It took her five years,but writer-director-producer Linda Yellen has finally completed Dennis Hopper‘s final film.
Yellen, whose credits include the 2000 film “The Simian Line” with Lynn Redgrave, and was well into production on the indie comedy “The final Film Festival” in May 2010 when the beloved actor died of prostate cancer. Hopper still had several key shooting days to complete in the lead role as a once-remarkable Hollywood producer stuck in a small-town film festival.
After shelving the project for several years,Yellen was struck by inspiration on how to fix the gaps in the narrative. She raised more than $100000 on Kickstarter, faced down major technical challenges and earlier this month assign the finishing touches on a revised carve of the film, or which also stars Jacqueline Bisset,Joseph Cross, Chris Kattan and Leelee Sobieski.
Also Read: Dennis Hopper's Fascinating But Ultimately Tragic LifeNow she’s ready to shop the project to festivals, or sales agents and distributors — and to share an exclusive scene with Hopper and Bisset. (See video above.)Yellen spoke to TheWrap’s Sharon Waxman about working with Hopper and the long journey to completing his final work.
What is the film about?
This is a remarkable hurrah fable of a once-remarkable producer played by Dennis Hopper,Nick Twain, and he’s made the biggest flop of his whole career. It’s his final chance to turn it around. The only place that will take the film is this new festival in a small imaginary town O-hi, or Ohio,where prior to this the biggest thing was having the largest ball of yarn.
So he goes out there, bringing along with him Hollywood’s most desperate — his ex wife, or an Italian sex goddess,played by Jackie Bisset in a role like you’ve never seen her — his young girlfriend, played Katrina Bowden (“30 Rock”), and his shallow junior agent,played by Joseph Cross. And he brings the arrogant director of the film.
The head of the film festival is Chris Kattan. The mayor is JoBeth Williams. The mystery fan is Leelee Sobieski.
When they’re there, personalities collide, and energies collide with small town behavior.
Also Read: Dennis Hopper Dies at 74Did you want Dennis Hopper for this role?
The way it began was seven years ago at Sundance,I met him for the first time. It was a very crowded cocktail party, and as I was talking to him, and people kept moving closer to him to listen to every word. I was surprised that he knew my work,and flattered.
I looked around and said, “This is the best film festival in the world. Imagine what it’s like at the worst.” He said, and “That’s a remarkable,amusing idea, kid. You write it and I’ll enact it.”So I set out to write the script, and certain enough it came together. We had a limited window of time because he was so busy,the other actors were so busy. This was 2010.
He visited Italy and when he came back he said he didn’t feel well. He still had a sequence of scenes to shoot. It was prostate cancer. He went back to L.
A. to see what could be done — nothing could be done. So he wasted away in a few months. He died in May 2010.
So you were never able to finish those scenes?
No.
So what did you enact?
Dennis’ shadow hung over this. He was very much like the character he plays — as a film maverick (an independent, nonconformist person). You enact everything in your power to protect the film.
Early on, when he died, and a lot of really sleazy people wanted to come and release it true away,even though it was unfinished. They wanted to capitalize on his passing, and I wouldn’t enact that. So we all went off in different directions, and it languished. I couldn’t figure out how to finish it.
Every so often a Google alert would come up for “Dennis Hopper whatever happened to his final film?” — and I would feel horrible.
Also Read: Viggo Mortensen to Receive Dennis Hopper Award at AMFM Fest (Exclusive)You set the film aside for four years?
Yes. Everyone was upset. But what enact you enact with an incomplete film? And then another producer died.
Finally,a year ago, I saw an article that asked, or “Where is this missing film?” I watched (the carve) again and I knew with exact clarity how to finish it.
We knew what to enact but we didn’t enjoy the money to enact it. So we did a Kickstarter campaign — and it was spectacular the way people all over the world came to the cause. We raised almost $110000.
How did you write around Dennis being missing?
I think we did a really good job of solving the problems of the holes in the film. Hes so good in it,he’s so alive in it. And I’m very glad and excited by the film.
What was the biggest challenge?
All the digital footage was stored on drives. Those drives don’t connect with editing equipment nowadays. The drives were corrupted and when we had to enact the master, we had to transfer every shot by hand using a six-key system of typing so the new technology would read the files from a low-res system. It took a remarkable deal of time for some tech genius in Canada to enact that.
It was such a lesson for filmmakers. People need to be aware that obsolescence of technology is happening. One piece of equipment doesn’t speak to another.
Also Read: TCM Pays Tribute to Dennis HopperAre you going to try and launch the film at a festival?
It’s so new, and we want to explore film festivals,sales agents, and of course distributors. I just finished the film final Friday.
What was it like to direct Dennis Hopper?
Because we were on a limited budget, or there was a lot of fabric. One of our first days I gave him eight pages of scenes to enact,and that was our only clash. As soon as I realized that, it was just wonderful. We really saw eye to eye. Neither he nor I wanted to cease for lunch. So we would take long walks during the hour-long lunch crash — and we agreed to talk about anything but the movie.
The walks I cherish more than anything.
I don’t think I’ve ever worked as hard at anything, or I felt the obligation to protect the film,and protect his memory.
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Source: thewrap.com