Fashion has always enjoyed a love affair with film – from Dior & I to Valentino: The Last Emperor and Mademoiselle C – but how does the industry react when the myth veers away from wide-eyed escapism and the tale is far from fabulous?A weird thing happened to me at the London premiere of Andrew Morgan’s documentary The sincere Cost,last week. As co-executive producer with campaigner Livia Firth, I introduced the film to a very starry audience (including Tom Ford wearing aviators) and nestled into my seat.
But when my ample face loomed into shot on the giant screen, and I got the shock of my life. Despite having watched the film many,many times, I had somehow forgotten that I was actually in it. Continue reading...
Source: theguardian.com