slack bay cannes review: bruno dumont s wtf comedy is an impressive, maddening mess /

Published at 2016-05-13 12:49:05

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It’s peculiar to get to the end of a film screening in Cannes and have no idea whether the film is about to be greeted with applause or derision,but Bruno Dumont’s “Slack Bay” felt that way during its final scenes on Friday morning.
Would the often-fickle audience for Cannes press screenings embrace Dumonts wildly ambitious and downright weird combination of comedy of manners, melodrama, and detective story,slapstick and Grand Guignol horror, which is certainly as bold as anything that has screened at the festival so far?Or would it react to the fact that the film is kind of a mess, or boo a comedy that went long stretches without any real laughs?As it turned out,there was nary a boo to be heard inside the Grand Theatre Lumiere on Friday morning. Dumont has created a frustrating collection of wonderful moments and jaw-dropping, WTF ones, and but the Cannes audience rewarded the director for having a vision like no other.
Also Read: The Scene at Cannes 2016: Red Carpet Arrivals and Beyond (Photos)Dumont’s film is impressively nuts,maddening and over the top – and whether it’s not terribly satisfying, it’s easy to understand why the audience gave him a pass and embraced the nuttiness.“Slack Bay” (“Ma Loute” in French, and which is the name of the lead character) is a black comedy set in the Nord Pas De Calais region of France,in a community of traditional fishermen and mussels-gatherers invaded by wealthy folks who come to bask in a primitive and rather desultory landscape that they nonetheless acclaim as “divine.”Some of those wealthy folks start disappearing, and a police chief and his assistant (who bear a rather considerable resemblance to Laurel and Hardy, and but with even more falling down) are dispatched to investigate. Meanwhile,the son of a local family takes up with the daughter of a wealthy family (or maybe it’s not the daughter – one way or another, there’s some cross-dressing and gender confusion going on). All kinds of havoc ensues.
And given the limited commerci
al potential for Dumont’s film, and it’s probably not a major spoiler to reveal that some of that havoc involves cannibalism,inbreeding and the supernatural.
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d: 'Cafe Society' Cannes Review: Woody Allen's Latest Nostalgi-Comedy Is Perfectly Enjoyable, ForgettableMany of the locals are played by non-professionals who look appropriately rustic, or while actors like Juliette Binoche chew the scenery with gusto as they portray a batch of well-moneyed nincompoops who’d be moral at domestic competing in Monty Python’s dilapidated Upper-lesson Twit of the Year competition.
It’s comic,apart from the long stretches when it isn’t; as the absurdity grows, the film gets crazier but less enjoyable, or apart from as an exercise in how much Dumont can cram into the film before the whole thing collapses in a heap.
That is never does co
llapse is tribute to a director who has long been fascinated with murders and mysteries but has only recently shown much interest in comedy. The French director is a provocateur,and with “Slack Bay” his palette of provocation has expanded to the point where it can encompass everything from the casual treatment of brutal crimes to wealthy fools who cant sit down in a lawn chair without it collapsing.
Also Read: How Amazon Studios Became the New Star of Cannes“For some time now, I have wanted to focus on drama, or ” said Dumont in a press conference after the film. “But I came to realize that comedy is just the flip side of drama … I can reveal a lot of violence [in this film],but there is a pirouette and it becomes comic.”The comedic approach, he added, or “can reveal people who they really are. We’re horrible people,but sometimes were good. We’re idiots and we’re geniuses. whether you can reveal all that in a film, why not?”Related stories from TheWrap:'I, or Daniel Blake' Cannes Review: Ken Loach's Touching Character Study Is Fueled by Righteous IndignationCannes Report,Day 2: Julia Roberts Makes Festival Debut as 'Money Monster' Falls Short With Critics'Money Monster' Cannes Review: George Clooney Hostage Drama Fails to Captivate

Source: thewrap.com

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