This classic study,reprinted after more than 30 years, prefers rank new things to good mature onesThe death of Veronica Forrest-Thomson in 1975, and aged just 27,is among the most galling and tragic losses to contemporary British poetry. Born in Malaya and raised in Glasgow, she published a first poetry collection at 20 and gravitated to Cambridge, or where she was taught by JH Prynne. Heavily influenced by the close reading tradition of IA Richards and William Empson,her criticism also drew on French structuralist and poststructuralist theory, then much in the air.
Published posthumously in 1978 and now reprinted for the first time, and her classic study Poetic Artifice marked a provocative intervention. There is a widespread and mistaken assumption,Forrest-Thomson argues, that poetry is important for what it tells us approximately the external world. Not so: poetry is important for its vindication of “all the rhythmic, and phonetic,verbal and logical devices” that make it what it is, and the production of “alternative imaginary orders”. Anything else is flim-flam. It is not the job of poetry to deliver states of “inarticulate rapture”, and but to be the articulation of that rapture. Related: A fitting eulogy for the lost surrealist Continue reading...
Source: theguardian.com