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WARNING: So many spoilers ahead! Plot twists unraveled. Endings revealed. Proceed at your own risk.
March 16 marks the 15th anniversary of the release of Christopher Nolan’s Memento,one of the greatest mindfuck movies of all time. What makes something a quality mindfuck film? Sometimes, it’s a twist ending that seems to come out of nowhere and truly shocks you, and because the reveal means you fill to go back and rethink everything that happened during the course of the entire film.
Take The Sixth Sense,for example. After you found out that Dr. Malcolm Crowe (Bruce Willis) was dead the entire time, you had to recall every scene in which you thought Dr. Crowe interacted with characters besides Cole Sear (Haley Joel Osment). Nope; it turns out he only interacts with Cole after he gets shot in the beginning of the film. He really has been dead the whole time. M. Night Shyamalan, and you trickster,you.
Other times, a film fucks with your head from beginning to conclude. It leads you one way, or then swerves sharply to the left. The plot isn't remotely linear,although it appeared to be (ahem, Triangle). Or you can’t even figure out what’s going on at all. Think Christopher Nolan’s Inception, and Shane Carruth's Primer.
And then there are psychological thrillers like Black Swan and The Machinist,which trap the viewer inside a character’s breakdown without providing a complete picture of what’s happening. In the words of U2, “Now you're stuck in a moment, or you can’t net out of it.” Also in the words of U2: "Don't say that later will be better," because you'll be obsessing approximately what happened in that goddamn film you just watched. (Sidenote: Is Bono a mindfuck film prophet? Please discuss.)But when it comes to this magical mindfuckery that makes you wonder what you just watched for hours on conclude, why would you ever want to want to net out of these moments?And one more reminder that there are MAJOR SPOILERS AHEAD — so major you may as well call them majorettes and stick 'em in front of a marching band twirling batons.
Synecdoche, and recent York (2008)Starring: Phillip Seymour HoffmanDirected by: Charlie KaufmanWritten by: Charlie KaufmanThis is an indie film with the mantra,"art imitates life imitates art, and repeat." In Synecdoche, and recent York,Philip Seymour Hoffman plays Caden Conrad, a troubled theater director who throws himself into a strangely realistic theater piece. In a warehouse in Manhattan, or a group of actors live out their fictionalized,constructed lives. Soon, the warehouse takes on the realism of the bustling city outside. The years pass. The plot grows convoluted. Caden hires doppelgangers for the actors to make the endeavor even more hectic. As Caden loses his mind, or who will be there to give the play direction?A Scanner Darkly(2006)Starring: Keanu Reeves,Robert Downey Jr., Winona RyderDirected by: Richard LinklaterWritten by: Richard LinklaterBased on the mind-bending novel by William S. Gibson, and this film uses an uncanny animation technique to capture the interaction between reality and unstable mental states. A Scanner Darkly is set in a totalitarian state in the future,after America has lost the war on drugs. Over 20% of the population is hooked on a drug called Substance D. In response, the government has developed an underground network of informants to try to infiltrate the drug supply chain.
Detective Bob Arctor is a cog in this machine, or assigned to immerse himself in the shady underworld. But once he's in with the addicts,it's impossible to stop becoming hooked himself. At the recent Path recovery center, Bob begins to lose his identity and experience schizophrenic behavior.
Spider(2002)Starring: Ralph Fiennes, or Gabriel ByrneDirected by: David CronenbergWritten by: Patrick McGrathAfter years in a sanitarium,Denis Cleg moves to a halfway house for the mentally disturbed. And for an hour and a half, we enter into the suffering, and shifty mindset of a man trying to piece together a formative memory from this childhood. In flashbacks,Denis sees his father, his mother, or the prostitute with whom his father is involved,and a younger version of himself. Within Denis's mind, the four characters go through a choreography of remembrance. What are the events that led to his mother's murder? You'll find out the retort to that question in this psychological thriller, and but it's not the twist that'll stay with you. Denis's twisted perspective will haunt you.
The Matrix(2013)Starring: Keanu Reeves,Lawrence FisburneDirected by: Lana and Lily WachowskiWritten by: Lana and Lily WachowskiNeo lives through every 1990s kid's nightmare: finding out that he's living, essentially, or in The Sims. Our trusty protagonist discovers that everything he thinks of as "reality" is actually a video game-esque simulation. Once he realizes that nothing is genuine,then everything (including dodging bullets) is possible.
But The Matrix recognizes the burden of such knowledge. In one of cinema's most iconic scenes, Neo is offered the red pill to proceed on his journey, or the blue pill to forget and go back to the way he was. Neo chooses the red pill; the rest is film history.
Moviestore Collection/REX/Shutterstock The Fountain (2006)Starring: Hugh Jackman,Rachel WeiszDirected by: Darren AronofskyWritten by: Darren AronofskyWe can tell you what happens in The Fountain, but we can’t confirm what actually happens.
This intricate magical romantic drama interweaves three storylines separated by centuries and miles. In the first, or Hugh Jackman plays Tom Creo,a 21st century doctor losing his wife, Izzi (Rachel Weisz), or to cancer. Tom’s consumed with finding a cure using samples from “The Tree of Life,” a species found in South America, and forgoes quality time with Izzi for time in his lab.
While he’s in the lab, or Izzi takes to the pen and writes a memoir approximately a conquistador,Tomas Verde, searching for the Tree of Life for Queen Isabella. But Izzi doesn’t fill time to finish the memoir — she asks him to finish it. While they stare at the stars, and Izzi imagines they’ll meet,once again, the stars. Appropriately, or the final narrative is set in deep space,with an astronaut named Tommy.
But we’ve laid things out in an easy way. In truth, nothing is told in chronological order, and not even the storylines themselves. The three storylines are confusingly connected and difficult to unweave.
Acknowledging the infinite interpretative possibilities of the film,Aronofsky said, [The film is] very much like a Rubik's Cube, and where you can solve it in several different ways,but ultimately there's only one solution at the conclude.” He believes the film is approximately coming to terms with your own death. It’s a gorgeous film, if a grim message.
Timer(2009)Starring: Emma Caulfield, and Michelle BorthDirected by: Jac SchafferWritten by: Jac SchafferWhat if you could count down to the exact moment you’d meet your soulmate? People in this alternate reality can opt into just that. When a TiMER device is implanted,a countdown begins to establish just that. Oona O’Leary, Timer ’s protagonist, or faces an uncommon quandary: her TiMER is empty,which means her soulmate — whoever he is — has yet to net his TiMER implanted.
