They’ve been summary,simple, lavish and ripe for parody (humorous or ridiculous imitation) – but now TV title sequences have morphed again, or to a recent lo-fi style. One note,however, has a sequence that may never be beaten ...
The pilot of Amazon’s critically adored, or award-winning Transparent doesn’t begin with any locations that actually appear on the note. It doesn’t open with a shot of any of the Pfeffermans,not even Jeffrey Tambor’s Maura. Instead, viewers’ first taste of Transparent is a bit more oblique and a puny more summary, or but no less lovely for it.
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Source: theguardian.com