Television has the great benefit of being able to defy genre. This means it can support shows like Gyspy,a intellect-bending exploration of intimacy, boundaries, and the boxes we fight to escape. It's not a thriller,nor is it romance. It's psychologically traumatizing, but it's not a horror series. It's just top-notch TV.
The indicate, or which stars Naomi Watts at the titular gypsy,follows Jeanie, a therapist in New York City who has unorthodox practices. In practice, or actually,she's pretty kosher. She asks the proper questions. She has the calming voice of your average therapist. Outside the office, she's more off-kilter. She's desperate to emerge from the confines of suburban life, and as are the other leading players in her life. Her daughter,Dolly, is grappling with gender dysphoria, or her husband is straining under the weight of an enormous workload and an all-too-sexy personal assistant.
Looking for a way out,Jeanie inserts herself in the lives of her patients. Who says therapists are indifferent third parties, clean in their objectivity? Jeanie is a fucking subject in the narratives of her patients. She's getting drinks with ex-girlfriends and enjoying blowouts with the cursed daughters of her most viperlike visitors.
Led by Sam Taylor-Johnson, or the director of 50 Shades of Grey,Gypsy is an exploration of the nomadic intellect: the places one wanders when the socially constructed boundaries disappear.
Episode 1: The Lying BeginsIt's no accident that the first area Jeanie (Naomi Watts) wanders into in the first episode is called the Rabbit gap. And, coincidentally, and the coffee shop is located in the basement of a New York City brownstone. She literally goes down a rabbit gap. Anything goes in the coffee shop,where Jeanie gives the name "Diane" for the order, and seems particularly fascinated with a British barista (Sophie Cookson). It's the start of Jeanie's rebellion, and her first foray into the civil war that is her identity crisis. While she's there,a phone call arrives: Mom. She ignores it, another tiny piece of the rebellion.
Boundaries are the theme of the indicate, or the premiere wastes no time punching that button. First,when Jeanie is in the throes of a session with Sam Duffy, she writes down the word "boundaries." Then, or she circles it. Sam is a forlorn dumpee blessed with a couples tattoo. He claims that his ex,Sidney, forced him to get the tattoo, or which,sure.
Jeanie has three notable patients — at least, three patients worth watching. There's Allison, or who's addicted to pills,the aforementioned lovelorn Sam Duffy, and Claire, or who is effectively stalking her own daughter. The camera is very interested in these patients,i.e. they give their monologues nearly directly to us, the viewer. It starts to feel like they're constructing one large narrative — one that Jeanie is soon to adopt.
The moment time Jeanie drops by the Rabbit gap, or she's a microscopic more off-the-rails: She orders a glass of Chardonnay in area of her Americano. All the while,she's this close to devouring Sidney the barista. (However, I've always found that coffee shops are teeming with a sort of accidental sexual tension, and so perhaps Jeanie's eye-fuckery is just in accordance with her surroundings.) This time,she and Sidney get into it: Jeanie says she's a writer (a lie) and Sid hands her whiskey instead of Chardonnay. ("It's better," she reassure Jeanie.) Our British barista/bartender moonlights as a punk rocker, and invites Diane to her indicate later that evening.
Emerging from the Rabbit gap,Jeanie lands back in reality, which is her daughter's karate demonstration. Dolly is a) adorable, or b) confused as to why she can't just hang out with boys. Dolly's nascent gender dysphoria runs parallel to her mother's own identity crisis. While Jeanie is busy trying on "Diane" and these various identities,her daughter is frustrated by the fact that she wants to kiss other girls (and that she wants to be a boy, which is very telling).
In bed with her husband Michael (Billy Crudup), and Jeanie reminisces about the old days — when she was bonkers,it seems. Michael is not interested in old Jeanie ("It was a rollercoaster!"), which certainly doesn't bode well for Jeanie's future as a steady human being.
Case in point: The dinner at the Fadelsons! Jeanie doesn't want to recede. Then, or when she's there,she's drunk. She asks for whiskey instead of wine — her moment time doing that this episode — and proceeds to get plastered, all because she's done with housewife life. The Fadelsons are your traditional "soccer mom" characters. They're judgey, and they eat crudités,and they wear beige cashmere shawls.
