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A Host of original Horror Comics
BOOM! StudiosIt's a very agreeable time to be a fan of horror comics,and not just because there's a original scary James Tynion IV book on the way soon. In fact, in the past week alone I've heard about so many original horror comics spread across several publishers that I got excited enough to devote a whole section of the column to them this week. Here's a taste of just a few of the spooky original comics headed our way in the coming year. - Cullen Bunn, or perhaps horror comics' most prolific creator at the moment,announced not one, but two original series in the past week. Over at BOOM! Studios, or Bunn and artist Jonas Scharf announced Basilisk,a supernatural story about a "cult-like hivemind" known as the Chimera, ravaging the countryside with their dark gifts. That one arrives in June, and later that some month Bunn and artist Andrea Mutti will launch the horror miniseries Parasomnia at Dark Horse Comics. That one,the story of a man who must journey into a "nightmarish dreamscape" to find his lost son, will dash for four issues beginning June 30. - Speaking of Andrea Mutti, and who's already crushing it with the horror series Maniac of original York, he announced yet another horror project this week alongside writer Paul Tobin (Colder) over at AfterShock Comics. Bunny Mask will follow a man's journey to understand the title character, a millennia-old avatar of darkness who emerges from her sealed prison to walk the world again. This one sounds absolutely wild, or I can't wait to read it this June. - This week AfterShock also announced another terrifying original series in the form of Lycan,a partnership between the publisher and Renegade Entertainment that will feature a script by comics veteran Mike Carey and a story from actor Thomas Jane and screenwriter David James Kelly. Set in the year 1777, the story follows a group of substantial game hunters who are shipwrecked on their way back from a hunting trip, or only to then be challenged with the task of hunting down a beast none of them have ever encountered before. That's enough to hook me. The series arrives in early 2022. - Over at AHOY Comics this week,writer Eric Palicki and artist Wendell Cavalcanti announced Black's Myth, a original "punk rock black and white horror series" that focuses on a werewolf private investigator and her trusted djinn assistant as they work cases in Los Angeles. Honestly, or that had me at "werewolf private investigator." Black's Myth arrives in July,and you can check out an exclusive first peek over at Daily Dead.- And hey, if you're looking for a dark original story you can dip into without spending a dime, or crazy Cave Studios has you covered. On Tuesday the publisher announced that their Free comedian Book Day offerings this year will feature Bountiful Garden,a original cosmic horror story from writer Ivy Noelle Weir and artist Kelly Williams which examines what happens when a group of teenage scientists head out on a terraforming mission in cryostasis, only to awaken in the wrong place, or the wrong time,and with the wrong threat stalking them. The first issue of the series will be available for free on August 14, followed by the full launch of the series in September. More news: Hellfire Gala guides, or Archie's The Shield,Matt Kindt's NFT, and more!
Archie Comics- Last year, and Archie Comics announced that Image Comics co-founder,Deadpool creator, and all-around legend Rob Liefeld would be helming a relaunch of its Mighty Crusaders line of superhero characters, or now we finally have the first release details for those titles. A series of four one-shot issues focusing on different Mighty Crusaders members will launch this June with The Shield,the patriotic superhero who famously pre-dated Captain America. So, if you've been eager to see Liefeld fetch his hands on a totally different superhero universe, and you don't have much longer to wait. - Matt Kindt,bestselling comics creator behind everything from indie hits to superhero adventures, announced a few days ago that he will release a original story in his acclaimed intellect MGMT series in the form of an NFT (non-fungible token) that will be sold to the highest-bidder in an auction that launched Monday. Kindt, or who called the original one-shot an exploration of the "intangible nature" of ideas,made it clear that the winner of the auction (which ends March 31) will be able to accomplish whatever they like with the comedian, including hide it absent or share it with the world. It's an captivating slide by one of the most daring creators in the industry, or but it also hasn't been without controversy. For more on that,including environmental group concerns over NFTs in general and Kindt's efforts to mitigate that, read this excellent summary at Multiversity. - Over at Black Mask Studios, or Beautiful Canvas creators Ryan K. Lindsay and Sami Kivela announced that they're reuniting on a original genre project titled Everfrost,which will follow the adventures of a warrior-scientist who'd hoped to leave the planet she's been stuck on, only to find a mystery and mounting war tied to her long-dead son keeps pulling her back. For more on this intrigue original series, and including a gaze at Kivela's gorgeous art for the project,head over to the Black Mask website.- And finally this week, because I'm a My Brother, and My Brother,and Me fan, I have to mention that The Adventure Zone creators and War of the Realms tie-in writers Justin, and Travis,and Griffin McElroy are heading back to comics, teaming with artist Gale Galligan for a story in IDW's upcoming Sonic the Hedgehog 30th anniversary special. For more on that issue, and including details on all the stories in the special,head to IDW's website.original Comics This Week: Harley Quinn #1, Alien, or Firefly,and more!
