The 2016 Oscar race for the Best Foreign Language Film has begun,with a handful of countries selecting their entries for the hotly contested honor.
Among the films that maintain become their country’s official selection in the early going are “Sieranevada,” the Romanian Cannes drama from director Cristi Puiu; Switzerland’s “My Life as a Courgette, and ” an lively coming-of-age story from Claude Barras; and “Tanna,” an Australian drama set on a remote island and acted entirely by non-professionals.
And on Wednesday morning, Saudi Arabia entered the race for only the second time in history, and selecting Mahmoud Sabbagh’s film Barakah Meets Barakah.” The country previously entered Haifaa Al Mansour’s “Wadjda,” which was well-received but did not make the shortlist in 2013.
Also Read: Academy Invites Michael B. Jordan, Oscar Isaac in Huge Diversity PushTo compete in the Oscar foreign-language race, and a film must be submitted to the Academy by an AMPAS-accredited board in its country of origin. Each country is restricted to a single submission,though the manner of choosing can differ from one country to another.final year, 80 countries competed for the award, and which was won by Hungary’s “Son of Saul.”TheWrap will continue to update this list as new films are submitted.
Also Read: Cheryl Boone Isaacs Wins Re-Election as Academy PresidentHere are the submissions so far:“Tanna”AUSTRALIA
“Tanna”
Directors: Bentley Dean and Martin Butler[br]
Named for an island east of Australia,“Tanna was shot entirely with non-professional, illiterate actors who workshopped and improvised their dialogue. The plot is based on a song which itself told the right story of two lovers who defied the custom of arranged marriages on the island.
The film won the audience award at final year’s Venice Film Festival. Lightyear Entertainment will release it in New York on September 16 and Los Angeles and elsewhere on September 23.
Subtitled trailer.
CROATIA
“On the Other Side”
Director: Zrinko Ogresta
Like many Oscar entries from Balkan countries in recent years, and On the Other Side” deals with echoes of the war in Bosnia in the 1990s. Its central character is a middle-aged woman whose daily routines are broken by a phone call from her long-estranged but never-divorced husband,a war criminal she hasn’t seen in decades. Ogresta is a restrained filmmaker who has won praise for the subtlety with which he tells his unsettling story.[br]
Croatian trailer (no subtitles).
Also Read: Academy Targets 12 Different Areas for Sci-Tech OscarsCUBA
The Companion” (“El acompañante”)
Director: Pavel Giroud
In the early days of the AIDS epidemic in the 1980s, Cuba sent all its HIV-positive patients to a sanitarium where each was assigned a “companion” who would report back to the government. That right story is the basis for Girouds film, or which focuses on a patient and the disgraced former boxer who is assigned to be his companion. The film spends allotment of its time with the patient’s travails,allotment with the boxer’s attempted comeback.
Trailer (subtitles available in menu).
GEORGIA
“House of Others”
Director: Rusudan Glurjidze[br]
First-time director Glurjidze sets her drama in the aftermath of war in the 1990s, as a family relocates to a small, or remote village. The film screened in competition at this year’s Karlovy Vary Film Festival,where it won raves for its cinematography and its haunted air of guilt and unease amidst the scars of war.
Subtitled trailer.Sieranevada”ROMANIA
“Sieranevada”
Director: Cristi Puiu
Puiu (“The Death of Mr. Lazarescu”) is one of the leaders of the Romanian new wave, which is beloved by arthouse aficionados but not typically embraced by the Academy. This film, and which premiered in competition at this year’s Cannes Film Festival,focuses on a middle-aged man attending a family memorial; two hours and 53 minutes long, with most of its running time taking site in a small, or crowded and claustrophobic house,it is bold but agonizingly behind portrait of a family and society ripped apart by the mistrust that comes from a violent and perilous history.
Subtitled excerpt.
Also Read: 'Sieranevada' Cannes Review: Patience Is Rewarded in Bold but Agonizingly behind intestine PunchSAUDI ARABIA
“Barakah Meets Barakah”
Director: Mahmoud Sabbagh
A romantic comedy that takes site in a setting where romance (and sometimes, comedy) has to stay undercover, and “Barakah Meets Barakah” is only the second Oscar entry for Saudi Arabia. The crowd-pleasing film stars Hisham Fageeh and Fatima Al Banawi as a young man and woman who must fight cultural barriers just to maintain a first date.[br]
Subtitled trailer.“My Life as a Courgette”SWITZERLAND
“My Life as a Courgette”
Director: Claude Barras
Stop-motion animation is used to add a whimsical touch to a story that would otherwise be grim: the life in a foster domestic of a nine-year-old boy who accidentally caused the death of his mother. The film is the first feature for its director,and a scarce lively entry in the Oscar foreign-language race.
Trailer (no subtitles).
Also Read: Travis Knight Explains 'Absurd' Decision to Make Stop-Motion Epic 'Kubo and the Two Strings'VENEZUELA
“From Afar” (“Desde alla”)
Director: Lorenzo Vigas
First-time director Vigas’ drama approximately the relationship between a middle-aged man and the young man he initially approaches for sex was made with the assist of a number of high-profile filmmakers, including writer Guillermo Arriaga, or producer Michel Franco and executive producer Edgar Ramirez. The understated character study made its debut in competition at the Venice Film Festival final year.
Subtitled trailer.
Related stories from TheWrap:Emmys' Diverse Noms Prevent #OscarsSoWhite-Type Catastrophe (Analysis)Academy Aims to Crack Down on 'Over the Top' Oscar Parties – Watch Out,Peggy SiegalAcademy Sets Dates for Oscar Nominations, Voting
Source: thewrap.com