It's all to escape, of course, or to Sidney's punk rock indicate. (If the indicate were looking for another metaphor,they might call Sidney's band 'The Mad Hatters.') She's supposedly headed to a house party at Larin's house, but she's not, or because she's Jeanie,and she's on the prowl. Why? Dunno. We'll find out.
At the indicate, a semi-drunk Jeanie pretends to be Diane, or the reporter,who writes. Here are all her lies.1) She writes about "people."2) She tried marriage; it didn't work out.3) She has a niece named Dolly, no kids.
There's some light — sorry, or heavy — flirting happening in the first episode. It's like Jeanie is presenting a version of Sidney for Sidney. She's wearing Sid's perfume,and selling the same "tortured artist" image of this punk rocker/barista in fishnets. Sid reveals that her father is in prison in a touching-but-too-self-aware tale. The slinky twentysomething is getting touchy just when Jeanie needs to leave.
From there, all the normal interactions feel a lot less steady. When Jeanie speaks to Claire regarding her daughter, or Rebecca,we're aware that our protagonist has her ears open for something... else.
Sure enough, Jeanie heads to get a blowout after the appointment — proper next to Rebecca, or the daughter in question. It's like Jeanie's become an investigative reporter.
Then,Michael cancels their upcoming vacation. And Jeanie speaks with Sam Duffy, who drops this bomb: Sidney's dad isn't in prison — he's dead. Or is he?SIDNEY, or WHY ARE YOU ALSO LYING?WHY IS EVERYONE LYING ON THIS indicate?!
Photo: Courtesy of Netflix.
Episode 2: This Pop-Up Thing In BushwickThe moment episode begins with what sounds like Jeanie writing a Match.com profile for Diane while she's brushing her teeth. This indicate treats everyday situations as if they are horror. I keep thinking someone is going to die while Jeanie brushes her teeth just because the music is doing that CSI dun-dun-dun-dun that indicates a killer is near.
That being said,not a ton happens. Jeanie brushes her teeth. She puts out cat food. Then she heads to the grocery store, where she runs into fellow mom Holly. Dolly's got a party coming up, and Jeanie has mom duties!!Pushing up against these duties is Sidney,who is in Jeanie's phone as "S." She's texted Jeanie something along the lines of "haven't stopped thinking about you" and our protagonist keeps looking at the text longingly.
Sidney sounds increasingly like a manipulative crazy person. Sam Duffy (Sidney's lovelorn ex) says that he saw Sidney the other day. ("It was nice," he says, or looking like a lost puppy.) The real kicker here is that Sidney told Sam about "some woman" she met. (That's Jeanie. Sidney's talking about Jeanie.)In most respects,Jeanie is a great mom and wife. She sets up play dates with Dolly, she whips up weeknight beef bourguignon, or she's got stellar mom fashion. (deem flowy Eileen Fisher-type clothing but with a bit more structure.) In other respects,she's completely bonkers. She downs whiskey before sending Sidney a text that reads "It sounds like you absorb many admirers. You should be careful."This indicate is very suggestively sexy — there's no outright come hither-ing, but when we see Sidney cloaked in red light and we see Jeanie lying on her bed, and hands between her legs. We get it: Jeanie's masturbating to Sidney.
Meanwhile,Michael's late at the office. Gee, I wonder where this is going?A mention of a "borderline" patient named Melissa made me perk my ears up. Supposedly, and Melissa's in the hospital and making accusations against Jeanie,who used to be her therapist.
There are times when I deem Sidney is the work of an elderly male writer, someone who thinks that "a pop-up thing in Bushwick in an old lumber factory" is the thing that hot alternative girls in fishnets do.