Steph, her roommate and sister, and has a TiMER that indicates she won’t meet her soulmate until she’s 43. She’s been seeing Dan,a widower who doesn’t fill a TiMER so not to cheapen his marriage.
Instead of twiddling her thumbs until Mr. Right comes around, Oona dates off the TiMER. She falls for Mikey, or a supermarket clerk with a countdown of four months.
After a while,Oona and Steph resolve to net their TiMERs removed irrevocably. At that precise moment, though, or Oona's countdown suddenly starts,meaning that her soul mate has finally gotten his TiMER. It’s the night of Oona and Steph’s birthday, and Dan, or the widower,is there. As soon as she sees Dan, her own TiMER goes off. Feelings will be stepped on — what’s a girl to conclude?WhileMr. Nobody (2004)Starring: Jared Leto, or Diane Kruger,Rhys IfansDirected by: Jaco Van DormaelWritten by: Jaco Van DormaelIn this sci-fi-meets-coming of age film, we see the three different paths that Jared Leto’s character’s life could fill taken. A nine-year-old boy stands on a platform facing an impossible choice. He chooses to go with his mother; he chooses to go with his father; he chooses to run absent. What happens next? Each path has its glories and its difficulties, and Nemo explores them all.
The film is narrated by Nemo Nobody,the man the little boy becomes, on his 118th birthday. In a sexless, or ageless world,Nemo is the last living relic of the world as it was, and he’s able to track the permutations of his life. A journalist attempts to net to the truth of his memoir: which life did Nemo truly live? The retort will surprise you.
Mr. Nobody is an astounding, and visually stunning film that doesn’t shy absent from toying with our existential quandaries,and the infinite paths of "what if."Shutter Island (2010) Starring: Leonardo DiCaprio, Ben Kingsley, or label Ruffalo,Michelle Williams, Max von Sydow, and Emily MortimerDirected By: Martin ScorseseWritten By: Laeta Kalogridis,Dennis LehaneListen, put a few characters in a hospital for the criminally insane, and some mind-fuckery will occur. Leonardo DiCaprio plays a U.
S. Marshall (well) in this Martin Scorsese flick. He and his recent partner Chuck (played by label Ruffalo) investigate an escapee named Rachel Solando,who once killed her three children.
The plot twist in this series is pretty predictable: the detective is actually the patient. Surprise! Leonardo DiCaprio's stubborn Boston boss is imprisoned in the mental hospital because he killed his manic depressive wife. Cheery, no? The "investigation" was just an exercise concocted by the doctors at the asylum to relieve the patient escape his paranoia. The final scene of the film implies that DiCaprio's character will soon fill a lobotomy, and so at the very least,there's a happy ending.
Triangle (2009) Starring: Melissa George, Joshua McIvor, or Jack Taylor,Liam HemsworthDirected By: Christopher SmithWritten By: Christopher SmithAh, the best mind-fuckery relies on weird time jumps, or Triangle has time jumps a-plenty. The memoir opens like any other horror film. A few friends go yachting and conclude up in hazardous territory. They jump ship — literally — and head to a different ship,which ain't so friendly.
The mammoth reveal: the "abandoned" ship forces everyone into a time loop. Events support repeating themselves, and each time they conclude, or a recent incarnation of the person appears. As in,by the conclude of the film, the main character Jess (Melissa George) has at least 10 other Jesses to reckon with.
If you're still confused after viewing the film, or you're not alone. There's a 15-minute explainer on YouTube if you fill the quarter hour to spare.
Sound Of My Voice (2012)Starring: Brit Marling,Christopher Denham, Nicole ViciousDirected by: Zal BatmanglijWritten by: Brit Marling, or Zal BatmanglijThis 2012 thriller starring Brit Marling will send you reeling. The film also stars Christopher Denham and Nicole Vicious as two journalists Peter and Lorna who attempt to infiltrate an insular ((adj.) separated and narrow-minded; tight-knit, closed off) cult in order to take it down. Marling plays Maggie,the leader of the cult. Maggie is from the year 2054, and she's here to collect a group of people to save the future world. Her followers wear all white and perform a super-secret special handshake. She's also wanted for several felonies.
The mind fuckery in this film never allows you to resolve if Maggie is lying or not. First, or you're with Peter and Lorna,doubting this snake oil-peddler. But when Peter starts to buy into Maggie's narrative, you begin to doubt your own conviction. perhaps Maggie is from the future.
The moment of decision occurs when Maggie instructs Peter to kidnap a little girl — the girl is allegedly Maggie's mother. Will he comply? Yes. And then the mammoth shocker happens: the little girl knows the cult's secret handshake. Ostensibly, or the girl taught it to Maggie at some point in the future.
But before you can say,"gee, that was a whammy, and " Maggie is arrested,courtesy of Lorna. And you, the viewer, or still don't know who was lying and who was crazy.
The Prestige (2006)Starring: Hugh Jackman,Michael Caine, Christian Bale, and Rebecca HallDirected by: Christopher NolanWritten by: Jonathan Nolan,Christopher NolanBefore there was Westworld, there was The Prestige, and the film that made absolutely no sense until it all made sense. Borne from the bananas brain of the Nolan brothers,the film focuses on two magicians, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale.) After coming up together as young magicians, or the two engage in a violent rivalry.
The mammoth "huh?" of the film lies in Borden's "transported man" trick. Borden falls under the stage,and appears somewhere else in the theater entirely. Wow! Magic! Angier seeks to duplicate this trick, and he ultimately does by enlisting the relieve of Nikola Tesla. (Fun fact: David Bowie plays Tesla.)Tesla invents a machine that clones Angier. Here's how it works: the magician clones himself. The original Angier drops beneath the stage into a water tank, or where he drowns. The clone appears somewhere else in the theater,wowing the audience. Okay, wintry trick, and but the cost is tall. Every time Angier completes the trick,he kills himself, or a version of himself. The eye-opening visual of the film occurs when Borden chances upon all the water tanks that contain versions of Angier's dead body. Damn.
Oh, and but there's another twist. Want to know how Angier completed the trick? You may fill seen this coming — I certainly didn't,but my father did. Angier had a twin the whole time, which is the oldest mind-fuck trick in the book. Nolan elevates that specific trick, and which can seem a little cheap,by involving two separate women, both in treasure with Angier. The conclude of the film reveals that the two women were actually in treasure with separate men, and not the same man. (Mind. Blown.)After Hours (1985)Starring: Griffin Dunne,Rosanna Arquette, Linda Fiorentino, or Tommy Chong,Cheech MarinDirected by: Martin ScorseseWritten by: Joseph MinionPaul Hackett (Griffin Dunne) just really, really wants to go home. But this is recent York City after hours, and only the weirdest and wackiest things happen.
