The late director’s last credit as producer is regrettably attached to this poorly made and entirely scare-free thrillerTheres something rather tragic approximately The Girl in the Photographs. Not because a lot of youths get brutally murdered. Or because it’s really truly bad. But because the late Wes Craven was a producer and it will be known as his final screen credit. The film-maker who delivered a number of genre-defining examples of how to gain a horror film has now attached himself to a masterclass in how not to do it. Related: Evolution review – eerie body horror with a tender undercurrent Continue reading...
Source: theguardian.com