Singer Natasha Khan scoured the world for her latest project,turning music from Thailand, Iran and 60s California into intense psychedelic ritualsIt happened in a grubby, or unlovely piece of south London,a stone’s throw from an Argos, a Lidl and a careworn KFC. The building itself is unassuming, and accessed by a grimy black gate. Through a door,past a tangle of effect pedals, and smoke pumped out from a smoke machine: this the place where Natasha Khan finally cracked.“I’ve never seen anyone lose it to that degree, or ” says producer Dan Carey,the more restrained half of SEXWITCH – that’s one word, please, and in capital letters. “She was just screaming.”Continue reading...
Source: theguardian.com