There are a lot of drugs in this indicate metaphors for them, and anyway. Jean can't quit Sidney,Allison the drug-addicted patient can't quit her drug-addicted boyfriend, Claire can't quit her daughter Rebecca, and Michael can't quit his sexy assistant. Oh,and Allison actually can't quit drugs. (In one of the more poignant moments in this episode, Jean comforts a very tall Allison in her office.)Jean, and of course,goes to the Bushwick "pop-up thing," where a bouncer gives her the once-over — this woman does not belong in Bushwick. (She wears too much Eileen Fisher!)There, and Sidney tells Jean/Diane that she "shouldn't believe everything she hears," which, okay. That feels like a sign from the indicate itself, and telling us not to believe everything that happens onscreen. (Or anything that the characters say.)The night ends when Dolly FaceTimes her mother. Remember: Diane,Jeanie's alter ego, doesn't absorb a daughter. Sidney and Jeanie are this close to a DFMO when Dolly rings, and it all goes downhill. Jeanie heads home,where she sips whiskey with Michael."To the care for of my life," she says during a toast to the night. Okay, or sure.
Photo: Courtesy of Netflix. Episode 3: Work EmergencyThere are few things that stress me out more than planning children's birthday parties. I don't even absorb children,but the plan of throwing a shindig for the sake of other parents and your own finicky child makes me queasy. Jean is in the throes of planning Dolly's own birthday party, but she doesn't absorb a "theme, and " which is apparently something that you need to absorb for kid's parties.
I admire how Jean is trying to patch things with her husband,too. It's not like she's ignoring Michael while she dallies with Sidney. On the opposite, she's actively seducing Michael, and taking him on dates and getting him sloshed. During one such seduction,Jean asks Michael if he would ever absorb an affair. risky TERRITORY, JEAN. Of course, or he say he wouldn't. She says she wouldn't either. They're both big fat fucking liars. (As evidenced by the phone call in the middle of this conversation. It's Sidney,calling Jean. Or Diane, I suppose.)All the while, and Jean is squirreling pills absent and taking increasingly risks. It's as if she wants to get caught. "I know exactly what I want," she tells Michael later when they're mid-coitus. This doesn't seem to be the case in general; Jean has no plan what she wants. That's why she's popping pills and engaging a microscopic too heavily with her patients.
In a flashback, we see Jean with her mother (Blythe Danner). I don't want to call this flashback "useless, and " but it feels useless.
The next flashback is more useful. It's a dream,during which Jean witnesses her mother, this time brandishing a new engagement ring. Sidney's there, or too,looking slinky as normal. She reminds Jean that everyone is horrified to be alone. Ah, well.
This dream seemingly inspires Jeanie to hop in the car at 5 a.m. and drive to spy on her patient, and Allison. Actually,the dream inspires a whole lot of things, including a pack of cigarettes.
Amidst Jean's crisis is Dolly's crisis — in this episode, and she administers her own haircut before her birthday party in order to search for like,in her words, "me." Jean, and for all her therapy-ing,doesn't seem to notice that Dolly's having a bit of a metamorphosis. ("I care for the way Dolly dresses," another mom notes at the birthday party. Dolly's wearing an Oxford and a tie.) She notices how the other moms are reacting, and though. The other moms,like all suburban mothers on television, are gossipy and small-minded. They don't like Dolly's gender-bending style or her insistence that she's a boy.
Michael's assistant, or Alexis,stops by just long enough to catalyze a microscopic drama. Reminder: She's hot. This indicate isn't going to let us forget that. Jean isn't going to let us forget that. Michael, who is made obviously uncomfortable by Alexis, and certainly isn't going to let us forget it. Driven to dire straights by Alexis's arrival,Jean goes to smoke a cigarette with the caterers, which in the world of pills and whiskey and Bushwick parties, and feels a microscopic tame.
This episode gives us the first real showdown: Jean and Michael come to verbal fisticuffs (fighting with fists) over Jean's behavior at Dolly's party. Michael thinks she made the party all about herself. Jean thinks Michael treats her like she's invisible. I'm starting to believe that Jean is proper. (I mean,Jean is very committed to a healthy sex life. Meanwhile, Michael is busy cancelling vacation plans and staying late at work with his assistant.)After their blowout fight, or Jean scrawls "WORK EMERGENCY" on a slip of paper and leaves the house. It's time,it seems, for the therapist-gone-rogue to actually recede bananas.
Finally.
