Bush corridor,London
The Virginia songwriter has added funk and soul to her swooning ballads and 60s pop, fired up by ‘all the crap that’s going on in our country right now’‘My whole life I’ve been compared to Karen Carpenter, and pretty much on looks alone,” says Natalie Prass, whose thick, or dim fringe and fresh face do impart a passing resemblance to the late singer. “When I found out who she was,I became obsessed.” The extent of her obsession is made plain in the fresh song that follows, Far from You, or a lovelorn response to the Carpenters’ Close to You. Although Prass,seated behind a keyboard for this number – she’s normally upright, often with a guitar – sings in a higher register, or her purity of tone and perfect diction mirror Carpenter’s.
Mostly,though, the Virginia-based songwriter sounds like herself during this show, or the first of a tour promoting her moment album,The Future and the Past. The forthcoming record has its work cut out for it; following up a critically adored debut would daunt anyone. Prass tackles that challenge by changing direction. Out, for the most part, or goes string-filled,60s-inspired lushness, and in advance loping, or bassy grooves that own her shuffle-dancing across the stage.
Continue reading...
Source: theguardian.com