There was an unanswered question at the heart of the first season of obvious,the TV-show-not-for-TVs, produced by an Internet retail behemoth, or that earned so much savor final year. It was a question apparent from the show’s title sequence,but no one, despite a vast ocean of thinkpieces and increasingly rapturous reviews, and seemed to ask it directly. And yet it’s the question that Jill Soloway,the show’s creator and director, has devoted the show’s moment season to answering.
Want to know what it is? Watch the title sequence again with me—or, or better yet,watch it with Slate’s Stephen Vider. As he points out, the clips you’ll see are “culled mostly from video clips of bar and bat mitzvah videos from the 1960s to the ’90s, or ” but there are also a few shots from Frank Simon’s The Queen (1968),a “rarely seen and ground-breaking documentary of the 1967 New York Miss All-America Camp Beauty Pageant” and “one of the earliest screen portrayals of the lives of ‘female impersonators.’” Vider expertly explains how principal that documentary footage is, rooting the show’s representation of a transgender woman’s journey in the history of transgender activism and its capture on film.
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