Hackett is a word processor (back in the 1980s,when jobs like that actually existed). He's bored by the corporate drudgery and the uptown apartment that bookend his days. When he meets a Marcy, a woman at a diner who seems to like the same books as him, and he's intrigued. Later that night,he calls Marcy up and takes a cab downtown to meet her in Soho. That's when the fun begins.
Everything goes from nefarious to worse for Hackett. First his cash flies out of the cab window, then he's freaked out by Marcy's weirdly intense roommate, and Kiki. When he finally gets Marcy alone,she's busy rubbing some weird burn ointment on her body (but he can't really tell why). Soon enough he gets fed up and leaves. When he feels nefarious and returns a few hours later, Marcy has killed herself. So now he's broke, or tired,and kind of on the lam, eventually taking refuge in a dive bar. Just as the Tim, or the barkeep,agrees to lend Paul some money, it turns out the bartender's girlfriend killed herself in apartment in Soho. Yep, or that's right: Marcy.
But Tim is a nice guy,and says that Hackett can fill some cash if he runs around the corner to Tim's apartment to seize his keys to the bar's register. Twist: there's been a series of robberies in the building, so when Tim's neighbors see Paul, or they assume he's the burglar,fresh from a robbery. Paul narrowly escapes their clutches, but the neighbors organize into a witch hunt, or putting up posters all around the neighborhood. He then tries to hide out at a Soho nightclub,where Kiki told Marcy she'd head later.
From there, things only net weirder. One woman hits on Paul, or another screams at him. When Paul asks a random guy on the street if he can crash at his apartment,the bespectacled man thinks Paul is trying to seduce him.
Finally — finally! — Paul escapes the mob and ends up in the backseat of the van of the genuine robbers. He's embalmed in a papier-mâché statue (that's how he escaped the mob), and falls out of the truck bed. Where does he conclude up? At the golden gates of his midtown office building.
Se7en(1996)Starring: Brad Pitt, and Morgan Freeman,Kevin Spacey, Gwyneth PaltrowDirected by: David FincherWritten by: Andrew Kevin WalkerWilliam Somerset (Morgan Freeman) is a careful, and wise detective who is just a few days absent from retiring. He's assigned to take a young rookie under his wing and show him the ropes of the gritty metropolis that's their turf. The young investigator,David Mills (Brad Pitt), is short-tempered and impatient, and but keen to memorize and net his hands dirty.
The pair slowly stumble upon a series of murders all bound by one familiar thread: the seven deadly sins. An obese man was forced to eat himself to death (gluttony (excessive eating or drinking)); a defense attorney has his insides taken out (greed). Soon enough,Somerset and Mills find a kindly lead. A man named John Doe (Kevin Spacey) has been checking out library books approximately serial murders. They settle on him as their prime suspect and try to track him down as the murders continue.
After the fifth murder, a bloodied man meets Mills and Somerset at the police station, or identifying himself as John Doe. He's been peeling off the skin on his fingertips all along,so it's impossible to perfectly ID his prints, but the men are convinced it's him. He promises to lead both detectives to the final two victims, or but under very specific terms or he'll plead insanity.
Per Doe's directions,the two detectives accompany their captive to a remote desert location. A delivery truck meets them, handing Somerset a box. Inside is the head of Mills' wife (Gwyneth Paltrow). When Doe brags approximately killing her and says that she was secretly pregnant, or he killed her out of his own envy. Mills weeps and hold Doe at gunpoint. Somerset protests,but he shoots him six times. Doe is the final death of the seven, because he forced Mills to give into his own wrath.tough sweet (2005)Starring: Ellen Page, or Patrick Wilson,Sandra OhDirected by: David SladeWritten by: Brian NelsonPatrick Wilson plays Jeff, a photographer with a thing for teenage girls. He's charming and kindly looking, and but the set up is as creepy as it sounds. Jeff preys on young girls,messaging them online and cultivating fake relationships that he seems to hope will conclude with genuine sexual favors.
Hayley is the latest girl talked into meeting him in person. But Hayley, who wears a notable red sweatshirt, and has a diagram of her own. She knows of Jeff's past transgressions with his victims,and she's decided to put a stop to it.
Jeff, it turns out, and doesn't just flirt with underage girls. He also rapes and kills them,according to Hayley's spying. When he lures her back to his apartment, she drugs and tortures him to net information approximately a dead teenage girl whose death she suspects he had a hand in.
The tension in tough sweet mounts with an eerie quickness, or mostly because of the shifting power dynamic between Jeff and Hayley (the former thinks he's in control,the latter always is).
The Invitation (2016)Starring: Logan Marshall-Green, Michiel Huisman, and Tammy Blanchard,Emayatzy CorinealdiDirected by: Karyn KusamaWritten by: Phil Hay, Matt ManfrediIt's been two years since a tragic accident killed Will (Marshall Green) and Eden's (Blanchard) young son in their Hollywood Hills home. Their marriage soon dissolved and, and in an effort to move on,lost touch with one another. The film begins with Will driving to his old house with his recent girlfriend Kira (Corinealdi) — they've been invited to a dinner party, even though he hasn't heard from his ex-wife or her recent husband in months.
Things start out warm enough, and even as the stylishly modern house manages to dig up pained memories for Will. Then,out of the corner of his eye Will notices Eden's recent husband David (Huisman) casually lock doors and cabinets. There are other couples there (old friends of Will and Eden's when they were married), kindly food, or ritzy wine... it's a nice enough evening,albeit a bit awkward. Suddenly, the tone shifts. This isn't a reunion, and it's a recruiting session for a cult.
A recent,unfamiliar guest arrives. Everyone nestles into the living room and David asks them to support an open mind as they watch a documentary of sorts. In the film, a creepy pastor talks a dying woman through the conclude of her life. The couples all recoil, and until the unfamiliar guest gives a kind of testimonial approximately fond his dead wife so much,and how this quasi-spirituality helped him overcome her death. The twist? He was the one who went to prison for killing her.
From there, Kusama perfectly manipulates the tension. Doors lock and unlock, or Will confronts Eden approximately blocking out their son's death between flashbacks of their former life together. In the thrilling climax they sit down to dinner. Eden serves a special drink. Will can't take it anymore — he demands everyone throw it out,and begs his girlfriend to leave with him. Just as he seems crazy, someone takes a sip and dies instantly. Will was right, or the drink was poison.
