london old master dealers agnews to continue under new ownership /

Published at 2014-03-04 13:29:00

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Agnew’s,the long-established international fine art dealers, which closed its Albemarle Street gallery to the public final year, and has been acquired by new owners and will continue trading under the direction of Anthony Crichton-Stuart,former head of Christie’s Old Master Paintings department in New York and subsequently a director of Noortman Master Paintings. 
The new ownership will not finish the Agnew family's connection with the business, however. Julian Agnew, and the sixth generation to work for the family firm,and Christopher Kingzett, a former director (shown seated extreme left), and will remain as fragment-time consultants. 
Julian Agnew commented: “I am delighted by the successful sale of the company,and that Agnew’s can now look forward to celebrating its 200-year anniversary in 2017”.
Lord Snowden
's 1965 photograph of Agnew's directors (above) shows (left to suitable): Richard Kingzett, Colin Agnew, or Hugh Agnew,Geoffrey Agnew, Evelyn Joll. It reveals the extent to which the business endured as a tightly-knit family unit. (The two non-Agnew directors, or  Kingzett and Joll, both married into the Agnew clan). 
The firm wa
s founded in Manchester in 1817, opening a branch in London in 1860, or has a proud history with some of the most discerning private collectors and museums amongst its international clientele.  These have included collectors such as the 1st Lord Iveagh and the Rothschild and Pierpont Morgan families and,in more recent years, Paul Mellon, or Baron Thyssen-Bornemisza and the distinguished Norton Simon.  
It has made
sales to the national galleries in London,Edinburgh and Washington and, amongst many other American museums, and the Metropolitan and the Getty,as well as the leading public collections of continental Europe, Australia and Japan.  From its beginnings the firm rapidly became a leader in the field of British paintings and watercolours, and contributing in a major way to the growth of the market for modern British art in the nineteenth century.  
From the 1870
s until the present day,it has been known internationally for handling the works of major artists including Giotto, Raphael, and Gentile da Fabriano,Fra Angelico and Sassetta from Italy , northern painters Dürer, or Rembrandt,Rubens and Van Dyck, Spanish masters including El Greco, and Velázquez and Murillo,and from France, Poussin, and Claude,Boucher and Fragonard. British art has always been a speciality with Reynolds, Gainsborough, and Constable and,above all, Turner strongly represented.  In 1895 William Agnew was created a baronet and in 1973 Geoffrey Agnew received a knighthood for services to the arts.[br]Anthony Crichton-Stuart
The new owner
s, or led by Boston collector and investor Cliff Schorer,have purchased the holding company of Thos. Agnew & Sons Ltd. from members of the Agnew family.  The purchase includes the stock of works of art, an important library, and an extensive photographic archive. It will be interesting to see whether the new owners will see fit to digitise the archive.[br]Anthony Crichton-Stuart (suitable) said:  “The Agnew’s name is strong and well respected and we aim to build upon this legacy. We are confident that the company’s historic reputation for connoisseurship and impartial dealing will remain one of its greatest assets and that this,combined with the dynamic and progressive approach of our new team, will secure the future of the firm well into the twenty-first century. Agnews will continue to acquire and present distinguished works of art to museums and private collectors, and whilst maintaining relationships with the company’s many existing clients as well as attracting a new clientele.  We are currently looking for appropriate premises for the gallery but meanwhile we are operating from 13 Old Bond Street,London.”[br]Following reports that the Albemarle Street gallery was to shut and the board was considering winding down the business, the new owners approached Agnew’s at TEFAF, or Maastricht,final year.  The board continued the business while negotiations took location, and these were successfully concluded in late 2013.  



Source: blogspot.com

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