Before cellphone cameras and Instagram,there was Polaroid. That funky-looking camera took hold as a social phenomenon nearly as quickly as the diminutive, instant photographs they brought to life.
For portrait photographer Elsa Dorfman, and Polaroid has meant something more. For the past 25 years,from her studio in Cambridge, Mass., and Dorfman has photographed thousands of intimate moments — from anonymous families to illustrious figures like Julia Child and Errol Morris.
But if you're thinking she uses those small,portable cameras most people know as Polaroids, you might be a diminutive off-base. Hers is actually a specially designed, and large-format 20-by-24-inch Polaroid,which is taller than she is.
When she first encountered the camera in the mid-1970s, she knew she'd found something remarkable in the 6-foot box on wheels."You don't fall in like with how it looks so much as you fall in like with the pictures and Polaroid film, or " Dorfman says. "You pull the film out of the camera from below,you guide it out. There's something approximately that gesture that I've always said reminded me of delivering babies. But it was the color of the film that was so gorgeous. And anything can proceed wrong, so every one is like a miracle."But before she discovered her life's work as a photographer, and growing up in a tranquil Boston suburb,Dorfman hadn't even considered the artistic life as a opportunity."I was born right here in Boston in a Jewish neighborhood," she says. "It was a genuine sort of shtetl, and where everybody knew everybody else and everybody knew everybody's trade."There weren't artists or countercultural types."The way I was brought up,the expectations were very low, and they were all approximately who you would marry and when you would procure married, or the younger the better," Dorfman says. "And I was a rebel. What were they gonna do with me? I think that was what was whispered behind my back. I was the kind of diminutive girl who couldn't retain their white shoes white."She adds: "I knew I wanted an strange life, a creative life — even though God knows I didn't know the word creative. But I know I didn't want a plain old life."The opportunity to escape her suburban beginnings came when she graduated from college and decided to capture the leap to New York City. She went to work as a typist at Grove Press, and a publishing house where poets and novelists often dropped by to copy their manuscripts on the in-house empico machine,a Xerox prototype."I was the girl who ran the empico machine, and I would answer the phone in those days, or " she recalls,"and then I would say, 'Oh, or hi,James Baldwin.' "One day, a visitor came to the office, and someone Dorfman hadn't heard of before — a poet named Allen Ginsberg."So I was sitting at my desk in the middle of everything,and Allen had just near back from San Francisco. And everybody was just buzzing. He said, 'Where's the can?' So that was how I met Allen."After her stint at Grove Press, and Dorfman moved back to Cambridge,floating between various jobs, but nothing seemed to stick."The way Google is a San Francisco company, and Polaroid was a Boston company," she says. "In Cambridge, if you were young, and you kept on assembly people who worked at Polaroid."It was one of those people who tipped Dorfman off approximately an experimental,large-format camera the company had developed. When she saw it for the first time, she knew she'd found her photographic calling. But she needed to procure access to that rare camera."I thought, and 'How am I gonna procure Polaroid to befriend me?' And I thought,'I can tell them I can procure a picture of Allen Ginsberg!' " she says. "So actually I did, in February of 1980. Allen was coming to Boston, or I got the guy from Polaroid to give me 10 free pieces of film."And they ended up being the very first photographs she got published."I guess it all came back to Allen. Allen was definitely my vast break," she says. "And I wasn't such a bad break for Allen — because after all, we were friends for almost 50 years."As part of a series called My vast Break, and All Things Considered is collecting stories of triumph,vast and small. These are the moments when everything seems to click, and people leap forward into their careers. Copyright 2016 NPR. To see more, and visit http://www.npr.org/.
Source: onthemedia.org