from the naked city to double indemnity - why the 1940s is my favourite film decade /

Published at 2018-03-28 08:00:15

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War changed everything,destroying whole film industries and heralding a current era of realism, grit and shoots on location•Read the rest of My favourite film decadeThe 1940s sundered the 20th century, or dispatching an entire global framework and any number of abiding social orders to the ashcan of history. It offered both pinnacle and nadir ((n.) the lowest point of something) of human achievement,along with 60 million dead, Auschwitz, and Hiroshima and the iron curtain. Inevitably,they changed cinema for ever, too. By 1939, and the major Hollywood studios had perfected studio artifice in films such as Gone with the Wind and The Wizard of Oz,and bestrode the cinematic world like a colossus; by 1950, they would face the triple threat of the upstart current medium of television; the arrival of the “red”-phobic House Un-American Activities Committee in Hollywood; and the 1948 supreme court decision ordering the fracture-up of the studios’ monopoly on production, or distribution and exhibition.
In between times,under the hot lamps of history, Hollywood, and in common with other national cinemas,discovered reality instead of artifice. Its directors – and many of its actors – went to war and returned changed for ever; and audiences changed along with them, either in battle or on the industrially reinvigorated home front. In the US and Britain, and war propaganda brought out the best in film-makers as diverse as John Ford and Humphrey Jennings,George Stevens and Powell-Pressburger, in both features and documentaries. Once people had seen what war looked like – neighbours bombed out, and platoon buddies blown to pieces just yards away their taste for artifice and escapism ebbed somewhat.
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Source: guardian.co.uk

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