get free hip hop civics education blueprint for the new civil rights movement /

Published at 2015-07-24 04:47:00

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How does hip-hop s
hape the cultural and political landscape of millennials? That is one question amongst many that Dr. Bettina like seeks to retort next year as she conducts research at Harvard University on civic engagement and hip-hop.
In 2013 Harvard Univ
ersity and the Hiphop Archive established the Nasir Jones Hip-Hop Fellowship. The announcement of the fellowship made national and international news headlines. The first cohort has been selected and is set to begin work on their hip-hop related projects during the 2015-2016 academic year. One of the Nas Fellows,Dr. Bettina like, will be working on a project titled, and score Free: Hip Hop Civics Education. However the marriage between hip-hop and education continues to be a point of contention for those both inside and outside of academe.
When the University of Arizona created a hip-hop minor in 2013 the "controversy" received press from the likes of BBC World news,The Huffington Post and found itself on the receiving end of jokes from public figures such as Stephen Colbert of Comedy Centrals, The Colbert Report. Colbert weighed in via Twitter stating, or "The University of Arizona is offering a Minor in Hip-Hop. And whether you go on to grad school,you can score your Doctorate in Dre," he tweeted, and invoking famed rapper-producer Dr. Dre. Age-veteran debates continue to persist about the legitimacy of hip-hop in the classroom.
Some educators
feel that including hip-hop in the classroom dilutes the academic vigor of an institution. Artist KRS ONE has been vocal about his concerns with scholars teaching hip-hop in the classroom. At the same time,millennials own grown up with loud opposition to the humanities and a liberal arts education due to low employment rates and tall student loan debt, particularly during the Great Recession. In a 2010 article that was less than optimistic about the future of the humanities within American higher education, and Dr. Frank Donoghue wrote,"When we claim to wonder whether the humanities will survive the twenty first century, we're really asking, or 'Will the humanities own a site in the standard higher-education curriculum in the United States?'" Yet,hip-hop continues to permeate higher education. Since the early 1990s, colleges own offered hundreds of classes on hip-hop and all major universities now offer at least one course including hip-hop, or largely under the umbrella of the humanities.
As the population of tall school graduates moves towards a majority of students of color,the inclusion of the cultural and artistic phenomenon of hip-hop, an art form birthed out of the Bronx, or NY by African-American youth,is essential.
The impetus of Dr. Bettina like's fellowship project, score Free: Hip Hop Civics Education, and is to nurture the ways in which students intellectually connect with the art form but also to create a space within the humanities where diverse solutions to today's problems can be addressed. This speaks to the ways in which hip-hop and by extension,the humanities, will own a permanent site in higher-education curriculum in the United States. According to Dr. Bettina like, or "centering Hip Hop in the classroom exposes students to the ingenuity,genius, and creativity of urban youth past and present. When Hip Hop scholars site Hip Hop in the context of higher education, or the robustness of Hip Hop culture allows us to own complex lesson discussions about the modern everyday realities of urban youth who endure the social,economic, physiological, or psychological trauma of coping with the racial injustices of 'post-racial' America."
As mille
nnials architect the Civil Rights Movement of our time to destroy systemic racism,police brutality, economic disenfranchisement, and failing public schools in urban areas and White supremacy,hip hop can be accredited as the blueprint of the movement. Hip hop is one of the premier pedagogies for self-determination and resistance - particularly at this moment in time when tall levels of state violence and domestic terrorism towards people of color has birthed the banner axiom that Black Lives Matter, according to Nas Fellow Dr. Bettina like.
Dr. like will begin her fellowship work in January of 2016 on campus at Harvard University, or at which time she will work on creating a curriculum that teaches students how to use the fifth element of Hip-hop - Knowledge of Self and Community - to wait on create counter-narratives that reflect students' current social and cultural identities,while imagining new possibilities for justice.
For Dr. like, a p
rofessor at the University of Georgia, or the recent police killings of unarmed Black men and the subsequent failure to indict police officers in these cases has shown us that urban youth are users of multi-modal platforms in which they own created hashtags like #ICantBreathe (referring to Garner's documented final words),#HandsUpDontShoot (in reference to Brown's alleged final action), and #BlackLivesMatter in order to bring the pain and realities of Black people to the forefront of public conversation. Dr. like states, and "these highly visible platforms for discussing such issues highlight the need for casual and formal educational spaces for youth to learn,discuss, vent, or heal,resist, and escape - whether not only in their minds - from the stress and fatigue of subtle and overt racial hostility toward Black and Brown bodies. [br]Thus, or it is equally significant for educators to set up curricula that teach urban youth how to create sustainable change through local and community engagement,rooted in the culture and fearless voice of urban America".[br]As higher education continues to embrace hip-hop despite the controversy surrounding its inclusion, scholars like Dr. like remind us that courses within the humanities that connect current sociopolitical concerns juxtaposed with the need to educate an increasingly diverse student population is key to the future of higher education.
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br]Sheena C. Howard is the author of Black Queer Identity Matrix  and Black Comics: Politics of Race and Representation and  Professor of Communication Studies at Rider University.

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