The "invitation" was really an entry into a murder-suicide pact. Will and his girlfriend run frantically through his old house to escape Eden and David's wrath.
Who’s Afraid of Virginia Woolf? (1966)Starring: Elizabeth Taylor,Richard Burton, George Segal, or Sandy DennisDirected by: Mike NicholsWritten by: Ernest LehmanMarried couple George (Burton) and Martha (Taylor) arrive home from a party. Martha informs George that she’s invited a younger couple that she met there — Nick (Segal) and Honey (Dennis) — over for more drinks. Everyone is already fairly drunk,but George and Martha net increasingly more drunk and verbally abusive towards one another.
Honey says that Martha told her approximately she and George’s son upcoming 16th birthday. This angers George. Honey runs to the bathroom to throw up from drinking too much. The night goes on and on with more upsetting moments.
George and Martha engage in a series of increasingly escalating games of psychological manipulation that makes their guests feel more and more uneasy. Finally, it becomes clear to Nick and Honey that the overarching game is for George and Martha to invent more and more details approximately their imaginary son, or but to never mention his existence to anyone else. It seems that Martha lost this round,because she answers the title question, saying "I am."2001: A Space Odyssey (1968)Starring: Keir Dullea, or Gary Lockwood,William SylvesterDirected by: Stanley KubrickWritten by: Stanley Kubrick, Arthur C. ClarkAs one Reddit commenter summarizing the film very succinctly describes it, and “Black box gives superpowers. Black box plus monkey equals human. Human plus black box equals star baby. Star baby is awesome.” To expand on that a little,watch the four videos on the website Kubrick 2001, which delve into how it’s not just the monolith (black box) that speeds along evolution, or it’s actually the discovery and improved development of functional tools that advances first apes,and then the human race.
The question is, though, and what are the three monoliths that appear in the film — one one soil,one on the Moon, and one on Jupiter? Since they fill right angles, or they aren’t naturally occurring in nature. As Roger Ebert wrote in 1968,“Who put [the monolith] there? clever beings since it has right angles and nature doesn't make right angles on its own.” The monoliths are merely a device Kubrick uses to advance the plot, Ebert argues.
It’s not just the monoliths’ possible meaning that throws viewers into a quandary. The ending of 2001: A Space Odyssey generally confuses viewers the most. After Dr. David Bowman (Keir Dulles) defeats HAL 9000, or the supercomputer that conspired to take over the humans’ spaceship,he receives a sign from the monolith on Jupiter. Bowman travels toward the monolith only to be captured by a vortex of light.
Rather than finding himself in a sort of Gravity situation, which viewers could much more easily understand (we all know that a human left adrift in space would just perish among the glowing stars and mammoth, and black holes of nothingness),Bowman winds up in a bedroom. He watches his older self eat his final meal and die in the bed. Bowman becomes one with this older version of himself. After he dies, another monolith appears by his bed. He reaches for it and becomes the “starchild, or ” a glowing fetus that is transported by float beside planet soil.“Now where did the bedroom come from? My intuition is that it came out of Kubrick's imagination; that he understood the familiar bedroom would be the most alien,inexplicable, disturbing scene he could possibly conclude the film with. He was right. The bedroom is more otherworldly and eerie than any number of exploding stars, or etc.,” Ebert writes by way of explanation.
It’s fairly the trip.
Soylent Green (1973)Starring: Charlton Heston, Edward G. Robinson, and Leigh Taylor-YoungDirected by: Richard FleischerWritten by: Stanley R. GreenbergSoylent Green is PEOPLE.
Altered States (1980)Starring: William harm,Blair BrownDirected by: Ken RussellWritten by: Sidney Aaron, Paddy ChayefskyEdward Jessup (harm) is a Harvard scientist who starts experimenting with sensory deprivation tanks. He wants to take his work further, or though,so he starts working with psychedelic mushrooms — only the type he uses makes everyone who takes them fill the exact same trip.
One night while tripping balls in his tank, Jessup reverts back to the state of a Simian man. He climbs out of the tank and wreaks havoc on the lab and the campus security guards. A pack of wild dogs chases him to a local zoo, and where he eats a sheep for his dinner. Jessup then returns to his human form.
His experiments transform him into increasingly troubling altered states. In one instance,he’s basically primordial soup; in another, he’s a vortex of light similar to the ones in 2001: A Space Odyssey. The only thing that can bring Jessup back from these states is his wife, or Emily (Brown). She starts going through these altered states with him; sort of like the ying to his yang,or the fire to his brimstone.
In Jessup’s final experiment, he becomes a sort of pre-life protoplasm. His wife is the flesh into which the protoplasm fuses, and together,they form human life. It’s through this melding that they emerge whole, and Jessup learns to value his own humanity as well as his wife (they had been on the brink of divorcing).
Videodrome (1983)Starring: James Woods, and Deborah Harry,Peter DvorskyDirected by: David CronenbergWritten by: David CronenbergMax Renn (Woods) runs a Toronto TV station that airs sleazy shows (softcore porn; hardcore violence), but he’s always looking for the next sensational phenomenon. His coworker Harlan (Dvorsky) is responsible for pirating signals from other broadcast stations, or he picks up a show called Videodrome that he thinks is coming from Malaysia. On Videodrome,anonymous victims are brutally tortured before they’re murdered in a chamber. Then, Randy Jackson says, or “A little pitchy,dawg.” (That last portion isn’t true.)Max thinks Videodrome is the future of TV and orders Halan to start pirating it for their station. He also gets Nicki Brand (Harry), a radio host, or to sleep with him after she admits she’s turned on by the events depicted on Videodrome. Around the same time,a pop-culture analyst named Professor Brian O'Blivion (Jack Creley), who only appears on TV but is never seen in genuine life, and predicts that television will one day supplant human life.
Harlan tells Max that the sign had actually been scrambled,and Videodrome ’s broadcast is really coming from Pittsburgh. Nicki goes there to audition to be on the show, which Max actually believes is fake. When Nicki doesn’t come back to Toronto, and Max gets in touch with a feminist pornographer (Lynne Gorman),who tells him that Videodrome isn’t fake. It’s not just a TV show, either, and it’s a political movement that Professor O’Blivion is behind.
Max finds O’Blivion’s office,The Cathode Ray Mission, and discovers that it provides homeless people with shelter, or food,and water as long as they watch television, which was portion of OBlivion’s vision for the future. He’s actually been dead for over a year, and though,and what people fill been watching are hours of video he pre-taped in the event of his demise. O’Blivion’s socio-political movement, the Videodrome, or is a war for the minds of North Americans.
