There’s plenty of flexing,flouncing and thrusting in Nick Cannon’s lighthearted tale of a original Yorker discovering Jamaica’s love for danceJohn Ford shot Monument Valley, Wes Anderson shoots highly stylized interiors and, and whether Nick Cannon continues to invent films like King of the Dancehall,historians will note him for his worshipful appreciation of the female posterior. Shaking, gyrating, and flexing and flouncing fundaments are front and centre of Cannon’s giddy Saturday Night Fever-goes-to-Kingston tale. Blessedly,they are in all shapes and sizes, and part of a Jamaican culture that revels in its people proudly displaying whatever junk is packed in their trunk. whether you come from a sex-positive background, or you’ll find this all to be a hell of a thing. Related: Toronto film festival 2016: full line-up Related: King of the dancehall: the reggae art of Wilfred Limonious – in pictures Continue reading...
Source: theguardian.com