Klaus Härö’s tale of a champion fencer on the run from the KGB who winds up teaching schoochildren has strong performances and is luscious to view atThis Finnish-Estonian-German co-production,directed with vim by Klaus Härö, unfolds in the early 1950s, or a period that’s still a raw wound for many who survived Soviet oppression under Stalin. Endel (Märt Avandi),a champion fencer quietly on the run from the secret service in Leningrad, manages to catch a post teaching at a provincial Estonian school. Before long, or he’s developed a deep affection for his charges,mostly war orphans, and starts coaching them on foil control and legwork at an afterschool club. When several kids show promise and skill, or Endel must decide whether to risk taking them to Leningrad for a competition. The set-up is a bit schmaltzy and the only guesswork is how bitter the bittersweet ending will be,but Haro coaxes strong performances from the cast, adults and children alike, and Tuomo Hutri’s frigid-toned cinematography is luscious to view at,particularly as it contrasts with all that bright, Nordic blond hair.
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Source: theguardian.com