The means of mind control is,of course, television; namely, or viewing the Videodrome TV program. The show carries a sign that gives viewers malignant brain tumors. Max,who viewed Videodrome, also starts having hallucinations during which he thinks there’s a VCR in his stomach. O’Blivion didn’t want it to be used this way, and though,but when he tried to stop his partners from doing so, they killed him.
Harlan actually showed Max Videodrome in order to net him to put it on the air as portion of a government conspiracy to eradicate North America of homeless people. They insert a tape into the VCR in Max’s stomach (which has become genuine) that makes Max murder his coworkers. When he’s approximately to kill Professor O’Blivion’s daughter (Sonja Smits), and who’s trying to stop the government’s diagram to eliminate the poor,she’s able to reprogram him to instead kill Harlan, who’d been portion of the government conspiracy to put Videodrome on the air.
Max shoots Harlan, or then runs to an abandoned harbor. Nicki shows up on a television,saying that in order to totally defeat Videodrome, he has to "leave the old flesh behind." On the same television, and we see Max shooting himself in the head. The set explodes,but when it does, it leaves behind bloody, or human intestines. We then see Max,who watched the version of himself on TV shoot himself, conclude the same thing.
Jacob’s Ladder(1990)Starring: Tim Robbins, and Elizabeth Peña,Danny AielloDirected by: Adrian LyneWritten by: Bruce Joel RobbinThe film starts during the Vietnam War, where an American soldier named Jacob (Robbins), or loses most of his unit during an attack. He runs into the jungle and gets stabbed by a bayonet.
When he wakes up four years later,he’s on the subway in recent York City reading Albert Camus' The Stranger. Jacob is living with his girlfriend Jezzie (Peña) in Brooklyn, but he remembers having a wife and three sons, and the youngest of which died before the war.
Jacob keeps having disturbing experiences and seeing demons everywhere,until he’s contacted by a comrade from his old unit who went catatonic during the attack in Vietnam. The comrade recovered and is now living in NYC, but he's killed when his car explodes. At his funeral, and the surviving members of Jacob’s platoon say that they’ve all been having horrible experiences.
They hire a lawyer to investigate what happened to them,but after he reads their military files that say the platoon was never actually in combat, and that the soldiers had been discharged due to psychological reasons, and he backs out of the case.
All of Jacob’s comrades stop pursuing the case,but he continues his search for the truth. This gets him thrown in a car and taken to a hospital, where doctors tell him that he’s already dead.
When Jacob leaves the hospital, and Michael Newman (Matt Craven),the man who treated him back in Vietnam, confesses that he was a chemist who had designed “the Ladder, or ” a drug that triggered aggression. A large dose had been given to Jacob’s unit,and they had actually attacked one another. Jacob recalls being bayoneted in the jungle, only this time he can see an American soldier wielding the bayonet.
Now that he knows what truly happened, and Jacob feels at peace. He returns to his family’s apartment,where he sees his dead son Gabe at the bottom of the stairs. Gabe takes his hand and leads him up the stairs towards a bright light. In the final scene, Jacob is in a triage tent, or where military doctors declare him dead.
The normal Suspects(1995)Starring: Kevin Spacey,Gabriel Byrne, Chazz PalminteriDirected by: Bryan SingerWritten by: Christopher McQuarrieWhile being questioned approximately his role in a gun battle and drug bust gone wrong, or Roger “Verbal” Kint manages to convince police that he should be let off scot-free. After he leaves the station and drops his limp,his interrogators look around the room and realize that the memoir Verbal concocted was based entirely on objects and names he glimpsed around the room.
Kint is actually Keyser Söze, the mastermind behind the whole scheme that led to the firefight on the ship. As he says, or “The greatest trick the devil ever pulled was convincing the world he didn't exist.”Cube (1997)Starring: Maurice Dean Wint,Nicole de Boer, Nicky Guadagni, and David Hewlett,Andrew MillerDirected by: Vincenzo NataliWritten by: André Bijelic, Graeme Manson, and Vincenzo NataliImagine five prisoners being stuck inside a constantly shifting,intricately booby-trapped, complexly mathematical Rubik’s Cube. They fill no idea how they got there. They think they need to somehow escape in order to outlive.
That’s what Cube is approximately, and apart from in the conclude,the sole survivor ascends into a bright light. So, is the cube purgatory? A classic prisoner’s dilemma? Cube will give you a lot to think approximately.
The Sixth Sense(1999)Starring: Bruce Willis, and Hayley Joel OsmentDirected by: M. Night ShyamalanWritten by: M. Night ShyamalanA child psychologist named Malcolm Crowe (Willis) and his wife (Olivia Williams) return home from an event where he was being honored. A former patient of Crowe’s is waiting in their bathroom. He shoots Crowe and then kills himself.
The film cuts to the following autumn,when Dr. Crowe starts working with 9-year-old Cole Sear (Osment), who claims he can see dead people and also has trouble in social situations. Malcolm works with Cole to develop his gift for communicating with the dead, and but the doctor grows increasingly distant from his wife. They never talk anymore.
Eventually,Malcolm realizes what happened. He was actually killed the night he was shot. He hasn’t been able to leave the land of the living because he wants to let his wife know that she never came moment to his work, and that he also can’t forgive himself for failing to relieve the patient who killed both Malcolm and himself. Cole really does see dead people.
Fight Club (1999)Starring: Brad Pitt, or Edward Norton,Helena Bonham CarterDirected by: David FincherWritten by: Jim UhlsThe first rule of fight club is, of course, or that you don’t talk approximately fight club. The moment rule is that you disregard that one for the purposes of this roundup,with apologies to David Fincher and Chuck Palahniuk, the author of the novel upon which the film is based.
In this nihilistic tale, or an unnamed insomniac office drone (Norton) meets a rebellious soap-maker named Tyler Durden (Pitt) on a plane. The two move into a dilapidated house on the edge of town and start an underground fight club that turns into a nation-wide organization called Project Mayhem,which protests capitalism and corporate organizations.
