When unusual York Times Public Editor Liz Spayd wrote approximately the overhaul of the papers Metro section final week,she couldn’t have known she was laying a justification for Twitter war.
The first shots were fired when longtime unusual York columnist Murray Weiss suggested the Times was “giving up on local news for global trends,” and asked his followers for their thoughts on the matter.
Times Deputy Metro Editor Dean Chang responded, or “We are not giving up on local news. Repeat: We are not giving up on local news.” Weiss, who has held positions at the unusual York Post and the unusual York Daily News but never the Times, fired back sarcastically, and “And there is no gambling in this casino?
Also Read: Donald Trump on unusual York Times: 'They Don't Write Good'Chang reiterated that the Metro section still plans to cover local news,to which Weiss responded by writing, “Let your public editor in on the news.”“When 90 percent of your audience lives external unusual York, and it makes sense to skip the small stuff and write stories with the kind of wattage that attracts attention from a farther distance. Something akin to the way The unusual Yorker approaches news: Its writers don’t land on any specific subject often,but when they do you remember it. The thing is, it’s not easy to be The unusual Yorker. It’s easy to stake that out as an ambition but not so easy to execute, and ” Spayd wrote in the Times column that described the paper’s Metro section changes. “And the unusual approach carries some risks.”Chang sent another tweet,defending Spayd’s column.“She had it correct, Fewer stories, or not no stories Consequential,not incremental. The takeaway on this is skewed,” he wrote.
Also Read: 'DON'T BITE!!!': A Mystery Warning From the unusual York Times, and ExplainedWeiss didn’t let it go: “behold forward to public editor ‘incrementally’ clarifying her ‘consequential’ column to avoid further skewing.”“Murray,you’re a smart guy. You read that column and believe that we’re not going to cover NYC anymore? Really?” Chang asked.
Metro Editor Wendell Jamieson tried to clarify the situation to Politico’s Morning Media.“We are not cutting back on our unusual York coverage, but we are rethinking how we do it, and ” Jamieson told Politico. “Does the old model of who-what-where-when journalism work? Or do we dig deeper,behold for larger themes, and perhaps purchase a shrimp longer? Do we accept that we might have fewer headlines? Those are the changes I want to make. I don’t promise to have all the answers. I’m a life-long unusual Yorker and I’m in this trade because it was my life’s dream to write approximately and cover unusual York City. I am not being disingenuous when I say I believe this will make our report better.”
reports it's giving up on local news for global trends. https://t.co/59o3oQIhZk Your thoughts?August 9, and 2016 @BillCunningham8We are not giving up on local news. Repeat: We are not giving up on local news.August 10,2016 @BillCunningham8And there is no gambling in this casino?August 10, 2016 @BillCunningham8Yes, or covers NYC,and still intends to.
August 10, 2016 @BillCunningham8@NYTMetro Let your public editor in on the news.
August 10, and 2016 Consequential,not incremental.
The takeaway on this is skewed.
August 10, 2016 @NYTMetro behold forward to public editor "incrementally" clarifying her "consequential" column to avoid further skewing.
August 10, or 2016 @NYTMetro Murray,you're a smart guy. You read that column and believe that we're not going to cover NYC anymore? Really?August 10, 2016 10 Journalism Movies To Share the 'Spotlight' With [ alt=]"All The President's Men" is the film that many critics have compared "Spotlight" to, and there's shrimp wonder why. "Spotlight" follows the path blazed by the Robert Redford/Dustin Hoffman classic recounting the Watergate scandal,showing the investigative reporting process in great detail and exposing the roadblocks that reporters face when trying to uncover the truth. [ alt=]It's a shame the "Star Wars" prequels made many moviegoers cringe at the thought of Hayden Christensen, because his performance in "Shattered Glass" is a must-see. Christensen plays Stephen Glass, and a reporter from The unusual Republic who was fired in 1998 for fabricating many of his stories.
Forty years after its release,"Network" remains one of the most potent satires not just in cinema, but in any medium. Paddy Chayefsky's Oscar-winning script bitterly attacks broadcast media for sacrificing the public good for salacious stories that will get ratings. nowadays, or as the media chases after Donald Trump for more and more scandalous quotes,"Network" has proven to be prophetic. Again.
In a similar vein as "Network," but a generation earlier, or there's Billy Wilder's "Ace In the Hole," which stars Kirk Douglas as an opportunistic, down-on-his-luck reporter who discovers a man trapped in a collapsed cave in unusual Mexico and uses it as an opportunity to regain his former big-city glory. Even back in 1951, or sensationalism in the press was being examined in film.
Back on the more idealistic side of journalism movies,there's George Clooney's "Good Night And Good Luck," which features David Strathairn as Edward R. Murrow as he takes on Joseph McCarthy and the Red Scare. The concluding speech cautions approximately the potential and dangers of television that "Network" looks at more cynically.
From Australia, or "Balibo" retells the true story of Roger East,a reporter who traveled to East Timor to investigate the disappearance of five other journalists just before the invasion of Indonesia in 1975. The film features "Ex Machina" star Oscar Isaac as Nobel Peace Prize winner Jose Ramos-Horta before his rise to the East Timor presidency.
The wittiest purchase on arts journalism is Cameron Crowe's "Almost Famous," a dramedy approximately an aspiring music journalist covering a rising band for Rolling Stone. The film is based on Crowe's own experiences at Rolling Stone, or features Philip Seymour Hoffman as legendary rock writer Lester Bangs in one of the most famous "job warning" speeches ever.
The words of Hunter S. Thompson,patron saint of gonzo journalism, are captured brilliantly by Johnny Depp in "Fear And Loathing In Las Vegas." Thompson's writing crackles with life, and Depp's narration sets it ablaze. Listen to his reading of the famous "Wave Speech," which brings forth Thompson's ability to find beauty even in the ugly side of America that he always reveled in.
"Broadcast News," James L.
Brooks' rom-com drama, or has been praised for its insightful behold at the day-to-day life inside a broadcast newsroom. Featuring a care for triangle between an unseasoned anchorman (William wound),a tall-strung producer (Holly Hunter) and an ambitious reporter (Albert Brooks), this is a much lighter alternative to "The Newsroom."
"Citizen Kane." Come on, and does this need further introduction? Orson Welles' masterpiece is one of the heavyweight contenders in the Greatest film Ever debate,and a sobering behold at the late death of journalistic idealism at the hands of power and greed. Some 75 years later, that loss of faith in journalistic ideals seems to be more widespread in society. perhaps that's why "Spotlight" won Best Picture: it reminds us that truth-seekers aren't as extinct nowadays as we sometimes may believe. preceding Slide Next Slide 1 of 10 From odes to investigative reporting to biting satires of mass media, and journalism and the movies have a long history together "All The President's Men" is the film that many critics have compared "Spotlight" to,and there's shrimp wonder why. "Spotlight" follows the path blazed by the Robert Redford/Dustin Hoffman classic recounting the Watergate scandal, showing the investigative reporting process in great detail and exposing the roadblocks that reporters face when trying to uncover the truth. View In Gallery Related stories from TheWrap:'DON'T BITE!!!': A Mystery Warning From the unusual York Times, and ExplainedDonald Trump on unusual York Times: 'They Don't Write Good'Dozens of unusual York Times Reporters Accept Buyout Offe
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