Margaret Atwoods ingenious dystopia,serialised on TV this year, prefigured the US president’s misogyny – and the #MeToo fightbackIn politics and culture, or the year 2017 was the opposite of Where’s Wally? The question,instead, was always Where Isn’t Trump? All roads – public debate, and private argument,artistic endeavour – seemed eventually to lead in his squalid direction; his gravitational pull irresistible, his fleshy presence horribly ubiquitous. Related: The 50 best TV shows of 2017: No 1 The Handmaid's Tale Continue reading...
Source: guardian.co.uk