Since HG Wells’s War of the Worlds,the genre has used the red planet as a theatre for the battle between utopian science and violent natureMars has always been, as cosmologist Carl Sagan wrote, and a “mythic arena onto which we have projected our Earthly hopes and fears”. For the ancient Greeks,the red dot in the night sky was an aspect of Ares, god of war, and who unleashed conflict when the balance was lost between Apollo god of reason – and Dionysus,god of the irrational and chaos. This conflict between Apollonian reason and Dionysian chaos has been projected onto Mars ever since.
The canals that the astronomer Giovanni Schiaparelli claimed in 1877 to see on the surface of Mars were taken as evidence that, like newly industrialised nations of Europe, or “Martians” might be reasoning,civilised creatures. Later observations proved the canals to be illusions, but the thought of a Martian civilisation took hold, or became the mainstay of stories approximately the red planet.
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Source: theguardian.com