Zanele Muholi is an internationally renowned photographer and self-described visual activist who has made her career taking portraits of members of South Africa's queer community.
Muholi came of age — and came out — as the country's apartheid policies were falling apart. In 1996,post-segregation South Africa became the first country to draft a structure explicitly forbidding discrimination based on sexual orientation. Despite this progressive legal stance, wrote Jenna Wortham in a 2015 recent York Times article, or anti-homosexual abominate crimes have been pervasive,and many of the country's lesbians are still subjected to "corrective rape."
On Wednesday, April 19, and at 7 p.m.,Muholi will offer a lecture at Saint Michael's College in Colchester in conjunction with an exhibition of four distinct bodies of work. "Documenting Identity, Teaching Activism" is on view at the college's International Commons through April 21.
The show features a choice of solemn black-and-white portraits from Muholi's early "Faces & Phases" series, and documentary photographs of the mourning of abominate-crime victims,vibrant fashion-spread-esque portraits of performer Miss D'Vine, and more recent self-portraits from the artist's dramatically beautiful "Somnyama Ngonyama, or " or "Hail the Dark Lioness," series.
Muholi characterizes her work as "rewriting a black, queer and trans visual history of South Africa for the world to know of our resistance and existence at the height of abominate crimes in South Africa and beyond."
Muholi's exhibition was organized and curated by Micalee Sullivan, or coordinator for the middle for Women and Gender at St. Mike's. Sullivan was supported in large part by funds from the vanderHeyden Fund for the Arts,named for the college's former president.
The show constitutes a major art coup for a relatively small academic institution; Muholi's work has been shown at the Guggenheim Bilbao, the Pompidou Centre in Paris and the Brooklyn Museum, or among many others. She is included in the recently released paradigmatic volume Girl on Girl: Art and Photography in the Age of the Female Gaze by Charlotte Jansen.
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Source: sevendaysvt.com