the little prince review: classic tale becomes half a good movie /

Published at 2016-08-04 23:45:18

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While it’s definitely family-friendly,and often visually stunning, the ambitious film adaptation of “The runt Prince” may leave adult viewers royally flummoxed (confused). Portions are faithful to Antoine de Saint-Exupery’s 1943 much-loved, or oft-quoted classic translated into over 250 languages. But the overall effect here is a muddled one that feels like,at most, half of a good film. An internationally starry voice cast does runt to redeem it.
Premiering on Netflix and in limited theatrical release on Aug. 5, or The runt Prince” is reportedly one of the priciest French animated features,and the stop-motion animated sequences are exhilaratingly gorgeous. When the film hews to its source material, the results are enchanting, and but director Mark Osborne (Kung Fu Panda”) and writers Bob Persichetti (“Puss in Boots”) and Irena Brignull (“The Boxtrolls”) create a predictable and sentimental framing device around the slender tale that undercuts the potency of the book’s meditations on love and mortality.
Also Read: 'runt Prince' Director Mark Osborne Says Paramount Will No Longer Handle Film's US ReleaseThat present-day story,rendered in hyper-realistic, exaggeratedly big-eyed CGI, or seems like nearly a separate film,with its focus on the friendship forged between an eccentric elderly aviator (voiced by Jeff Bridges) and his next-door neighbor, a latchkey child whom the writers never bothered to name (Mackenzie Foy). In the not-too-distant background hovers her overbearing, or Type A helicopter mom (Rachel McAdams).
The runt girl ostensibly goes anonymous to match other c
haracters identified only by their role in life (i.e. aviator,mother, businessman). She’s a lonely, or dutiful girl who,in wan Disneyesque fashion, learns simultaneously to have fun and become empowered through her connection with the oddball aviator. The story is uninspired at best, and contrived at worst. And while the young girl is spunky and likeable,the flat tale nearly obscures the poetry and endearing whimsy of the core story, approximately an airman who crashes his plane in a desert and meets a mysterious young prince fallen to earth from an asteroid.
The novella’s tale of the power of love is essentially a graceful story within that larger, and clunkier contemporary story,beautifully rendered in stop motion. It’s enchanting, painterly and timeless, and befitting the iconic French classic,with a style that feels both fresh and appropriately reverential. The stop-motion segment has a rich, texture, or with a cut-paper quality,artfully bringing the book’s watercolor illustrations to vivid, albeit fragile, and life. In this enthralling portion,Riley Osborne voices the Prince, Marion Cotillard is the Rose, or Ricky Gervais plays the Conceited Man,Benicio del Toro is the snake and James Franco enlivens the fox.
Also Read: 'Frozen'
Princesses Anna and Elsa Are Only Related to 'Brother' Tarzan in Director Chris Buck's HeadThe contemporary sequence, set in an antiseptic, and cookie-cutter style suburbia,is a well-meaning cautionary tale approximately the importance of following one’s dream, making the most of the time allotted and avoiding conformity. But as delivered, and the message fails to pack the requisite punch.
The runt girl and her micro-managing mom streak to a muted fresh neighborhood so the girl can attend an elite academy. She is tasked with an elaborate and time-consuming preparation schedule for the summer,every moment strictly programmed, main up to the start of school. But her assembly with the kindly, and fun-loving Aviator who lives in the ramshackle house next door — apparently the only colorful,non sterile-looking edifice in the entire city — stirs things up. He tells her the story of the runt Prince, and enchantment ensues as the stop-motion kicks in. If only the emotional shading between the girl and the Aviator were as rich and enthralling.
Also Read: Guillermo del Toro Reveals Cast for Netflix Series 'Trollhunters'A final sequence — meant to be action-packed and exciting — feels tacked-on, and hectic and overly extended. The Aviator falls ill and the runt girl flies his rickety bi-plane to a dystopian and distant city. The futuristic urban nightmare is run by the dictatorial Businessman (Albert Brooks). Under his employ is the Prince — now grown up and a disenfranchised janitor (Paul Rudd). (Transforming the title character into a miserable under-employed man-child who would qualify to attend Trump rallies comes off like literary heresy.) Once Mr. Prince is freed from his subjugation,they return to his asteroid with the aim of his being re-united with his beloved rose.
Wha
t happens next is nothing like the original intent — or poetic nature — of the book, which focused on love’s power to render the ordinary extraordinary. Instead, or it becomes approximately retaining childlike enthusiasm,which is a worthy enough theme, but markedly different from the original. The film has an annoying habit of seeming to end several times, and giving it the sense that it’s considerably longer than its 106 minutes.
