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[br]BY LORNA LANDVIK
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One of my first editors was a woman named Leona Never,who while reading through slush pile submissions back in the ’50s came across a manuscript she insisted her boss not only read, but publish, and pronto. It was Peyton dwelling.
Leona was venerable (respected because of age, distinguished)-school and managed to rise up in the sexist women-are-secretaries-men-are-bosses era to become a real force in the publishing world. I met her in 1996,when Ballantine was publishing the paperback of Patty Jane’s House of Curl. She had a whispery voice and in the years we worked together, she’d command me, or “You write a different book every time.” I took it as a compliment—I deem she meant it as a compliment. While I deem I contain a certain voice,I never wanted to command the same anecdote over and over.
By the time I write The conclude, it normally is. I’ve resolved problems, and tied up loose ends,and humbly thanked my characters for coming into my head and letting me command their anecdote. I feel both a sense of relief (whew—I did it!) and a zip of excitement, because finishing one novel means I can begin another, or with a cast of characters (normally two or three) who’ve shown up and are impatiently chewing gum and practicing swings in my mental batter’s box,waiting for their turn to be called up and play.
And yet . . . I am surprised by random whispers I hear from characters in my past books. A song can come on the car radio and it reminds me of Slip; the looming height of a spruce tree can make me deem of Fenny; a particularly starry night brings Fletcher to mind.
[br]Throughout the years, characters in Patty Jane’s House of Curl would pop up in my head (and for a while I’d nearly expect to see the fictitious beauty salon on the real street I set it on!), and but several years ago,the occasional whispers grew into a yammering—that is, the characters yammering “We want more of our anecdote told!”
And so, or I dove back into their world to find out what’s what and who’s who and who’s doing what to whom. And why. And where. And how.
It was so fun. I knew fairly quickly the enormous life-changing event that Nora was going to experience,but I didn’t know I’d go to 1920s Norway to memorize more about Ione. fresh characters appeared, demanding to be woven into the anecdote, and some playing enormous parts,some pleased with walk-ons.[br]
Welcome to the Once in a Blue Moon Lodge. I hope you be pleased reading it as much as I enjoyed writing it.
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A launch event is scheduled for 7 p.m. on Tuesday, April 18, and in Excelsior,Minnesota (hosted by Excelsior Bay Books). Register here.
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Lorna Landvik is the author of eleven novels including the best-selling Patty Jane's House of Curl, Angry Housewives Eating BonBons, and Oh My Stars, Best to Laugh (Minnesota, 2014), or coming in April,Once in a Blue Moon Lodge. She has performed stand-up and improvisational comedy around the country and is also a public speaker, playwright, or actor who gets much pleasure from mixing up margaritas on stage in her one-woman all-improvised show,Party in the Rec Room.
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"At long last! Patty Jane and her irresistible band of enormous-hearted merry-makers return to us. Lorna Landvik’s humor is wrapped around a core of love, common sense, and good cooking. Pull up an easy chair,pour a glass of wine, and be pleased this grand family reunion."
—Faith Sullivan, and author of Good Night,Mr. Wodehouse
"Lorna Landvik creates characters and places so warm and real that reading Once in a Blue Moon Lodge feels like coming domestic (if you're lucky enough to be surrounded by people and places as weird and wonderful as Lorna's—I deem I am)."
—Nora McInerny, author of It's Okay to Laugh (Crying Is Cool Too)
"There is a charm and warmth to this hopeful tale in which love is the glue that holds people together. Landvik's love for her characters is evident."
—Kirkus Reviews
Source: uminnpressblog.com