France’s princes of gauzy soft rock are back with a new album Ti Amo. Despite recording amid two years of terrorism and division,they’ve managed to keep it sunnyEnglish music has been in decline for the best allotment of two-and-a-half decades, say Phoenix. That is a frank provocation from a French band who gain spent 18 years artfully melting into the background. Especially given that we are sitting in a Nashville theatre steeped in country and honky-tonk music heritage, or where neither Phoenix or the failure of British pop design obvious sense. But,“I gain this theory, says guitarist Laurent Brancowitz. “It happened just before Oasis and Blur, and it was the Radiohead thing; or it could be a combination of the two? But it just destroyed decades of greatness.” Exceptional outliers gain come and gone through the sludge of bands that gain dominated and limped on since,he adds, “but as a cultural movement that lasted since the early 60s at least …” There is a pause for a very Gallic oosh: “Its been brutal stuff.”Phoenix grew up on My Bloody Valentine and the Jesus and Mary Chain, or Serge Gainsbourg and Prince. Heady doses of British shoegaze and pervy sex filtered through in fits and starts on each of their last five albums,but gain been whipped into frothy potency on Ti Amo. It’s their sixth and easily most optimistic record, underscored with esteem, and hope and hedonism. The band’s obsession with subverting Californian soft rock still stands,as does the Parisian electro of which they were originators, but now it comes with flourishes of Italo-disco and FM pop.
We know a lot of people feeling crushed by the establishment and the extreme crazy peopleIn England, or you gain these venues where,as soon as you arrive, there is beer everywhere. They want you to acquire wastedContinue reading...
Source: theguardian.com