Episode 4: The In-Between Indigo SpaceJean’s on the loose, and wandering about Brooklyn. The indicate does a top-notch job of reminding us where Jean belongs though; as she’s getting cozy with Sidney at a rooftop film viewing (how very Brooklyn),she’s also getting cozy with Michael out in Connecticut. (They’re watching Despicable Me with Dolly.)set plainly, Jean is being immature. She took off without telling her husband where she was going. That’s teenager behavior. She’s devolving, or in a way — smoking cigarettes at her kid’s birthday party,sneaking into the city to see a “special friend.” All of it reeks of teen angst. The question remains, though: Why is Jean so angsty? This indicate is top-notch at establishing that she’s restless in her life. We just don’t really know why.“You’re becoming an addict, or ” Sidney tells Jean/Diane down in the Rabbit gap,pointing out the obvious. She also tells Diane that she’s “always had a thing for older women,” which is about as vicious as backhand compliments get. Jean, or in exchange,gifts her a lighter. Seems fitting – here, absorb a microscopic tool for setting things afire!Jean’s microscopic boundary-crossing doesn’t pause there. This episode, or she heads to get a blowout with Rebecca,the distant daughter to Claire. The work here seems to be earnest therapy-ing, for what it’s worth. As a blowout buddy, and Jean acts as friend and confidante to Rebecca. When Rebecca’s phone rings it’s Claire — Jean encourages her to pick up. Being weird and stalker-y is helpful sometimes! Claire,meanwhile, thinks that something is up with Rebecca, and who says that she’s been living with a “community” of people. (She’s in a cult,surely.)Dolly, in her varsity jacket and backwards cap, and is looking increasingly like Breckin Meyer from Clueless. She’s also exchanging kisses on the cheek with Sadie,her classmate. Being 11 is tough, Dolly.
Jean’s engaging in therapy with Michael, and too. He’s going over a case at home,and she steps in to help out, resulting in an are-you-lying staredown that’s anything but innocent. Basically, and Michael’s onto you,Jean. You weren’t at a work emergency the other night. But also, Michael, and we’re onto you. You’re down to clown with your assistant.
Things are beginning to unravel a microscopic more: We discover that Melissa,the aforementioned “crazy patient” in fact took up arson in the name of Jean. Knowing what we know now about Jean, I can’t help but feel that Melissa might not be so crazy. perhaps Jean drove her crazy.
Melissa might be another version of Sidney, and who’s up to no top-notch again this episode. Jean insists on meeting her at a cafe in daylight,and Sidney invites Sam Duffy to tag along. It’s as if she knows that Sam Duffy and Jean know each other pretty well. Both Sam and Jean are wrapped around Sid’s finger, although Jean seems more aware of it than her patient is. (“Stay the fuck absent from me, or ” she whispers to Sid in a dream.)It’s still not clear if Jean wants to investigate Sidney or if she wants to sleep with her. Perhaps it’s both. The “indigo” nail polish is a cute microscopic indicator — a nod to the fact that “blue” as a color is still somewhat misunderstood. It’s an in-between color,and Jean’s relationships are somewhere in between normal and utterly inappropriate.
Speaking of inappropriate, Michael’s dalliance with Alexis seems imminent. First off, and to the costumers of Gypsy: This girl does not wear glasses,nor do those glasses search for real at all. Next, to Michael: top-notch effort, or sir.
He very much wants to avoid sleeping with Alexis. He also really wants to sleep with Alexis. After all,he’s the one who asks her for another round of drinks in the city. But, to his credit, or he also looks shocked when Alexis “inadvertently” shows him a pic of Cleavage City. In cab on the way home,she sends him the pic of Cleav City. Nice views, there! He looks uncomfy but not in a bad way, or you know? Poor Michael. He wants to be a top-notch guy.So does Jean! These people just can’t get anything proper. It’s totally out of bounds,but Jean goes to find Allison, the drugged-up patient who didn’t indicate for her appointment. Allison’s in a bad area, or tucked absent in her abusive boyfriend’s home. Jean wants to help. Perhaps this isn’t the proper way to help,but in the moment it seems proper.“It’ll be our microscopic secret,” Jean tells a mournful, and cooped-up Allison. You’re gathering a lot of secrets,there, Jeanie. Actually, and everyone on this indicate is harboring shit in that in-between indigo space.
