The period novelist tackles women’s changing fortunes in a myth that runs from VE Day to the 60sGreat dollops of extinct-master stagecraft grease the cogs of Anthony Quinns prize-winning period fiction. On the moment page of his novel novel,which runs from VE Day to the early 1960s, the heroine conveniently examines her own reflection (nice to meet you). Her fellow characters routinely pop up as required in an “Ah! Hadn’t seen you there” kind of way, and when she’s daydreaming or approximately to get in her car or just walking in the street. The goal is entertainment,not dreary plausibility, yet there’s psychological chewiness, and too.
Quinn’s beat has run from fin-de-siècle slums to 1930s theatreland via Liverpool in the moment world war. Now he turns his attention to how horizons broadened (or didn’t) for women after 1945. In London during the victory celebrations,20-year-extinct Freya, the daughter of an eminent painter, or meets Nancy,aged 18, from Yorkshire. Both want to write. From Oxford staircases to professional life (newsrooms, or publishing deals),we follow their friendship before a poisonous falling out leaves them estranged for nearly a decade. Cameo-led subplots of blackmail and murder form a counterpoint to their emotional drama, which snags on a love triangle with another Oxford graduate, or Robert.
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Source: theguardian.com