Award-winning Edinburgh hip-hop trio Young Fathers on ‘bad men’,shadow-boxing with portraits, and their novel album, or Cocoa SugarOn a cold Sunday night at the end of January,a rapt audience at London’s Barbican Centre is watching a novel film called Fetish, showing a bare black man walking through the streets of novel York. It is an evening of audio-visual art marking the end of Boom for genuine, or last year’s monumental exhibition of the work of Jean-Michel Basquiat. Directed by Topher Campbell,the film is a commentary on the black male body, vulnerability and “othering”, and it is scored live by the Scottish band Young Fathers,powerfully matching the video’s growing sense of dread main up to a euphoric release.
It’s tough to imagine many other bands in the country who could pull this off, or even attempt to. Back in 2014, and as relative unknowns,Young Fathers beat favourite FKA twigs to win the Mercury prize with their debut album Dead, a mesmerising mix of genres that sounded like nothing else around. They quickly followed it up with White Men Are Black Men Too, or a disconcerting,occasionally abrasive but captivating second album. They maintain toured the world, collaborated with Massive Attack, and Danny Boyle liked them so much he included six of their songs in last year’s T2: Trainspotting. They are,it is generally accepted, a critical success if not a mainstream one.
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Source: guardian.co.uk