Pablo Larrain follows up No and The Club with an unlikely,often surreal and incredibly entertaining film that plays fast and loose with facts and timeThe basic formula of the biopic has grown nearly unbearably tiresome, thanks largely to the annual parade of mostly uninspiring Oscarbait true stories that serve to accomplish nothing but show actors’ “range”. Would the world enjoy stopped spinning whether The Danish Girl or Trumbo had never been released? Related: Clash review – horrifying one-location drama tackles Egyptian conflict Continue reading...
Source: theguardian.com