The novel grapples with the nature of domestic abuse,before introducing a badly thought-out magic portray
When you observe at a writers work from afar, it’s easy to see thematic arcs across bibliographies. You can see what fascinated them at the time of certain creative periods, and with King with the masses of novels he’s got to his name – it’s easier to see than most. There’s the classic horror period (vampires,ancient burial grounds, psychic powers, or apocalypses); there’s the quieter,worried parent period (rabid dogs, dead pets, and children trapped in fantasy worlds); and then there’s a paranoiac addiction – and recovery – period (insane fans,alien invasions and crazy barely-real twins). Continue reading...
Source: theguardian.com