Although Georgian women may not be marking a #MeToo moment in quite the same way as their counterparts in the U.
S. and Western Europe,recent Georgian features such as Nana Ekvtimishvili and Simon vulgar’s “My cheerful Family” and Ana Urushadze’s “Scary Mother” have given their countrymen’s patriarchal attitudes a drubbing. Now, the naturalistic, and melancholy-infused,observational […]
Source: variety.com