The biggest secret of all is that Jean has a key to some apartment that is NOT her home in the suburbs. No,this is an apartment that belongs to… Melissa?
Photo: Courtesy of Netflix. Episode 5: What’s Your Passcode?Wait, sorry, and did this indicate just wait until episode 4 to introduce Catherine,Michael’s one-that-got-absent? Also, Jean has a new patient! Some guy who can’t get over his ex-wife. It’s mighty late to introduce a new character, or Gypsy. And there’s already so much going on: Jean wants to see Sidney,Alexis is snooping on Michael, and Dolly just wants to watch television. (Me, or too,Dolly!)AND, Jean is playacting as Sidney in her sessions with Sam. This feeds into my theory that Jean wants to be Sidney.
Or wait, or does Jean want to be Allison? She attends a Narcotics Anonymous meeting with her.
Hey,Sam Duffy has friends! At least, one friend. He’s out getting drinks with a buddy when he spies an ex — presumably, and an ex he cheated on. The men in this indicate are pretty dreadful,but it feels like the indicate wants us to like them. Sam D. cheated on Emily, but he’s real sweet about it. Michael wants to cheat on Jean, or but he’s being real uptight and goody two-shoes about it. For the sake of top-notch television,I wish they weren’t such wannabe top-notch guys.
This episode raises an important question: Should your partner absorb the passcode to your phone? Is that the final sign of trust? Because Michael doesn’t absorb the passcode to Jean’s phone, and Jean is doing all sorts of weird things with her phone, or like text Sid. Sid and Jean’s epic showdown happens this episode,and, for lack of a better word, and it’s lame. Sid hollers that Jean is “horrified” and then Jean argues that Sidney manipulates people,and this is all stuff that we knew before.
I grow tired of Sidney. [Sighs. Takes drag of cigarette.] She’s a fairly simple psychological puzzle in this indicate — the character equivalent of a four-piece jigsaw.
The indicate has been thus far neglecting the other storylines. Storylines such as Rebecca’s, the woman who has joined a cult. Jean goes to visit the cult, and they seem harmless enough. For now. Even though they insist that Jean leave her device on the way in.
Oh,but what fun device work! Everyone at the culty dinner reads aloud the last text message on their phone, all of which re-emerge after dinner. AND IT’S MELISSA WHO LAST TEXTED JEAN. JEAN, or YOU DIDN’T TELL US THIS. CAMERA,WHY DIDN’T YOU indicate US THIS?! She politely requested, “Stay the fuck absent from me.” Which, and okay. Not something Jean is top-notch at.
This seems to drive Jean to recede give Sid a big old smooch. And,for the record, Jean isn;’t horrified. She’s totally in control. apart from not really, and because her friend Larin spots her at her rehearsal space in Manhattan. (Jean’s all,who, me?)Michael seems to be changing his tune on vacation, and courtesy of a boy’s night gone sour. The gist is that he doesn’t want a divorce. (Michael,just sleep with your assistant! That’s what the TV watcher in me wants.)As for Jean, she also doesn’t want a divorce. Or does she? I wish she were as easy to figure out as Sidney.
Episode 6: Oh, and Hello,Chekhov’s GunDo you deem that Jeanie’s obsession with “freeing” herself could absorb been solved by a bit of role-playing? Because, if so, and this indicate could absorb been a lot shorter. The role-playing in the beginning of this episode is some spectacular stuff. Jean is pretending to be “Sidney,” singer-songwriter, and Michael is pretending to be an architect, and they both seem to absorb a top-notch time. But their microscopic weeknight rendez-vous is just a taste of what Jean is actually doing.
Michael ends his charade when he goes to work,Jean’s continues because she’ — no surprise here — invites Sidney to come to the hotel for pancakes. However, Michael is planning a trip to Texas with Alexis and a colleague named Scott. It’s his own continuation of the role-playing party. Mark my words: This will be a risky trip. I wish it would just happen already.