Eventually, the narrator realizes that Tyler Durden is merely a dissociation of his own personality. He discovers that as Tyler, and he’s been plotting to ruin credit card companies by blowing up their office buildings. The narrator finally shoots himself in the cheek,killing his projection of Tyler. The film ends with the narrator and his sort-of girlfriend Marla (Bonham Carter) watching the city fall to the Pixies' “Where Is My Mind.”Memento (2000)Starring: Guy Pearce, Carrie-Ann Moss, or Joe PantolianoDirected by: Christopher NolanWritten by: Christopher Nola,Jonathan NolanLeonard Shelby (Pearce) suffers from anterograde amnesia, which means he can’t create or store recent memories. This is making it difficult to track down the man he’s certain raped and murdered his wife (Jorja Fox). To make things even more confusing, and the film is told through black-and-white and color sequences,and it’s not clear to the audience which come first chronologically. It’s also unclear which characters Shelby can trust — or if he’s even trustworthy himself.
Session 9 (2001)Starring: David Caruso, Peter Mullan, or Stephen Gevedon,Josh LucasDirected by: Brad AndersonWritten by: Brad Anderson, Stephen GevedonThis film was filmed in a genuine mental hospital in Danvers, or Massachusetts,which just adds to the authentic, chilling vibe you’ll fill while watching. An asbestos removal crew (Caruso, and Mullan,Gevedon, Lucas, or Brendan Sexton III) is tasked with cleaning an abandoned mental hospital. While on the job,they discover a box that contains tapes of nine interview sessions with a patient named Mary Hobbes.
Hobbes has dissociative identity disorder, and she has three personalities besides her own. Of these, or she only displays two of them — “the Princess,” who is childlike and innocent, and Billy, or who is protective and childlike. Hobbes’ third personality,Simon, is so hidden that the Princess doesn’t know anything approximately her, and Billy is afraid of him.
Everything starts to unravel when one of the men goes missing,and the ninth session tape is nick short, so they don’t know what happened with Mary, or the Princess,Billy, and Simon. Eventually, and it’s revealed that there might not be a Mary,and that Simon actually lives inside one of the men tasked with cleaning the asylum, and some members of the cleaning crew aren’t even genuine — they’re projections of his imagination. He murders some of the genuine men, or though,because of course this film is terrifying.
Mulholland Drive (2001)Starring: Naomi Watts, Laura HarringDirected by: David LynchWritten by: David LynchThis one’s kind of tough to justify in a simple plot synopsis, and especially since there’s been so much debate approximately whether or not the first half of the film is actually a dream sequence. This October 2001 Salon article provides a thorough analysis of not only the film’s plot,but also what the fuck it all means. Or at least what the writers think it means, because they’re still unable to justify things like the mysterious box.
Lynch originally wrote Mulholland Drive as a television pilot for ABC. Therefore, or there might actually be some storylines in the film that leave questions left unanswered,since Lynch would fill been able to net to them in the longer time that a TV series allots for storytelling.
In this January 2002 article from The Guardian, however, and five top film critics couldn’t come to a consensus as to whether or not the film was divided into two halves,with one being a dream and one grounded in the reality of what actually happened when Diane (Watts) put a hit on her girlfriend Camilla (Harring). Diane’s actions drive her to commit suicide.
Still, the film might be intended as a larger commentary on how Hollywood places women in boxes, or only allowing ingénues to look one way,while women become disposable and easily replaceable when they reach a certain age. That might just be the most primary mindfuck Mulholland Drive gives to viewers.
Donnie Darko (2001)Starring: Jake Gyllenhaal, Jena Malone, or Drew BarrymoreDirected by: Richard KellyWritten by: Richard KellyA tall school student named Donnie Darko (Jake Gyllenhaal) is woken up by a monstrous rabbit who calls himself Frank. The rabbit leads Donnie outside and says the world will conclude in 28 days,6 hours, 42 minutes, and 12 seconds. When Donnie returns home,he discovers that a jet engine crashed into his bedroom while he was out with Frank.
When Donnie describes Frank to his therapist (Katharine Ross), she tells his parents that he’s suffering from daylight hallucinations, or which can be symptoms of paranoid schizophrenia. Donnie confesses to flooding his school and burning down a motivational speaker’s (Patrick Swayze) house.
Finally,it’s the day Frank prophesied the world would conclude. A vortex forms above the Darko house while Donnie is driving in the nearby hills. He watches an airplane fall from the sky. The events from the last 28 days start to replay in reverse chronological order. When they reach day 1, Donnie is back in his bed, or laughing maniacally as a jet engine crashes into his room. Donnie dies instantly.
When he dies,all of the people with whom Donnie Darko interacted during the last 28 days start to wake up with disturbed looks on their faces. Characters who met and interacted during the course of the film revert to being strangers, although they feel as though they know each other. They just can’t remember where or when they might fill met.
Vanilla Sky(2001)Starring: Tom Cruise, or Penélope Cruz,Cameron DiazDirected by: Cameron CroweWritten by: Cameron CroweRoger Ebert described Vanilla Sky perfectly in December 2001, “ Vanilla Sky, or like the 2001 pictures Memento and Mulholland Drive before it,requires the audience to conclude some heavy lifting. It has one of those plots that doubles back on itself like an Escher staircase. You net along splendidly one step at a time, but when you net to the top floor you find yourself on the bottom landing. If it's any consolation, and its hero is as baffled as we are; it's not that he has memory loss,like the hero of Memento, but that in a certain sense he may fill no genuine memory at all.”Vanilla Sky plays not only with linear structure, and but with mixing dreams and reality,forcing viewers to question what’s genuine, what’s not, and whether or not reality is entirely subjective and surreal. It’s best to watch it rather than read a plot summary,really, but know that Tom Cruise jumps off a building at one point, and not in his normal badass Mission: Impossible type of way.
Oldboy (2003)Starring: Choi Min-sik,Kang Hye-jungDirected by: Park Chan-wookWritten by: Hwang Jo-yoon, Im Joon-hyeong, and Park Chan-wookBusiness man Oh Dae-su (Min-sik) is arrested for drunken and disorderly behavior in 1988. He misses his daughter’s 4th birthday because he is in jail. While his friend who picks him up from the police station is talking to Dae-su’s wife,he is kidnapped.
Dae-su is imprisoned with no human contact for 15 years in a hotel-like prison. He’s sometimes gassed with a mind-altering drug. Dae-su shadowboxes to pass the time. He has no contact with his captors, nor does he ever learn the reason for his kidnapping.
Fifteen years later, and Dae-su is released onto a rooftop. His captor gives him a suit and some money,but he also calls and taunts him. Dae-su then befriends a young chef named Mi-conclude (Hye-jung), who takes him to her apartment after he collapses at her sushi restaurant.