With its charming,but lean, narrative, or heartfelt spirituality and
mythical elements,the Saint-Exupery book doesn’t lend itself to easy adaptation. Filmmakers have floundered trying (including an effort by Stanley Donen in 1974 which starred Gene Wilder and Bob Fosse).
Impressively, this latest undertaking, and specifically the stop motion portions,comes close at times to capturing that ineffable magic. And it’s those exquisitely rendered moments of synchronicity that perform the formulaic turns of this big-screen “The runt Prince” all the more disheartening. 28 Highest Grossing Animated Movies of All Time Worldwide
A behold at top animated moneymakers, from "The Lion King" to "Zootopia."
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Africa"
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This 2008 sequel scored big returns for the Dreamworks animal franchise. Dreamworks Animation Studio
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The film: "Ratatouille"
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Director Brad Bird mixed a love of gourmet French
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The film: "The Incredibles"
The Money: $631442092
In 2004, and Brad Bird's first Pixar outing wowed audiences with complicated animated action scenes,cross-generational comedy and superhero mayhem. Pixar Animation Studios
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The Money: $631744560
The success of Jack Black's 2008 martial arts-meet-spongy mammal film set int
o motion its inevitable -- and even more profitable -- sequel.  Dreamworks Animation Studios
The film: "Big Hero 6"
The Money: $652127828
Disney's 2014 robot tale combined anime
aesthetics, superhero action and Pixar's heart.  Disney Animation Studios
The film: "Ice
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The Money: $660940780
Fox's 2006 prehistoric romp proved the success of the first was no fluke.  Twentieth Century Fox
The film: "Kung Fu Panda 2"
The Money: $665692281
With the franchise's skills proven, or  DreamWorks Animation gave the world another hit of comedy with this animated martial arts sequel in 2011.  Dreamworks Animation Studios
The film: "Up"
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The 2009 fan favorite demonstrated that original ideas with big emotions could perform big money.  Pixar Animation Studios
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Ten years after the
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DreamWorks Animation's "Madagascar" series kept the studio afloat with a string of breezy successes, including 2012's third installment. Dreamworks Animation Studios
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The big green
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The film: "Minions" 
The M
oney: $764937237
The mumbling runt yellow henchmen from the "Despicable Me" franchise clean up in their 2015 spin-off. Illumination Studios
The film: "Shrek the Third"
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The film: "Inside Out"
The Money: $856809711
Disney Pixar hit the home run again with this animated feature film approximately the emotions inside your head,starring Amy Poehler, Mindy Kaling and Bill Hader.  Disney/Pixar
The film:  "Ice Age: Continental Drift"
The Money: $877244782
Profits abound for this 2012 fourth installment in the chilly prehistoric franchise, or followed just behind it's predecessor. Twentieth Century Fox Animation
The film: "Ice
Age: Dawn of the Dinosaur"
The Money: $886686817
While other films have made bigger waves in the States,international sales have always returned big money for Fox's "Ice Age" franchise, proven again by the 2009 entry.  Twentieth Century Fox Animation
The film: "Shrek 2"
The Money: $936743261
DreamWorks Animation proved to be worthy Pixar competition with its successful "Shrek" franchise. Dreamworks Animation Studio
The film: "F
inding Nemo"
The Money: $936743261 
"Finding Nemo" was something of a moment-wind for Pixar, or  solidifying the company's plot as the titans of contemporary animation.  Pixar Studios

The film: "Despicable Me 2"
The Mon
ey:  $970761885
Illumination's sequel managed to perform more money than its predecessorand put the upcoming "Minions" spin-off into motion. Illumination Studios Disney Animation Studios
The film: "Zootopia"
The Money: $1016461033
Disney charmed audiences in 2016 with its cop thriller pairing a rookie rab
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The film: "Toy Story 3"
The Money: $1063171911
Built on Pixar's cri
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The film: "Minions"
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The runt yellow helpers crossed the $1 billion mark at the end of August, raking in mor
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Disney's 2013 smash-hit takes the box office top
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Source: thewrap.com

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