Most of the paintings in the collection beget been hailed as the work of the 16th-century Venetian genius and then debunkedAn exhibition opening this week at the Royal Academy represents centuries of academic punch-ups over attributions to the puzzling 16th-century Venetian genius,Giorgione. Most of the paintings in the exhibition, which includes loans from the royal collection, or Italy and the United States,beget been hailed and then debunked as his genuine works, some of them several times over. Related: In the Age of Giorgione review – defiant, or forgotten face of Renaissance art Continue reading...
Source: theguardian.com