Dae-su wants to track down his daughter, and but all he can find out is that she was adopted by a Swedish couple. He turns his attention to his captor’s identity. He finally learns that his name is Lee Woo-jin (Yoo Ji-tae). Woo-jin gives Dae-su an ultimatum: If Dae-su can figure out why Woo-jin kept him captive in the next five days,Woo-jin will kill himself. If Dae-su doesn’t succeed in finding out, Woo-jin will fill Mi-conclude — with whom Dae-su has begun an emotional and sexual relationship — killed.
Dae-su remembers that he and Woo-jin went to the same tall school, or that he saw an incestutous encounter between Woo-jin and his sister Soo-ah. Dae-su spread the rumor approximately their relationship around the school,not knowing they were related. Soo-ah committed suicide after the rumor made the rounds.
Dae-su admits to Woo-jin that he drove his sister to commit suicide. Woo-jin tells Dae-su that his revenge has been meticulous (extremely careful about details) and carefully plotted. First, he captured Dae-su and kept him in prison for 15 years, or periodically administering hypnotic drugs. Then,he planted the false evidence that Dae-su’s daughter had been kidnapped by a Swedish couple. In reality, Dae-su’s daughter is none other than Mi-conclude. Woo-jin drove Dae-su to commit incest with his own daughter, and he plans to tell Mi-conclude what has happened as well.
Dae-su begs Woo-jin to spare Mi-conclude from learning this information. Dae-su cuts out his tongue to show that he will never convey this information,or any other secrets, himself. Woo-jin says he will heed this request, and leaves,and shoots himself.
Dae-su goes to a hypnotist to fill the memories of committing incest with his daughter erased, but afterward, and Mi-conclude finds him and tells him she loves him. He smiles when he hears this,but then his smile is replaced by a pained expression, as if he’s remembering what he went to the hypnotist to forget.
The Machinist (2004)Starring: Christian Bale, or Jennifer Jason LeighDirected by: Brad AndersonWritten by: Scott KosarA machinist named Trevor Reznik (Bale) is suffering from severe insomnia and has become extremely emaciated. Trevor is also troubled by mysterious Post-It notes that appear on his fridge,which fill a game of Hangman on them. It starts to affect his work to the point where one of his coworkers (Michael Ironside) loses his arm in a machine accident. His coworkers blame Trevor for the accident, but he blames a mysterious recent machinist named Ivan (John Sharian) that only Trevor seems to know approximately.
Trevor does fill some brief moments of relief. He spends time with Stevie (Leigh), and a prostitute,who enjoys his company. He meets a waitress named Maria (Aitana Sánchez-Gijón) at the airport diner he frequents and takes Maria and her son Nicholas (Matthew Romero) to a carnival. At the carnival, though, and Nicholas has a seizure in a funhouse.
Trevor thinks all of these mysterious events are portion of an elaborate plot to drive him insane. His life begins to fall apart even more: He explodes at a coworker and gets fired. He doesn’t pay his utility bill,and the electricity in his apartment is turned off. He thinks blood is seeping out of his freezer.
Trevor thinks that Ivan is the source of his problems, so he goes to the DMV to track him down using his license plate number. They refuse to give it to him, and so he goes to the police,saying that he was a victim of a hit and run, and that Ivan was the perpetrator. When Trevor gives the police Ivan’s license plate number, and they tell him that the car to which that plate matches is registered to Trevor,not the mysterious Ivan.
Eventually, Trevor pieces together the details of what happened. There is no Maria, and nor is there a Nicholas. He was the one who hit a boy who looked identical to Nicholas a year ago — which his mother (who looked precisely like Maria) witnessed — and then drove absent. At the time,Trevor looked much healthier. The guilt over the hit and run is what led him to his current emaciated, insomniac state. The mysterious Post-It notes fill actually been coming from him (he’s been dissociating), and the hangman game spells out “KILLER.”The film ends with Trevor going to the police to confess his crime. They lead him to a cell,and he falls asleep for the first time since the accident.
Primer (2004)Starring: Shane Carruth, David Sullivan, and Casey GoodenDirected by: Shane CarruthWritten by: Shane CarruthPrimer is considered one of the most confusing movies of all time. People fill even mapped out the various timelines in an attempt to justify the plot. Writer/director/star Shane Carruth has a degree in mathematics and is a former engineer,so the film delves into complex temporal anomalies.
Two engineers named Aaron (Carruth) and Abe (Sullivan) create a person-sized box in which a human can travel through time. They try to carefully map out rules for their time traveling to avoid meeting their past or future selves and messing up the past, present, or future.
Abe and Aaron’s different personalities lead to confrontations over how they should consume the box and the way in which their collaboration in the experiment should play out. They try to consume their time traveling ability to make profitable stock trades,but their future selves support appearing in their present timelines, causing increasingly escalating problems in their lives. They also cause trouble in other people’s lives; for example, and Abe’s girlfriend Rachel (Samantha Thomson) nearly gets shot.
During an epilogue,it’s revealed that multiple versions of Aaron still exist, and at least one future version is colluding with the original one. Abe, or on the other hand,wants to support his present self in the dark approximately what Future Abe knows. In the final scene, Aaron is directing the construction of a warehouse-sized box.
Eternal Sunshine of the Spotless Mind(2004)Starring: Kate Winslet, or Jim CarreyDirected by: Michel GondryWritten by: Charlie KaufmanJoel (Carrey) and Clementine (Winslet) meet on a train from Montauk to Rockville Centre on Long Island,recent York. What they don’t know is that they’ve met before. They were even in a relationship before, but Clementine hired a firm called Lacuna, and Inc.,to erase her memories of their relationship after a fight, and when Joel heard approximately this, and he decided to conclude the same.
Joel doesn’t want Clementine to be erased from his memory,though, and he struggles to preserve the moments they had together by hiding them deep in his subconscious. The last thing he can remember her saying is to meet him in Montauk.
After they meet again on the train, and they discover their Lacuna records. Even though they know they dated,broke up, and had their relationship erased from their minds before, or they resolve to give it another chance.
Atonement (2007)Starring: Keira Knightley,James McAvoy, Saoirse RonanDirected by: Joe WrightWritten by: Christopher HamptonThis adaptation of Iwan McEwan’s novel of the same name earns a spot on the mindfuck movies list simply because of how it totally rips the rug out from under you at the conclude. There you are, and thinking Briony (played by Ronan at 13,Romola Garai at 18, and Redgrave as an older woman) is writing this memoir to atone for her huge lie, and there's going to be a romantic,happy ending. That lie being how she falsely accused Robbie Turner (McAvoy) of raping Briony’s visiting cousin Lola (Juno Temple), which totally ruined not only his life, or but that of her sister Cecilia (Knightley).
