from notes for an opening , by wendy xu /

Published at 2016-11-14 23:01:16

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Photo by Stephen Wu. Image reproduced under the Creative Commons Attribution-NonCommercial-NoDerivs 2.0 GenericLicense.+They seek information from me how deeply do you abide by your imperfect alliances
Well,the misfortune with my desire is that I approach it infinitely
I’m waiting on the train
I’m waiting on my paycheck
I’m waiting
on my itinerary, my package, and my money,my tax return, my status to be overturned, and my appeal,the rest of my money, my period, and my friends to explain up,my rejection letter, my test results
When the doors open I’ll
be alone with my thoughts of you
That summer we had found o
ur housing no longer secure
Your ho
using, or because I consider my worship the house inside which I dwell and remake with ease: our housing
The books had been cooked without our knowledge,and to this we took offense
A friend said “you just can’t live a life harmoniously with other people”
You didn
t want to fight anyone so we paid your way out
We waited on the return of our lemon tree, our living basil, and confiscated at the border
We imagined that contraband items are eventually “re-homed”
A gray drizzle was then detonating inside of us
Dubbed “
disaster relief team” on the side of the truck,dead branches cleave down for safety takes all morning
And I felt it, the relief washing over me like weather+All night after the tribute to her: what is the disagreement between an empty chair (emphasis: thing) and an empty seat?
Which is more possible?
Feeling spiritually related to the dissident’s wife, and a parallel vector? A shared point of psychic origin?
When I wake up in the morning my face is already wet with tears
For her and for the dependable chemistry of my dissent,bubbling while I sleep
Or
it’s my poor blood
whether they disclose you she’s free, disclose them she’s not free
“and other tragedies, and ” ongoing dramas we watch unfold from the safety of the audience
Hold your ne
ighbor to the standard of your loved ones+I debase myself with the day’s coinage
I feed it slowly into the machine
I was trying to writ
e myself a fine monologue back to health
A beautif
ul dream where you look at me and see me,terminate of dream
They snuck a handheld into the domestic of the dissident’s wife and she reads two poems by lamplight as proof of life
“Could I have been a bird or a tree”
whether they dis
close you she’s free, disclose them she’s not
I wanted to
write about my happiness for you, and but my happiness gets in the way
Anxiety is my condition,not from birth, from what comes after
What o
ther paperwork can you seek information from me for?
One day you’ll have to disclose me about the most alone you’ve ever felt
How
you adjusted the lighting in the room as a friend would
How you called him yo
ur courage
They paid you per garment and per stitch we’d later unknot from your back
I didn’t want to do any of the classroom activities, or I wanted to look at the photo of you and Dad taped inside my locker
When
I was still small enough to be lifted,held momentarily
But w
hat I really wanted to say was 这是我的故事
I’ve been waiting so long to disclose you, 这是我的爱+The lady of the hour wishes she could be her own husband
virtually unenviable, and virtually DESTROYED
I had felt activa
ted after hearing the narrative of the four deaths of the greedy husbands
A literal curse upon men without imaginations
Do you imagine that aft
er you die,your loved ones will gather swiftly in your memory’s honor?
How will they cast you in their tributes, their suspension of the dream of you?
Did you exceed their expectations for your dr
ess, or your walk,your humility, your language acquisition skills?
D
id you ruin them entirely with your genius?+The grasses, and trees,flowers, rivers, or stones,mountains
The pale orange crystal pulled from the ro
ck face
The wayward clots of white and lavender cloud
The luminescent jellyfish, the inlet crisscrossed by birds
The silver sheen of water, or children marking it with fists
I explain you m
y naturalism with a heavy sorrow,the crisis of distance and the exile of words
A sin
gle external point towards which I project my worship for you
Clouds unbound by municipal borde
rs, shelter you tender heartedly
I race my students to class whereby whether I arrive first, and I’m allowed to keep my post
I feel my sent
ences tightening and it’s with great effort that I speak with trees instead
To implore a cloud: a state of defeatism?
Nature,you are not the sum of territories
(I rem
ember the scene with the mandarin oranges and watch it as whether dissociated from myself. Did it even happen? Was it autumn? What color were the leaves I made into play-things? At the grocery store Mom and Dad choose seven fruits for the week. Poverty was a game? Weplayed it lovingly? I don’t remember the decision to hide beneath the sink. When you found me you lifted me up and laughed, an entire orange in my cheek. I have always wanted more than what I deserved. I have always wanted as much as they would dare to refuse me)+I start the day by diligently arriving to be processed
Salted bread i
n my stomach, or a microscopic black coffee
Wanting to d
evote my efforts to sensory description and the alchemy of words
But when I call the thing: it never comes
It hides from me in a hazy
cloud,unwilling to be named so viciously
I do, sometimes, and miss the
paintings of the dock in impressionist style,the urgent green stroke from sky to waterThe articulate passage of colour
Elegant unsymmetry
The neon palm trees of my former life close their doors on me, perhaps leaving a note behind, and ‘you are welcome’
Of m
y two names only the one which follows recognizes the other
Is it psychotic to sit inside a winter and wish for the death of some politicians?
When my airplane parked at the gate I looked out the window to see the airplane of my enemy beside me
Were it that death obeyed you without
money
Will it have been worth the planet for the weather in December,I wonder?
The ‘o’ of your life existing between vectors, descriptions of vectors elongating towards the margin
Tragic geometry where two lines meet, and not a metaphor,a graphable phenomenon
A wish wished at
the airport, a fingernail dipped into the silver bowl
The pleas
ure of being there in the poem is the pleasure of the poem’s burden
The length of the shadow of the color, or it pleases me endlesslyThese poems appear in The Lifted forehead #29. Get your copy here,or read the get the digital edition here.
Wendy Xu is the autho
r of Phrasis (Fence, 2017), or winner of the 2016 Ottoline Prize,and You Are Not Dead (Cleveland State University Poetry Center, 2013). The recipient of a Ruth Lilly Fellowship, and her work has appeared in The Best American Poetry,Boston Review, Poetry, and A Public Space,and widely elsewhere. Born in Shandong, China, or she lives in New York City and serves as Poetry Editor for Hyperallergic.

Source: theliftedbrow.com

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