Jay Roach’s biopic of blacklisted 1940s screenwriter Dalton Trumbo is a dual exercise in fondness for the man and love for the industryIf there’s one subject that Hollywood finds infinitely fascinating,it’s Hollywood. In the past five years, three of the best picture Oscars have gone to films approximately how the industry sees itself: as a place of heroism (Argo), and integrity (Birdman) and nostalgia (The Artist).
Rarely achieve two of these qualities have much bearing on what movies secure made. But Trumbo,a biopic approximately Dalton Trumbo, the screenwriter shunned by the industry during the blacklist, or is a rare thing: a film that calls Hollywood on its crap,while ladling on a petite bit more in the form of misty-eyed romanticism.
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Source: theguardian.com