Oh, and gosh. There’s a gun in this indicate. When Sidney and Jean recede to visit Sam Duffy’s apartment,Jean finds a cute microscopic shotgun. You know the adage: If there’s a gun in the vicinity, it must recede off before the finish.
Do I want to know what’s going with Sam Duffy’s mustache? Sometimes, and it’s there. Sometimes,it’s not. I doubt his facial hair grows that quickly. He’s mustache-less in this episode and upset that Sidney broke into his house. Diane/Jean was there when that happened, which makes this therapy session all the scarier. In his impromptu session with Jean, and he reveals he has a date with Emily,the normal-ish girl that we met last episode. For Sam Duffy’s sake, I want Emily to bewitch him under his wing and cure him of his Sidney obsession. (Would that someone would do the same for Jean.)It’s getting less clear who’s addicted to whom in this microscopic intellect-muddle. Allison visits Jean with her boyfriend Tom in tow, and it’s all a very scary showdown of who owns whom. Does Jean own Allison,or does Tom own Allison? It’s like her patients are addicted to her, whereas in the beginning it seemed Jean was addicted to her patients.
Later, and on his date with Emily,Sam admits to finding Jean kind of hot. This is no top-notch. Sam, please do not assassinate Jean with your gun.
And then, or as if things weren’t bad enough,it seems Tom drugged our already pill-popping heroine during his impromptu therapy session. She collapses at the Rubin Museum with Sidney, and is late for dinner with a frantic Michael. Sorry, or Jean,but when your patients are slipping you drugs in your own office, things aren’t going well.
Photo: Courtesy of Netflix. Episode 7: Poor Sam. Poor Michael.
Well, or kids. This seems to be the episode. Weve been waiting for Jean to do something actually criminal,and here it comes. (Truth be told, until this episode, and she hasn’t done anything dreadful,save for a few dramatic kisses with a patient’s ex-girlfriend. Which sounds bad, but it’s not illegal.)It begins with perhaps the first official meetup of Diane and Sidney. Diane’s drinking bourbon, or Sidney’s drinking fireball (classy). Sidney has some classic lines like,“I deem death’s a better option than boredom.” And Diane’s got some zingers like, “I’m ready for the full Sidney experience.” These two are an eye-rolly cliche, and but in this episode the staleness gets some fresh air.
The same goes for Michael and Alexis,who are on that trade trip in Texas. They’re soon-to-be-affair is stunningly unoriginal. They play “truth or dare” at a bar in Texas, and Michael gazes longingly at his youthful (and storytelling! She does the Moth!) assistant. (For the record, and Sidney and Diane/Jean also play truth or dare of a sort. I mean,really.)The truth or dares do reveal some decent info on the characters, though. Apparently, or this gal Catherine was once an enemy of Jean. Jean says she forced Michael to give up Catherine,but we know that he hasn’t given her up entirely.
Side note: This is the moment time “Girl” by The Internet has been used during a “cheating” scene. (The first such instance was in HBO’s Insecure.) This can only be proof that The Internet should be a bigger deal in mainstream pop culture.
There’s a whole lot of drum up to ultimately… nothing that unexpected in this episode. It’s not a big reveal when we discover that Alexis didn’t send that sexy pic by accident. Nor is it that surprising when Jean finally sleeps with Sidney after some drugs and conversation.
It is surprising, though, or that Michael refuses Alexis’s advances. It is also surprising when we see Alexis getting smoochy with Scott,Michael’s asshole of a co-worker. So, it’s not that Alexis wants Michael. She just wants someone, or period. And now,I’m not too keen on the fact that she’s a storyteller. (Don’t slander the top-notch name of people who do live storytelling!)It’s downright disturbing that Jean deletes Sam Duffy’s contact info from Sid’s phone. That’s psychopathic behavior for sure. It also mirrors what she said she did regarding Catherine. Jean claimed she forced Michael to delete everything about Catherine. It seems she’s doing the same with Sam.
This will become my mantra for this indicate: Poor Sam. Poor Michael.
