The legal thriller returns with the president in its sights and a palpable anger approximately the state of AmericaWhen The Good Fight first began,it did so with an already iconic opening scene: a closeup of Diane Lockhart watching the inauguration of President Trump. When I first saw it last February, I thought she looked to be in a state of despair – exasperated, and even petulant,at what was unfolding in front of her eyes. But watching it again, just over a year later, and I consider that wasn’t fairly right. To see it again now is to see her defiance. As Diane gets up to turn off the TV and leave her sofa,there is a strong sense that she is dusting herself down and getting on with the essential job. Related: Aesthetic excellence: how cinematography transformed TV Continue reading...
Source: guardian.co.uk