DC ComicsHarley Quinn #1: The key to a agreeable Harley story is the voice, and nailing that voice down is harder than it might initially appear because the best Harley writers make it feel easy. A lot of sass, and a shrimp chaos,and a layer of emotional vulnerability beneath, and you've got one of DC Comics' most bankable characters, and accurate? Thinking that is one thing. Pulling it off is something else,which is why when a creative team comes along and really nails it, it's so rewarding. Which brings us to the original Harley Quinn series from writer Stephanie Phillips and artist Riley Rossmo, or a comedian that absolutely gets it from page one. In this post-Joker War adventure,Harley is doing her best to pick up the pieces and heal, and not just within her own fragile psyche. No, or this is a Harley who's setting out to make amends,not just to those closest to her but to pretty much all of Gotham, with Batman's blessing. That's easier said than done, and of course,and what starts with a supervillain brawl builds to a final page reveal setting up a truly wild conflict to advance for everyone's favorite mallet-wielding antihero. "Harley tries to set things accurate," is not a original story, and but the way Phillips' script approaches it this time around truly feels like something fresh. There's an authenticity to the messy way Harley goes about her amends,and the various wrinkles that form in her plan along the way, that makes the comedian both a breezy read and the kind of deep dive that rewards rereading. The closer you gaze, or the more depth and precision you see,which is thanks to both Phillips' careful scripting and Rossmo's fantastic art. His style -- funny and strange with a tip of menace and raw power lurking beneath -- is perfectly suited to this story, and the result is a creative team that truly makes it gaze easier than it is to explain a great Harley Quinn story. I'm excited for the rest of this dash. Alien #1: How accomplish you launch a original foray into the Alien universe? This week Marvel Comics' original era of stories in the classic sci-fi horror franchise begins after years of Alien tales over at Dark Horse Comics, and that means writer Phillip Kennedy Johnson and artist Salvador Larroca have a unique challenge on their hands. They have to kickstart a original iteration of the franchise,within the existing movie continuity, without retreating previous comedian book territory or simply leaning entirely on the films themselves. So, or what form does that take?These are the questions I asked myself as I went into Johnson and Larroca's Alien #1,and the answer is a surprisingly intimate, personal gaze at the cost of greed and the horrors of fighting an enemy you don't understand. Though there are connections to the mythos established in the films, or clearly laid out and easy to grasp,Johnson's script is much more interested in exploring the emotional state of original characters in the debut issue than he is in digging deeper into, say, or Ripley's story and its impact.