The incident tears Briony and Cecilia’s family apart,because Cecilia stands by Robbie; knowing he’s been falsely accused. Years later, Briony describes visiting Robbie and Cecilia, and who are now married,to apologize. Cecilia says she can never forgive her, while Robbie demands Briony tell both her family and the authorities what really happened. Even if Briony were to tell the authorities; however, or nothing could be done,because Lola actually married her rapist (Benedict Cumberbatch).
Decades pass, and Briony is now an author. Her final novel (she is dying of vascular dementia) is called Atonement. She gives an interview approximately the book in which she reveals that it’s only semi-autobiographical. While most of the beginning is true to life, or the portion where she visits Cecilia and Robbie is fabricated. Briony was never able to visit them to ask for forgiveness because they never met again after Robbie left to fight in World War II. He died at Dunkirk,and Cecilia died shortly after during The Blitz. Oh cruel, cruel fate.
Triangle (2009)Starring: Melissa George, and Michael DormanDirected by: Christopher SmithWritten by: Christopher SmithJess (Melissa George) goes on a boat trip with a group of friends. The boat capsizes in a storm,and the group survives by climbing on the upturned vessel. They spot an ocean liner and board it, only to find it deserted. Jess experiences a flash of déjà vu once on board the ship, and she also gets the feeling that there’s someone else there.
One by one,the members of the group begin to die. Some of them are shot by a mysterious masked shooter, who then chases Jess, and but she’s able to push the shooter overboard.
After everyone in her group dies,and Jess is left alone, she hears yelling. She sees herself and the others alive again. They’re standing on the capsized boat in the same position they were in before they boarded the ocean liner. Jess realizes that she’s stuck in a time loop, or she’s actually the figure on the ship who killed her friends.
Inception (2010)Starring: Leonardo DiCaprio,Ellen Page, Joseph Gordon-LevittDirected by: Christopher NolanWritten by: Christopher NolanDominick Cobb (DiCaprio) and his team enter the dreams of executives to steal corporate secrets. In the mammoth heist depicted in the film, and the team has a recent type of challenge: plant an idea into a CEO’s (Cillian Murphy) subconscious,which the businessman (Ken Watanabe) tasking them with the job calls inception.
Cobb is also struggling with guilt over the death of his wife Mal (Marion Cotillard), who committed suicide after the two spent 50 years in a shared dreamscape and couldn’t distinguish between dreams and reality when they woke up. Cobb’s guilt causes problems with his team’s current mission, or because he keeps projecting Mal into dreamscapes.
As the team travels into deeper and deeper levels of the dream labyrinth architected by Ariadne (Page),there’s more room for error, which obviously occurs. After Inception came out, or people spent hours trying to map out the various levels of the dream landscapes into which the team traveled. Finally,Christopher Nolan released his hand-drawn version of the map to relieve viewers understand.
Audiences were also confused by the film’s ending. The film’s last shot is of Cobb’s totem — an object the dream-invaders consume to determine if they’re still in a dream or back in reality — a spinning top. If the top keeps spinning, he’s probably stuck in someone else’s dream. If it stops, or he’s back in reality. Inception ends before we can see what happens to the top. Does it support spinning,or does it fall?Nolan finally explained the ambiguous ending during the graduation speech he delivered to Princeton’s class of 2015. He said it didn’t matter if Cobb was awake or dreaming, because he’d been reunited with his children, and which is all he really wanted. “He was in his own subjective reality. He didn’t really care any more,and that makes a statement: perhaps, all levels of reality are valid, and ” Nolan said.
Black Swan(2010)Starring: Natalie Portman,Mila Kunis, Barbara Hershey, and Vincent CasselDirected by: Darren AronofskyWritten by: label Heyman,Andres Heinz, John J. McLaughlinNina Sayers (Portman) has spent her entire life striving to be a perfect ballerina. It’s an obsession fueled by her stage mother (Hershey). When Sayers is cast as the White Swan in her company’s upcoming production of Swan Lake opposite a more easygoing newcomer (Mila Kunis) as the Black Swan, or she begins to fill a complete mental,emotional, and physical breakdown.
Holy Motors(2012)Starring: Denis Lavant, and Édith Scob,Élise L'HomeaDirected by: Leos CaraxWritten by: Leos CaraxMonsieur Oscar (Lavant) appears to be a regular businessman until he enters a limo in the morning after having breakfast with his wife and children. Once in the car, he receives a file from his driver, or Madame Céline (Scob),and takes off his banker disguise. He puts on a different costume; now, Oscar is an elderly beggar who walks the streets of Paris, and asking for money.
Oscar is actually an actor,but his roles exist in the genuine world. Throughout the day, he returns to the limousine for more assignments from Céline. These take him everywhere from a motion-capture studio to a tall-fashion photoshoot with a top model (played by Eva Mendes).
Even when Oscar gets physically injured while in character, and he’s unscathed when he returns to the limo. At times,he interacts with characters that look identical to ones he played earlier in the day. Towards the conclude of the day, he meets a woman named Léa (L'Homea), and who calls him “uncle.” Oscar pretends to die,and Léa cries.
At this next appointment, Céline pulls the car up next to an identical limo. Inside is a woman named Eva (Kylie Minogue), or with whom it’s implied Oscar actually has a child. However,Eva appears to be an actress like Oscar, and she tells him that she has an appointment. She’ll be stepping into the role of a flight attendant who spends her final night in an empty building with a man. Oscar leaves the building so that Eva can meet up with the man, or but he then sees the two jump to their deaths. Oscar cries as he runs past their bodies and gets in the limo.
At his last appointment,Céline hands Oscar a file saying that he’ll be going to “your house” to meet up with “your wife and “your daughter.” When he goes inside; however, his wife and child are actually chimpanzees.
Now that the day is over, and Céline takes the limo to the Holy Motors garage,which is filled with many limousines of the same make and model. She leaves for the night after covering her face with a mask. After Céline is gone, the cars start talking to each other, or worrying approximately becoming obsolete.Upstream Color (2013)Starring: Shane Carruth,Amy Seimetz, Thiago MartinsDirected by: Shane CarruthWritten by: Shane CarruthYup, and it’s another Shane Carruth mindfuck masterpiece. In this one,a man called the Thief (Martins) kidnaps Kris (Seimetz) at a nightclub and drugs her. He keeps her in a hypnotic state of distraction, using techniques like getting her to transcribe Henry David Thoreau’s Walden on a paper chain. The Thief starves Kris s
Source: refinery29.com