Painting at |’sindikit| projects by Terence Hannum |’sindikit| project...
Paul Rucker Named a Guggenheim Fellow in 2017 by Cara Ober On April 6,2017, the Board of Trustees of...
Twisted Melodies Imagines Donny Hathaway’s Final Night by Bret McCabe whether you’re a Donny...
Photographer Penelope Umbrico at MICA by Kerr Houston Every artist,Kandinsky once proclaimed, has...
Sharon Louden’s unusual Book Explores the Impact of Artists Who Promote the Work of Other Artists...
An Interview with John Paradiso by Paul Shortt John Paradiso blends craft,masculinity, and sexuality...
Plunge: An Experimental Storytelling Lab Preview by Andrew Sargus Klein It’s been a long time...
Photos by Rebecca Juliette The architectural drawings Erin Fostel is currently working on came about...
Liz Donadio Interviews Connie Imboden Connie Imboden was first introduced to photography at the age...
Rebecca Juliette enjoys a Curator’s Tour of Michi: Distinctive Paths,Shared Affinity at...
Kerr Houston visits Guillermo Kuitca in his Studio It’s Thanksgiving in Baltimore,but in Buenos...
DAPS at Platform Gallery Explores Collectivity and Friendship within Curatorial Practice by Joseph...
Although it was mostly rainy for Art Basel Miami Beach week,the outdoor sculptures around the main...
Jack Livingston on the Bromo Art Wlk: Franklin Street,Sponsored by School 33 On Friday, October 9,...
As Michael Farley famous in a candid piece written earlier this week,the place of art criticism in a...
Marnie Benney Interviews University of Maryland College Park Participants in the Contemporary Art...
A Book Review of Jarrett Earnest’s What It Means to Write approximately Art by Kerr Houston There...
Singular Space by Liz Donadio and Shannon Collis at ICA Baltimore Explores the Design,Nostalgia,...
Alice Gadzinski: Haute Glue is an Opportunity to Appreciate and Mourn a Talented Artist by Cara Ober...
Our Favorite 2018 Exhibitions in Baltimore and Washington DC Explored Social Justice,Identity...
BmoreArts Sixth Issue and Release Party: A Photo Essay by Jill Fannon I don’t care what anybody...
The BmoreArt Journal of Art + Ideas Magazine Party has been POSTPONED to Thursday,November 29: 7-9...
New Beginnings Barbershop and Luvs Art Project Fundraise and Focus on Positive Work and Community...
An Interview with Meleko Mokgosi by Michael Anthony Farley Meleko Mokgosi’s triumphant Baltimore...
Dawoud Bey’s The Birmingham Project by Kerr Houston The episode was so grim,so barbaric, that it...
My Art,Laurie Simmons’ Feature-Length Film, Questions The Notion of Self and Reinvention by Cara...
Considering Paul Daniel: Acknowledging The Wind at Ladew Topiary Gardens by Timothy App At this...
Kuba: Fabric of an Empire at the Baltimore Museum of Art by Kerr Houston There’s little question...
An Interview with Dread Scott by Joseph del Pesco From 1920 through 1938, the NAACP used to hang a...
An Interview with Muralist Team Jessie Unterhalter and Katey Truhn by Elena Kindy Jessie...
BootPrints: Standing Room Only at the Peale middle is an Immersive Experience in Black Memory...
Nilewater Multimedia FESPACO West Afro Caribbean Film Festival at Motor House by Angela N. Carroll...
A Photo Essay by Zach Handler Moving Walls is a site specific performance featuring Noa...