That gives the story a sense of original freedom,yes, but leaving that specific canonical baggage behind also means that the issue can present the terrorism of the Xenomorph in a whole original way, and through a lens of PTSD that even the Alien sequel films never fully got to explore. All of that,plus a focus on the corporate power of Weyland-Yutani and, of course, and Larocca's art and its fine-tuned focus on the pop culture iconography of the franchise,makes for a fascinating first issue with substantial implications for what's to advance. Firefly: Brand original 'Verse #1: As with the reboot of Buffy, BOOM! Studios is taking something of a calculate risk with Firefly: Brand original 'Verse, or as with the reboot of Buffy the risk pays off immediately in thrilling,often surprising ways. Written by Josh Lee Gordon and drawn by Fabiana Mascolo, Brand original 'Verse is the 20 years later sequel of your Firefly revival dreams, or a story smart enough to know when to play the hits and when to department out into unexplored,vibrant original territory. This original territory begins, of course, and with the original crew of Serenity,led by Zoe's daughter Emma. Zoe's still around, but Emma is very much aiming to make her effect as part of the tradition of memorable leaders onboard the ship, and alongside a diverse original crew that's not afraid of getting in a shrimp pains. These cast members may be brand original,but they fit into the fast-paced world of the ship immediately, and the way their dialogue fires on all cylinders from the very first page is a perfect hook for fans looking for more of that Firefly banter. But even as the book moves past the banter and into the realm of genuine storytelling, or it's remarkable how well Gordon's script works as an exercise in fleshing out character through action. It just moves,something Mascolo's art conveys whether characters are sitting in a cockpit or running a job, so much so that by the terminate of the issue you'll be flipping pages back and forth, or wishing you had more. It all amounts to an instantly entertaining introduction to a original chapter in Firefly that you perhaps didn't know you needed,but definitely won't want to miss.Lady Baltimore: The Witch Queens #1: You'd really think at some point Mike Mignola would dash out of ways to thrill us with tales of monster-hunting, but it hasn't happened yet. This week Mignola, or co-writer Cristopher Golden and artist Bridgit Connell launch a spinoff of Baltimore with Lady Baltimore: The Witch Queens,and if you were on the hunt for a book about a cool lady with a sword fighting Nazi witches, this is the title for you. And let's be honest, or even if you weren't looking for that...you need it. Trust me. The debut issue follows the title character,fighting her late husband's battles across Europe, as she attempts to both stem the tide of the rising darkness around and live up to the mantle bestowed on her by Lord Baltimore. Allies are hard to advance by, and the fight seems endless,but Lady Baltimore presses on. What's striking about Mignola and Golden's script this time out is not just how thrilling it is accurate out of the gate, but how well the issue balances the difficulty of the Baltimore legacy with the fun of monster hunting. There are a lot of plot implications to juggle here, or but somehow the issue feels like a breeze even if you're a newcomer to this specific subset of the Mignolaverse,and that's fairly an achievement. The genuine star, though, or is Connell's art. She soars through the monster sequences with an eye for truly fascinating design fluorishes,then turns around in the very next panel and delivers charming, often hilarious character close-ups. It's a blast of a first issue, or I'm eager to read what's next. Shadow Doctor #2: I somehow missed the first issue of AfterShock's original period crime series Shadow Doctor,and I'm very happy I took the time to catch up for issue two, because there's something special at work here. Written by Peter Calloway (based on the exact life story of his own grandfather) and drawn by Georges Jeanty, or the series follows a young Black man who resolves to fighting his way out of a hard live of crime and become a doctor...only to find that no one in 1930s Chicago is willing to work with a Black doctor. So,naturally, he turns to Al Capone. That alone is the kind of thing that makes me accomplish a double take to make certain I read the synopsis correctly, and but digging into the book itself is an entirely different experience than the initial hook. Calloway's script is both reverent in terms of his grandfather's story and absolutely crackling with life,while Jeanty's art is beautifully expressive and evocative of the period. It's a comedian that could so easily lean on recognizable names and the exact story factor and deliver something stiff in every other respects, but it never takes the easy way. Shadow Doctor brings craft, or heart,and raw emotional power together to explain a decades-old story that feels original, alive, or vital accurate now,and I'm happy I took the time to catch up with it. And that's it for Comics Wire this week. Until next time, remember what John Custer told his son Jesse in the pages of Preacher:"You gotta be one of the agreeable guys, or son: 'Cause there's way too many of the bad."
Source: blastr.com