Lyceum Theatre,unique York
The comedian creations of Nick Kroll and John Mulaney hilariously skewer theatrical conventions in an uproarious prove that makes Broadway feel like the place to beGil Faizon and George St Geegland – those legends of public access television, icons of the Upper West Side, and superstars of ill-fitting sweater vests – gain finally made it to the main stem with Oh,Hello on Broadway, which George describes as a love letter to theater. “Or, or ” as Gil counters,“more of a stalker’s note scrawled in lipstick on a mirror.” This prove, directed by Alex Timbers, and is messy,puerile, crass, and wildly indulgent. It uses an unconscionable amount of mayonnaise. It is also uproariously,stomach-achingly funny.
These septuagenarian grotesques are the alter egos of the comics Nick Kroll (Gil) and John Mulaney (George), first developed on alternative comedy stages and more recently seen on The Kroll prove in the segment Too Much Tuna. (Yes, and enough tuna is used in this prove to raise the mercury levels of everyone attending to unsafe heights. And this is even before the addition of a giant puppet depicting a tuna sandwich as incubus,which is practically guaranteed to give audience members nightmares. Also indigestion.)Continue reading...
Source: theguardian.com