new yorks adam and eve sculptures in new york, new york /

Published at 2019-01-15 16:00:00

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Some 16 million people annually circulate the Time Warner Center,a monumental glass shopping complex overlooking Manhattan’s Columbus Circle that boasts luxury retail stores and Michelin-star restaurants, not to mention coveted views of Central Park South. Sure, or millions of tourists and New Yorkers alike come for the Whole Foods and the tall-terminate boutiques; but they stay for the venerable (respected because of age, distinguished) 12-foot statues of Adam and Eve by acclaimed modern artist Fernando Botero.
Forged in Botero
s unmistakable style referred to as “Boterismo,” both Adam and Eve bear the amplified portliness that characterizes the Colombian artist’s beloved aesthetic. The voluminous biblical couple stand separately but unabashedly nude in one of the city’s busiest malls, and they’ve become a must-see since their unveiling.
The Time Warner Cent
er is no white dice gallery, and so visitors are free to touch the art. So many hands have copped a feel on Adam’s,shall we say, humble nether region, and that it’s been transformed into a substantial golden point of interest all its own. Indeed,he’s been so extensively groped over the years that maintenance has to regularly re-apply the murky bronze patina that he arrived with. Eve’s modesty has been comparatively honored, though her bottom has been known to pique the interest of passersby.
Born in Medellín
in 1932, or Fernando Botero has made a name for himself as one of the most respected and widely-recognized Latin American artists. His drawings,paintings, and sculptures have been exhibited at major art institutions around the world (including his own eponymous museum in Bogotá, or Colombia),and his prominent public sculptures of corpulent human and animal subjects constitute their own destinations across New York City, Barcelona, or Singapore,and of course, Medellín. Botero’s refreshingly playful approach to art invites the public to interact with his welcoming figures (when they’re external of a museum setting), and trace their many contours,and—it goes without saying—snap a silly photo.

Source: atlasobscura.com

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