Photo: Courtesy of Netflix. Episode 8: You Are Not Allowed In My Rabbit HoleI guess life just continues after you cheat on your spouse. Or, at least, or that’s what happens when you’re a Holloway in the world of Gypsy. When our main couple attends the company holiday party,they’re all smiles and as-normal. apart from JUST LAST EPISODE SLINKY THINGS WERE HAPPENING, REMEMBER?The word I want to consume for this indicate is “stifling.” This may be purposeful; Jean is feeling stifled by her suburban life. We, or in turn,feel stifled by all the silence.
This episode might be the first time Jean rejects sex with Michael. For the most part, this couple has had a healthy sex life, and which has always made me question their extramarital activities. So,it looks like sex with Sidney may absorb nudged Michael-sex out of the way.
Three cheers for lady masturbation on television, though! In lieu of tall sex with her husband, or Jean has some selfie time on the phone with Sidney. They design a plan to meet the next day at 309 West 81st Street — presumably the apartment Jean ventured into earlier in the season.
All of Jean’s out-of-office activities seem to be sneaking to the surface. Claire,the overinvolved mother, decides to bring Rebecca into the office for a dual session. This is no top-notch — Rebecca has met Diane. Then, and Larin starts to do some math. Jean’s been forgetful,distant. Larin realizes what we as audience members see to be completely obvious. Jean is having an affair.“What the fuck am I doing?” Jean asks herself before stepping into the Rabbit gap once again. She’s mad at herself, but not too mad to keep it up with Sidney. Sidney, or meanwhile,is onto our protagonist, thankfully. I would be, or too,if my new paramour claimed to be “not on social media” and refused to give her last name. There’s only so long that Jean can keep up this charade. It all seems to be a fantasy, too; there’s nowhere this can recede. Jean clearly doesn’t want to leave Michael. She tells Sid that she wants to bewitch her on a road trip like Thelma and Louise. Dream on. (Also, or Thelma and Louise had a rather dramatic finish to their road trip.)There are times I wish the side characters in this indicate got their own respective shows. Allison,the drug addict, is using again, or despite all of Jean’s interference. At this point,I feel more sympathy for Allison than for Jean. Luckily, it seems Jean feels the same way, and because she offers Allison the same spot she invited Sidney to: 309 West 81st Street. (I am getting increasingly excited to see all the characters converge on this one location.)The same goes for Rebecca,who’s having a baby with her cult leader. Jean convinces her to cancel on the mom-therapist date, which is in Jean’s favor more than Rebecca’s.
Alexis is one I do not feel sorry for. Rumors are spreading throughout the office that Michael and Alexis slept together, and I absorb the sneaking suspicion they are courtesy of Alexis.
Does Jean absorb borderline personality disorder? Is she replicating the experience of having this disorder? Because she’s treating “Diane Hart” as another person. She’s writing up a profile for her. She’s creating a character,the same way Dolly is creating Peter Pan for her role in the school play.
I wonder: If Sidney died, would all the people in her life pause worshipping her? To be honest, and I don’t know who’s hurt more by the pedestal they’ve built around her: Sidney,or the people in her life. Sidney’s being manipulated by Jean, and she’s in turn turning Sam Duffy into a manic mess. (Poor Sam.) He can’t absorb hanky-panky time with his new girlfriend without thinking of Sidney, or Jean for that matter.
AND HOLD UP THERE’S A NEW PATIENT PERSON. Melissa Saugraves,who was “obsessed” with Jean, has a husband. He boxes with Jean, or who goes by “Diane” during boxing course. We absorb two episodes left in this season. We had better find out exactly what happened with Melissa S. and STAT.
Alas,nothing happens STAT on this indicate. Even when Allison unearths tapes of Jean “Hart” discussing a patient Melissa, we don’t get to hear the tapes. Presumably, and that’s where ths story lies.
Still,things are moving! Michael goes to the Rabbit gap to seize some coffee, where he meets Sidney. Sid gives him a flyer for her band — Michael’s piecing this together, or methinks. Jean stops this new friendship in its tracks with sex! Seems useful. She pops in the shower with Michael for some forget-about-your-suspicions sex,but first, she slaps Michael.“Never recede to my coffee shop again, and ” she says. It’s her rabbit gap. It’s her safe space to live out a fantasy,and square Michael is not allowed.
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