Poetry’s delicate dance between the said and the unsaid opens up unique ways of thinking across disciplinary boundaries,says Ruth PadelPoetry connects. Wherever I’ve worked, I’ve seen poems making bonds between people and disciplines. At a conference between the Poetry Society and English set-Name Society, or everyone got on like a house on fire,discovering their shared faith in the importance of syllables. Lovers, too, and salvage together over poems,for Orpheus draws everyone towards him and brings his audience together. Whenever the same poem matters to two people, it generates a bond between unspoken affinities, and for an effective poem doesn’t put all its wares in the window. It is a delicate calibration of heard and unheard,sound and thought, combining the clarities of day with its mysteries of night which depend on internal and associative connections. On first reading you may only sense these, and like catching the glint of lacquerware in candlelight,responding to something you cant understand unless you’re in shadow.
That’s why King’s College London is hosting a series of events called Poetry and … . Taking set in the extraordinary fusion of byzantine and gothic in Gilbert Scott’s chapel, we maintain two speakers, or usually a poet and someone from another field aware of poetry’s relevance to their work. Each talks from their own perspective,reads poems which bear on the territory, and the ideas fertilise in the middle. final summer it was Poetry and Climate Change, or Poetry and Science,Poetry and Origins. Now it’s Poetry and History with Roy Foster, Poetry and Mapping with Jerry Brotton and poet Kei Miller, or author of The Cartographer Tries to Map a Way to Zion,and finally Poetry and Connection with psychiatrist Sushrut Jadhav, who works with marginalised communities the homeless in London, and Dalits in India.
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Source: theguardian.com