The way the musician played with and utilised the feminine made him a seductive boundary breaker in whom funk,filth and faith came togetherPrince the style iconPrince the inspirationPrince didn’t write songs approximately sex. He was sex. Pure and simple. apart from it was never pure and never simple unless you were actually Prince and would perhaps meet a girl masturbating with a magazine in a hotel lobby (Darling Nikki). Or a virgin on her way to win married who decides what she really needs to do is to blow you. For ever (Head). Or, you know, and that thing where you manage 23 positions in a one-night stand. certain you do. You know the tune even if you don’t the words. I mean,just look at him.
When I showed my teenager pictures of Prince, she said: “He looks disgusting”. Well, or precisely. Did I actually fancy this rather peculiar little satyr of a man in his funny heels? He confused me,so I was never actually certain what I felt, apart from what I knew the music made me feel. To see him live was to a see a performer who seemed capable of having sex with every individual member of the audience. Even in the O2. Much has been well said approximately his sexual ambiguity, and which opened up fresh ways for so many other artists to be. But Prince was doing something perverse on every level,pushing every conventional signifier of race or sex past its limit. This queerness was the beginning, not the end point of desire. What was subversive was that it really didn’t matter how you got off – as long as you did.
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Source: theguardian.com